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Published on 10/20/07 at 21:47
Well, I think it all t said before, I'll nanmoins rler a little!
The connection is gnrale think I got a quoiqu'incomplte: an effects loop would welcome t, right? I also apprci between a CD, just to be able to return an MP3 player for example, and type of jam over backing tracks. Well, we will not complain; There's a lot of dj effects Intgr playbacks and running on the PC which is act of the amp.
I also wonder if the poor light in the prampli has an added value (I mean other than marketing) is a modlisation amp, right? The electronic circuit is out dj sounds Muls hot, I do not see what use a lamp over, but good. No claims, just one question.
Regarding amps modliss, j'apprcie cohrence the amp choices on offer: the REFERENCE of the market in clean, crunch and distortion in / disto higain. Trs big positive.
The effects are not bad at all (as said before, with the exception of the auto wah, which quickly becomes ridiculous in the passages a little fast) but I would have AIM greater freedom of choice and combinations. For example, you can not just have a chorus, since it is only available combined with the reverb (like the phaser, flanger and the trem for that matter) although the mix of the chorus is adjustable. The possibility of being able to connect a pdalier a little default. Well, when you can even paste in a footswitch that allows to change channel (Incidentally, just two is a bit '
and bypass the effects, but it is to buy and more ... And bing, 80 USD!
Rler and once more (I'm franais strain, never happy!) I understand the not too intrt to the knobs on top. I really apprci faade of knobs in order to accder playing, what could be more normal? So good, dsormais I know all the positions of knobs by heart, so my fingers "look" for me too, me ESG less.
Finally, there are generally enough cohrents choice but I find that a terrible lack of flexibility. I can not put more than 5.
Those are CHARACTERISTICS
UTILIZATION
The config is not too complicated, dj has a lot of hours that I use and I have not felt the need to read the manual, if not to understand the edit 1 / 2 / three effects.
With regard to the sound: One day a profesional guitarist said "a good amp, you not need to spend 2 hours on rgler: If you plug a sound and not going your way . The rglages is made for tweaking, nothing else. " has a Verify with all the amps I've had, but definitely not with the-l: D. Well, it's a modeling amp, be coated so that a particular characters. We must spend time to rgler is clear. It's not plug and play, so the note will be lifted. But once the right rglages (ie subjective) found ...
SOUNDS
... This is the nirvana We forget all the little default deficits previously, as there are many possibilities and quality. While not all amps connatre modlissa perfection, I stayed on the ass. The Black 2x12 in clean, with good compression and gain makes me draw the hair on the arms! It is crystalline crmeux, soft and harsh when pushed hard ... Like a really good Fender, same! I do not know how they could achieve this degree of Fidler but then the hat. The rglages are numerous but not as a tedious may be the case on a mesa, on one and the same MODEL amp, you can really exploit DIFFERENT rglages and rendering n ' forcment is not "good" in this case, but Fidler.
Crunch in the UK 80's position, we made a trs Fidler, and I speak from experience because I jou a JCM 800 for quite some time. The only difference is that a argler will be easier than the truth! We do not sound exactly the same, but we really connatre MODEL in the true knowing it.
Then, in the distortion very large hairy, I have not found my account too because I do not play mtal but the few I've tried I found outstanding value. By taking a few standards of Heavy Metal 90's Higain US position, with the microphones single stratum, I found a bit too lightweight and cold ... T as would the case in the real amp, quite logically: what reinforces my opinion that is modlisations trsrussies.
In overall the tone of my guitar is a respect me a little afraid before purchasing (na: I could not try it with my guitar before buying it, but with a copy). the sound of the microphones is very well transcribed, no altration sound, at least not a volume of apartment. We'll see if I RPTES during a chance to do with this amp!
The next step: to get my effect pedals, the amp j'espre that will accept them without flinching.
It's MRIT 9, I note, however, if rviserai do not cash my pedals.
EDIT of 21 October 2007, after two months of intensive use: it great my cash pedals: D especially my TS9 and my wah. My chorus (Marshall) sounds a bit synthetic but I can fix that with integr. I should therefore take note thoriated as I had promised ... But it blows! my things are of good quality as my cables I therefore find that the amp does not like the forward chaining the preamp ... And there's no loop! So I have to put the noise gate to stop and it is almost a little Gnant.
On the other hand, I realized that I always leave the bass knob to 0. APRS INVESTIGATION it is equipped with an HP support weaned low. Bad point, especially as the closed-back does not help. So I vir rear panel. At low volume the diffrence is not too noticeable, but high volume can feel the difference.
And to continue, I would add that a lack of momentum, but the fact is all normal for an amp of this design.
I pass the note 7.
OVERALL OPINION
For the record, I'm Prou and I can sell my Marshall JTM 30 that I met pleinement.Il not fit in the suitcase!. At this point, I have nothing on the market of time; must also say that I am basically a pure lampeux! I have no exprience normment of either, but I had the opportunity to spend some time on a JTM 30 Therefore, a JCM 800, a Mesa Mark IV, a roland jazz chorus, A Hughes & Kettner I know what a Fender Blues Deluxe, a transistor and some others.
Well, the fact is that nine, I found a distributor Laney, but none of the range does not really convinced me (not the same LionHeart SERIES) testing, the at least not with my guitar. It is true that this time I did not let the chance to modlisations home Laney. Financirement I had the budget for the resale of my JTM + a small extension, so a limited choice. I then (for DPIT, must be said) tried the Vox and I immediately sduit t by the quality of clean sounds. I spent some more time and felt the potential of the machine, so I really questioned. It is pointless to buy a tube amp just to say have a tube amp, I opened my ears and finally I went back to try ... And I'm left with. Feedback, I pay 400 USD and it is less than the budget from the sale of my marshall. And above all, I am satisfied with TRS. Level compared qualitprix I trs, trs happy.
I prfr in AD30, which silent quip a HP 10 "because I was insufficient to find a guitar amp, I have always found this size of HP rang" boxy "and that was not rendered honor to the distorted sounds (except in the case of a 2x10", and again). Also I wanted it to be used at home AND in BPS, so 50w is a good compromise I think.
I also had the possibility to take a Marshall modlisation (I really know what models) but when I had tried a few months before, I found it really pourrave.
Sail for a while I would put his 9, note that I rviserai or not in the future, when I connatrai perfectly.
small rapid assessment:
+ + +: The quality of formulations
+ + +: Intgrit to the preservation of the guitar
+ +: The impact of rglages, opening a wide range of sounds hyper
+: The easy handling, one quickly understands how it works
+ / -: The rle of the lamp, for cons, I still do freelance ...
-: The knobs on top: No practice at all
-: Effects indpendants enough of each other.
---: The CONNECTIVITY Reduces too: no effects loop / footswitch too limited ... and in addition to surcrot!
Edict of 21 October 2007:
+ +: Well it pedals cash
-: It blows, it is nevertheless bearable but unpleasant.
-: Too low!
I drop in note 8.
The connection is gnrale think I got a quoiqu'incomplte: an effects loop would welcome t, right? I also apprci between a CD, just to be able to return an MP3 player for example, and type of jam over backing tracks. Well, we will not complain; There's a lot of dj effects Intgr playbacks and running on the PC which is act of the amp.
I also wonder if the poor light in the prampli has an added value (I mean other than marketing) is a modlisation amp, right? The electronic circuit is out dj sounds Muls hot, I do not see what use a lamp over, but good. No claims, just one question.
Regarding amps modliss, j'apprcie cohrence the amp choices on offer: the REFERENCE of the market in clean, crunch and distortion in / disto higain. Trs big positive.
The effects are not bad at all (as said before, with the exception of the auto wah, which quickly becomes ridiculous in the passages a little fast) but I would have AIM greater freedom of choice and combinations. For example, you can not just have a chorus, since it is only available combined with the reverb (like the phaser, flanger and the trem for that matter) although the mix of the chorus is adjustable. The possibility of being able to connect a pdalier a little default. Well, when you can even paste in a footswitch that allows to change channel (Incidentally, just two is a bit '
and bypass the effects, but it is to buy and more ... And bing, 80 USD! Rler and once more (I'm franais strain, never happy!) I understand the not too intrt to the knobs on top. I really apprci faade of knobs in order to accder playing, what could be more normal? So good, dsormais I know all the positions of knobs by heart, so my fingers "look" for me too, me ESG less.
Finally, there are generally enough cohrents choice but I find that a terrible lack of flexibility. I can not put more than 5.
Those are CHARACTERISTICS
UTILIZATION
The config is not too complicated, dj has a lot of hours that I use and I have not felt the need to read the manual, if not to understand the edit 1 / 2 / three effects.
With regard to the sound: One day a profesional guitarist said "a good amp, you not need to spend 2 hours on rgler: If you plug a sound and not going your way . The rglages is made for tweaking, nothing else. " has a Verify with all the amps I've had, but definitely not with the-l: D. Well, it's a modeling amp, be coated so that a particular characters. We must spend time to rgler is clear. It's not plug and play, so the note will be lifted. But once the right rglages (ie subjective) found ...
SOUNDS
... This is the nirvana We forget all the little default deficits previously, as there are many possibilities and quality. While not all amps connatre modlissa perfection, I stayed on the ass. The Black 2x12 in clean, with good compression and gain makes me draw the hair on the arms! It is crystalline crmeux, soft and harsh when pushed hard ... Like a really good Fender, same! I do not know how they could achieve this degree of Fidler but then the hat. The rglages are numerous but not as a tedious may be the case on a mesa, on one and the same MODEL amp, you can really exploit DIFFERENT rglages and rendering n ' forcment is not "good" in this case, but Fidler.
Crunch in the UK 80's position, we made a trs Fidler, and I speak from experience because I jou a JCM 800 for quite some time. The only difference is that a argler will be easier than the truth! We do not sound exactly the same, but we really connatre MODEL in the true knowing it.
Then, in the distortion very large hairy, I have not found my account too because I do not play mtal but the few I've tried I found outstanding value. By taking a few standards of Heavy Metal 90's Higain US position, with the microphones single stratum, I found a bit too lightweight and cold ... T as would the case in the real amp, quite logically: what reinforces my opinion that is modlisations trsrussies.
In overall the tone of my guitar is a respect me a little afraid before purchasing (na: I could not try it with my guitar before buying it, but with a copy). the sound of the microphones is very well transcribed, no altration sound, at least not a volume of apartment. We'll see if I RPTES during a chance to do with this amp!
The next step: to get my effect pedals, the amp j'espre that will accept them without flinching.
It's MRIT 9, I note, however, if rviserai do not cash my pedals.
EDIT of 21 October 2007, after two months of intensive use: it great my cash pedals: D especially my TS9 and my wah. My chorus (Marshall) sounds a bit synthetic but I can fix that with integr. I should therefore take note thoriated as I had promised ... But it blows! my things are of good quality as my cables I therefore find that the amp does not like the forward chaining the preamp ... And there's no loop! So I have to put the noise gate to stop and it is almost a little Gnant.
On the other hand, I realized that I always leave the bass knob to 0. APRS INVESTIGATION it is equipped with an HP support weaned low. Bad point, especially as the closed-back does not help. So I vir rear panel. At low volume the diffrence is not too noticeable, but high volume can feel the difference.
And to continue, I would add that a lack of momentum, but the fact is all normal for an amp of this design.
I pass the note 7.
OVERALL OPINION
For the record, I'm Prou and I can sell my Marshall JTM 30 that I met pleinement.Il not fit in the suitcase!. At this point, I have nothing on the market of time; must also say that I am basically a pure lampeux! I have no exprience normment of either, but I had the opportunity to spend some time on a JTM 30 Therefore, a JCM 800, a Mesa Mark IV, a roland jazz chorus, A Hughes & Kettner I know what a Fender Blues Deluxe, a transistor and some others.
Well, the fact is that nine, I found a distributor Laney, but none of the range does not really convinced me (not the same LionHeart SERIES) testing, the at least not with my guitar. It is true that this time I did not let the chance to modlisations home Laney. Financirement I had the budget for the resale of my JTM + a small extension, so a limited choice. I then (for DPIT, must be said) tried the Vox and I immediately sduit t by the quality of clean sounds. I spent some more time and felt the potential of the machine, so I really questioned. It is pointless to buy a tube amp just to say have a tube amp, I opened my ears and finally I went back to try ... And I'm left with. Feedback, I pay 400 USD and it is less than the budget from the sale of my marshall. And above all, I am satisfied with TRS. Level compared qualitprix I trs, trs happy.
I prfr in AD30, which silent quip a HP 10 "because I was insufficient to find a guitar amp, I have always found this size of HP rang" boxy "and that was not rendered honor to the distorted sounds (except in the case of a 2x10", and again). Also I wanted it to be used at home AND in BPS, so 50w is a good compromise I think.
I also had the possibility to take a Marshall modlisation (I really know what models) but when I had tried a few months before, I found it really pourrave.
Sail for a while I would put his 9, note that I rviserai or not in the future, when I connatrai perfectly.
small rapid assessment:
+ + +: The quality of formulations
+ + +: Intgrit to the preservation of the guitar
+ +: The impact of rglages, opening a wide range of sounds hyper
+: The easy handling, one quickly understands how it works
+ / -: The rle of the lamp, for cons, I still do freelance ...
-: The knobs on top: No practice at all
-: Effects indpendants enough of each other.
---: The CONNECTIVITY Reduces too: no effects loop / footswitch too limited ... and in addition to surcrot!
Edict of 21 October 2007:
+ +: Well it pedals cash
-: It blows, it is nevertheless bearable but unpleasant.
-: Too low!
I drop in note 8.