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major63000 « Perfect copy »
Published on 01/15/13 at 06:50It's all analog and true bypass.
UTILIZATION
It is tough, ugly knobs wish ... a little soft, which easily disrupt ... provide a marking on the case.
SOUND QUALITY
Used on Fender Silver sister mexico, microphones Stew McDonald and Epiphone Les Paul Standard Gibson SG pickups, all on Laney Chrome O area all lamps.
I tested it with a friend on his luthier Mesa Boogie, with its original side, namely the original TS9 (old, not new). Result? is still looking for the difference. Equalization between the two slightly different but not refined for two hours either. If the difference is the price! The same crunch and terribly harsh rock for 100 euros less, do the math!
OVERALL OPINION
used for 6 months with pleasure, it remains in my set. I tried the Vox Bulldog in my set too, but not at all the same grain. Also tested the Jekyll and Hyde who also has a nice crunch distortion but not terrible.
The price / quality ratio? well it's unbeatable!
UTILIZATION
It is tough, ugly knobs wish ... a little soft, which easily disrupt ... provide a marking on the case.
SOUND QUALITY
Used on Fender Silver sister mexico, microphones Stew McDonald and Epiphone Les Paul Standard Gibson SG pickups, all on Laney Chrome O area all lamps.
I tested it with a friend on his luthier Mesa Boogie, with its original side, namely the original TS9 (old, not new). Result? is still looking for the difference. Equalization between the two slightly different but not refined for two hours either. If the difference is the price! The same crunch and terribly harsh rock for 100 euros less, do the math!
OVERALL OPINION
used for 6 months with pleasure, it remains in my set. I tried the Vox Bulldog in my set too, but not at all the same grain. Also tested the Jekyll and Hyde who also has a nice crunch distortion but not terrible.
The price / quality ratio? well it's unbeatable!