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Published on 05/18/12 at 08:24Yes but not directly rack mountable in 19 inch. We can produce a plate ... For the rest see other opinions.
Note: three balanced outputs ... Unique, I leave you immaginer opportunities. One of the few 4-way tables that allow the DJ needs to become musical show table 5 microphones ... An external reverb and go
I will also add the possibility to get in "line" on the DJ microphone, which allows you to enter a preamp with compressor noisegate directly. It can leave the microphone open all the time, and not worry about it (we will not fear the anims micro "muscular". In its saturated environment, it can be useful.
For the number of lanes and igh, in use purely DJ, others have already said everything.
UTILIZATION
Already said in other opinions that I share: could not be more simple. Facilemennt available functions? See below in the notice.
It is clear that the ergonomics a bit vieilissante the table and put off some DJ that even being a fan of the brand, not everything is pink (we must remain objective) ...
SOUNDS
Excellent table in terms of sound quality / reliability, service life, see the other reviews below for that. It is silent, it rings on all the music is pleasant to use and is built like a tank with quality components at suppérieure sandard laplupart of the brand. Particularly suitable for places where the use is in "non stop". Who has used this tool on a good and big sound system knows what I mean.
OVERALL OPINION
Some do not like this table because of connections below, I bypassed the problem by making a sheet of 19-inch rack integrating the outputs and inputs (on top), it comes back even better than those who stand to back ... I built a preamp and a rack effect in September and a Pioneer c1. It's small and light, it can ensure small parties.
Only drawbacks in terms of ergonomics. By suggestion and for my taste:
1) The position and route crosfader microphone in the center it is not ergonomic. Let me explain: the crossfader would be between two main road. It can be done by shifting the way left and micro regrouppant the four main tracks (as on current standrds other brands), or perhaps by simply positioning the cross, either in the two right lanes, or both of Left. The table would have two "zones" distinct: one side with traditional two-way cross without, and a current side. Free DJ to use the table in the style they prefer and keep the other party in secondary use.
2) Please Mr Amix, we put the channel PFL button bigger. Such as the Start button of the microphone ... Most often they use the preview that the micro ... In fact the current PFL buttons are so small and mounted flush with the facade, that sometimes (often) is the magnifying glass ... It would be nice also to keep them away from other commands is used less often (selection of tracks cross AB)
3) Finally, because this is only a matter of taste, a little shorter race faders while maintaining quality. Between small and Pio Rane or Amix, there is certainly a good compromise? When you're on the crossfader and the channel is high, impossible to grasp a slider way too long ... It's a shame to have a good cross like yours and can not use it fully.
The disadvantage in "mobile" comes from the weight of a full decks more governed mix if we made this choice. For me, it is a fly apart. It's a compulsion to have multiple "boxes" but it can turn into an advantage: easier to store and transport. If I can afford to do better than the competitors who already offer rack mounting plates, you could offer a plate rack with préperçages (14 holes ideally) to mount and wire yourself neutrick of standard sockets.
Well, these are details, and it does not detract at exeptionnel table. Purchased nearly new expensive and difficult to sell because very exclusive. I do not regret my choice anyway but I do not use it all the time.
Note: three balanced outputs ... Unique, I leave you immaginer opportunities. One of the few 4-way tables that allow the DJ needs to become musical show table 5 microphones ... An external reverb and go
I will also add the possibility to get in "line" on the DJ microphone, which allows you to enter a preamp with compressor noisegate directly. It can leave the microphone open all the time, and not worry about it (we will not fear the anims micro "muscular". In its saturated environment, it can be useful.
For the number of lanes and igh, in use purely DJ, others have already said everything.
UTILIZATION
Already said in other opinions that I share: could not be more simple. Facilemennt available functions? See below in the notice.
It is clear that the ergonomics a bit vieilissante the table and put off some DJ that even being a fan of the brand, not everything is pink (we must remain objective) ...
SOUNDS
Excellent table in terms of sound quality / reliability, service life, see the other reviews below for that. It is silent, it rings on all the music is pleasant to use and is built like a tank with quality components at suppérieure sandard laplupart of the brand. Particularly suitable for places where the use is in "non stop". Who has used this tool on a good and big sound system knows what I mean.
OVERALL OPINION
Some do not like this table because of connections below, I bypassed the problem by making a sheet of 19-inch rack integrating the outputs and inputs (on top), it comes back even better than those who stand to back ... I built a preamp and a rack effect in September and a Pioneer c1. It's small and light, it can ensure small parties.
Only drawbacks in terms of ergonomics. By suggestion and for my taste:
1) The position and route crosfader microphone in the center it is not ergonomic. Let me explain: the crossfader would be between two main road. It can be done by shifting the way left and micro regrouppant the four main tracks (as on current standrds other brands), or perhaps by simply positioning the cross, either in the two right lanes, or both of Left. The table would have two "zones" distinct: one side with traditional two-way cross without, and a current side. Free DJ to use the table in the style they prefer and keep the other party in secondary use.
2) Please Mr Amix, we put the channel PFL button bigger. Such as the Start button of the microphone ... Most often they use the preview that the micro ... In fact the current PFL buttons are so small and mounted flush with the facade, that sometimes (often) is the magnifying glass ... It would be nice also to keep them away from other commands is used less often (selection of tracks cross AB)
3) Finally, because this is only a matter of taste, a little shorter race faders while maintaining quality. Between small and Pio Rane or Amix, there is certainly a good compromise? When you're on the crossfader and the channel is high, impossible to grasp a slider way too long ... It's a shame to have a good cross like yours and can not use it fully.
The disadvantage in "mobile" comes from the weight of a full decks more governed mix if we made this choice. For me, it is a fly apart. It's a compulsion to have multiple "boxes" but it can turn into an advantage: easier to store and transport. If I can afford to do better than the competitors who already offer rack mounting plates, you could offer a plate rack with préperçages (14 holes ideally) to mount and wire yourself neutrick of standard sockets.
Well, these are details, and it does not detract at exeptionnel table. Purchased nearly new expensive and difficult to sell because very exclusive. I do not regret my choice anyway but I do not use it all the time.