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andymortonA Natural His ...
Published on 06/14/11 at 06:26 (This content has been automatically translated from French)First impression: it is faithful we recognize the acoustic sound of the instrument. I use the amp that has a David Schertler between spciale for this capsule (correction of the instrument rsonance)
Relief, presence, stamp, heat all there.
NOTICE GLOBAL
For the person who seeks the fidelity is absolutely what you need ... it's good as well as with a microphone, without feedback.00- andymorton
A Natural His ...
Published on 06/14/11 at 06:31 (This content has been automatically translated from French)First impression: it is faithful we recognize the acoustic sound of the instrument. I use the amp that has a David Schertler between spciale for this capsule (correction of the instrument rsonance)
Relief, presence, stamp, heat all there. As against the placement of the capsule is very delicate; few millimeters are enough to transform the sound, I used to listen as a stthoscope
the rsonances, it is really laborious rgler about (2 hours) after having ram but the result is excellent in my opinion. Another thing: I confirm the opinion antrieur the Idale is buy the prampli or amplifier of the brand to solve the problem.
NOTICE GLOBAL
For the person who seeks the fidelity is absolute…Read moreFirst impression: it is faithful we recognize the acoustic sound of the instrument. I use the amp that has a David Schertler between spciale for this capsule (correction of the instrument rsonance)
Relief, presence, stamp, heat all there. As against the placement of the capsule is very delicate; few millimeters are enough to transform the sound, I used to listen as a stthoscope
the rsonances, it is really laborious rgler about (2 hours) after having ram but the result is excellent in my opinion. Another thing: I confirm the opinion antrieur the Idale is buy the prampli or amplifier of the brand to solve the problem.
NOTICE GLOBAL
For the person who seeks the fidelity is absolutely what you need ... it's good as well as with a microphone, without feedback.
Listen to:See less00 
puresoundexpertise Switzerland
Published on 11/28/12 at 23:44 (This content has been automatically translated from French)electro-dynamic sensor
OVERALL OPINION
How long have you been using? -5 Years
Did you try many other models before buying it? Piezo-
What feature do you like most? -Restitution
What feature do you like the least-placement
How do you rate the quality / price?-Value is paid, however, to 200 € on occasion, it is a sacred matter.
With experience, you do again this choice?-Absolutely, it is wise choice.00- albenizPublished on 06/10/05 at 11:30 (This content has been automatically translated from French)Sensor electro-dynamic acoustic guitar and banjo
binds with qt on the table.
It took several pets and still works.
The cable is short but the XLR connectors are of good quality
prvoir an extension cord XLR
OVERALL OPINION
2 years
The sound reproduction is exellent, it's true: nothing do with the piezo
following acute lack of microphone placement on the table
I use it on my folk and the sound is really exellent (sound with a sound card pramplifies)
difficult to use with a classical guitar without another microphone: a lot of noise from friction of fingers and nails (I have to test this sensor recording with condenser microphones and classic multi-track)
For …Read moreSensor electro-dynamic acoustic guitar and banjo
binds with qt on the table.
It took several pets and still works.
The cable is short but the XLR connectors are of good quality
prvoir an extension cord XLR
OVERALL OPINION
2 years
The sound reproduction is exellent, it's true: nothing do with the piezo
following acute lack of microphone placement on the table
I use it on my folk and the sound is really exellent (sound with a sound card pramplifies)
difficult to use with a classical guitar without another microphone: a lot of noise from friction of fingers and nails (I have to test this sensor recording with condenser microphones and classic multi-track)
For use with a folk indniablement is exellent (live or studio) and price (E 550) is justified.
I do it again without this choice problemSee less00 
swingobluePublished on 03/05/10 at 23:52 (This content has been automatically translated from French)for 8 months;
it is a good compromise, it is clear that this is a good choice live ...
good value00- swingobluePublished on 04/25/10 at 11:49 (This content has been automatically translated from French)good technology, no feedback and natural;
very solid;;
OVERALL OPINION
AC has been eight months since using it, with his unico amp;; frankly for the gypsy is the best I've tried more natural than the piezo and much better in high volume, and as many potatoes as stimer electric jazz without the side ...
I recently used live on stage with only returns, and I had a super great sound ...
a bit pricey but hey, ...10 - dudu74
Not bad
Published on 09/26/10 at 12:19 (This content has been automatically translated from French)First see my post on the mic Audio Technica AT831b.
The Schertler is expensive, not a good definition, is not practical but allows sound to a guitar gypsy AC which is already not bad.
the sound is systematically reworking, I buy it because I found nothing else worked, I found the Audio Technica since.00 - manmusic38
very good on my folk guitar
Published on 02/16/11 at 08:09 (This content has been automatically translated from French)-Very good technology
Renders perfectly sound-
OVERALL OPINION
-5 Years
Piezo-and internal preamp
-Convenient to the place where one wants
-A bit pricey (Switzerland)
200 euro-hand, it is a matter00 - defrey
The must
Published on 01/05/11 at 10:46 (This content has been automatically translated from French)I use this mic on a guitar gypsy, a Spanish folk and a lute. This micro adapts to these different instruments with the same quality.
I used it after trying many models: from Schertler Basik, the FWF magneton, piezo cells. I even had sabotaged a micro Pro Mag with Di Marzio.
The Dyn-G is located directly on the table using an adhesive paste blue. Do not hesitate to tweak and find the place on the table that will allow for better sound resolution. Once found, you connect the XLR, which is at the end of a cable (very fragile!) Of about 1.50m or directly to an amp or a DI, or directly on a table (with the help of cable).
The sound is a rare fidelity. Anyone who could get along with me confir…Read moreI use this mic on a guitar gypsy, a Spanish folk and a lute. This micro adapts to these different instruments with the same quality.
I used it after trying many models: from Schertler Basik, the FWF magneton, piezo cells. I even had sabotaged a micro Pro Mag with Di Marzio.
The Dyn-G is located directly on the table using an adhesive paste blue. Do not hesitate to tweak and find the place on the table that will allow for better sound resolution. Once found, you connect the XLR, which is at the end of a cable (very fragile!) Of about 1.50m or directly to an amp or a DI, or directly on a table (with the help of cable).
The sound is a rare fidelity. Anyone who could get along with me confirmed this impression. Personally, I do not separate, I installed this final version (DYN-L) on one of my guitars, I keep it for the lute and folk or to troubleshoot potential musicians. The guitarist with whom I play also adopted the coup.
Price level, it is slightly expensive but you keep it long ...
See less00