Eden Amplification WT-300 Traveler

Characteristics for, everything has been said below. Note one point though: you do not have to connect the head to a cabinet to play with headphones, for example. This is significant for the later work Amison without disturbing its neighbors. This is quite rare as characteristic as it takes in most cases where a baffle loadbox to avoid burn out the head.
Otherwise, I would have liked a limit disengaged as the 400W version, but good I quibble ...

UTILIZATION

The manual is very clear, I read before getting my head and see that it was designed for bassists. Not superfluous, as the efficiency. Very simple config actually set this amp back to adjust the EQ, that's all. And it is formidable, adjustment results in an appropriate response. We see very quickly where the amp is coming from. I love the fact that the race is notched knobs, it is easier to note the settings.
You can also stop between the teeth but we know we advance 3dB 3dB ...
I appreciated the fact that the frequency knob bass and treble is entered in the manual. One can easily get a good sound because all the sounds that come out of this head are excellent.

For my part I cut the bass (30Hz is inrestituable) and I played on the first parametric frequency to find the grave that highlights my grave If the mix, the accursed rope 5 steeplejack, enough defined . I lowered 2kHz and increased 1.2K and there I have a bass with a very precise attack, which responds to the speed of light, as if I was playing funk but marking such an attack with your fingers.

What is good for the enhancer I cut, I prefer to have my sound with parametric. When the built-in limiter gain, I wonder what it would be without. I personally added a compressor in the loop. I set the gain so that the limit is really active at the big peaks.

SOUNDS

A monster! I play a Warwick Thub BO 5 which is already provided in grave that even the violin. Well this amp magnifies. I play in the Dropped and when I happen to agreements with two ropes of La, it is not rough, it is even terrifying! Warwick is good for something but I wanted to emphasize that this is a beautiful wedding.
This ammpli brings a stain that is undeniable, but still in the accuracy, finesse and musicality. With such a receiver, you do not need 300W unless it stick a noise generator! That said, with a well-tuned sound (mediums), no need to 300W. I had to use my SWR 100W repeat with my group of Death and I was always very (too) well now.

To summarize, this is an amp that provides the bass response (harmonics serious, not the big earthquake that hurts the flop even if able) and the return of mediums. At one point, my Warwick was a sound PBesque and it has messed me to get there. I love PB, I'll have one some day, but two grains that have nothing to do "as well".

OVERALL OPINION

I for one month but I'll wear to the bone. what I like most is its EQ, formidable, running notched knobs, its connectivity, comprehensive, adequate and well thought out.
I tested the Trace Elliot, SWR, Ampeg, Gallien Kruger, Fender, this is the first time I realize that a receiver can provide much in the bass sound! The favorite. Used, 350 euros (given) it is a bargain but must still love amps that color. What I like least is that the limit is not detachable but ... we do not want him!
I was on SWR and I appreciated his transparency. One day I had the opportunity to change her, and I tried coloring (avoiding Ampeg) and I enjoyed this one. I'm not necessarily a collector of stuff, I resell and I bought. Fascinated by the sound of bass, I wanted to see if this amp was at the height of his reputation and I understand why there are edenistes convinced! Try it, it's worth the trip!

hybrid Class D amp preamp lamp, transistor amp
does not quite its 300 W
facade an input headphone output
behind a DI XLR output with adjustable level directly connected to the preamp, 2 stereo inputs D + G to MP3 or other 2 inputs for effects loop with send and return, these 4 inputs they are connected to the amp, 2 parallel outputs for 4 ohm cab tuner output / tuner

to: gain, master, parametric equa very incisive very active for many adjustments, Enhance

UTILIZATION

not read the manual
config simple and intuitive: it is a bass amp
Ah, the sound is good but good very good, thanks to the equa can send heavy, very medium, tinsel, the app what you want actually
Coupled with a cab 410 eden 400 W, is happiness

SOUNDS

I can almost has to sound like a hofner my warwick and my Ricken as a PB so the equa is active and many conig
Otherwise, you can sculpt the sound of his bass without denature and enhance the natural qualities
ENHANCE can give a big attack if necessary
amp growls nicely without saturating the gain exceeds the 13/14H00
The big, serious without being mushy sound very flashy and very clear sound anything is possible

I play a little of everything, it all sounds good, may be less appropriate slap .......... and still do with 12-inch
Ample power for small rooms

A micro default breath discreet when treble is pushed equa
Should perhaps be more passive than active low

OVERALL OPINION

I for 1 year
I have played or tried Markbass, eliot, ashdown, warwick, orange they can get dressed

Versatility, clarity, with a specific grain is what can best summarize this amp

He just received a fitness at an electronics (after 17 years of age, some components showed signs of fatigue) and returns me farting form

I love the big quality of DI, better than the conventional microphone in front of the cab: when I record it is often this track will stay in the final mix

I remake this choice without hesitation

Amp hybrid transistor preamp + lamp (12AX7)
section power transistor
Transistor 300w (266w actually measured, manufacturers are often optimistic about their circuits transistors)
very complete connectivity: input and headphone jack in front
Tuner output XLR + (pre and post) with output level + ENTER to external source dt + LH + 2 output to speaker jack in 6.35 + effects loop series (y'en buttons back!)
Controls: gain, ehance, bass, treble, three bands of parametric equa, master
Integrated effect: limiting
Cooling fan
9 for the lack of the compressor (it's not really a criticism, it is better not having one at all than have a bad) and the fact that it is not just a lamp (this is subjective of course)

UTILIZATION

Config very simple, very easy to find the correct (euphemism)
I did not have the manual, anyone can very well get away with, two neurons and one synapse is sufficient.
Setting ehance provides a very pleasant sound, more or less soft and colorful and all the connections makes it very convenient.
Note that the power comes very quickly, in a master's already enough for a large room.
9 for the lack of linearity setting master

SOUNDS

Its most excellent, it has a real personality, very powerful and heavy, it pummeled severe in the low!
Character quite dark and bold, but I think that's good is what I like, parameter settings of the equation are very effective and can diversiffier the sound at will.
Black Point Still, the blast generated by the parametric equa is quite big I think, a strong noise gate even if it's not scary.
Council, change the lamp for a good preamp loupiotte I bought mine from OCCAZ a fucking lamp without Chinese brand, I went to a breath EH fell sharply and the sound is sublime!
For me this amp is directed to a very strong sound like rock / metal which he excels, not for a brilliant funky slap sound of the SWR (although I like the sound of these two brands swr also not at all I find the same character), which is not to say that the slap is not for him instead he does it very well but it's not a brilliant as I said.
9 for the breath of the equa

OVERALL OPINION

Used for 3 months I am very happy, he has a personality that I love, very powerful, comes inside, and that low hum pleasantly.
Very good value if bought in OCCAZ, the price of bass amps is anyway generally abused, and even more for us marks.
My only complaint as I said, the breath! damage, otherwise it would be almost flawless.