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guim74 « Is the element that was missing was my Jazz bass U.S. »
Published on 12/05/10 at 10:27my ears hear the microphone for 21 days
my jb was equipped with simple micro model Fender vintage'75 ... So original purchase during my JazzBass (it's a U.S. model of 98 with ash body and maple neck ... all beautiful !)
opinions shared on Dimarzio ultrajazz and the German manufacturer Delano encourage me to choose Crel for value for money and return more positive qu'enjolivant of these microphones. For the same price as Crel the delano sell anyway to 188 E
their forte is the first evidence of momentum on their side and their homogeneity in the sound spectrum of the low
as stipulated on the website of Mr CREL, these micro are there to give new life to your old jazz bass whether Mexican, Japanese or USA but not here to give them a different color than modern or typed. they beautify the grain JazzBass specific that we know.
JB 42 of micro Crel are also fitted as standard on models that low and even designs the official guitar Luhier Capelli (based in Ain or I brought up the famous microphone).
then to finish this report by praise my old Fender vintage microphones, this is what I noticed on micro CREL:
* More definition of the medium and that's definitely their strength
* More dynamic game to finger
* No pop playing slap (no pad attraction of magnet / rope)
* Sound less mushy and more balanced the serious dan surtou neck pickup
* More percussive sound in the medium to high bridge
* Over medium low attendance
* Senior medium rougher than before ... and snoring or more of precision
* A bit compressed and acute
my jb was equipped with simple micro model Fender vintage'75 ... So original purchase during my JazzBass (it's a U.S. model of 98 with ash body and maple neck ... all beautiful !)
opinions shared on Dimarzio ultrajazz and the German manufacturer Delano encourage me to choose Crel for value for money and return more positive qu'enjolivant of these microphones. For the same price as Crel the delano sell anyway to 188 E
their forte is the first evidence of momentum on their side and their homogeneity in the sound spectrum of the low
as stipulated on the website of Mr CREL, these micro are there to give new life to your old jazz bass whether Mexican, Japanese or USA but not here to give them a different color than modern or typed. they beautify the grain JazzBass specific that we know.
JB 42 of micro Crel are also fitted as standard on models that low and even designs the official guitar Luhier Capelli (based in Ain or I brought up the famous microphone).
then to finish this report by praise my old Fender vintage microphones, this is what I noticed on micro CREL:
* More definition of the medium and that's definitely their strength
* More dynamic game to finger
* No pop playing slap (no pad attraction of magnet / rope)
* Sound less mushy and more balanced the serious dan surtou neck pickup
* More percussive sound in the medium to high bridge
* Over medium low attendance
* Senior medium rougher than before ... and snoring or more of precision
* A bit compressed and acute