All user reviews for the Yamaha LS9-32

- Is the rack?
not
- How many lanes, bus attendant, of dparts, returns ...)?
16in X 2, 16 buses, 4 or 5For if internal efx remember
- What is the type of connectors (RCA, Jack, XLR ...)?
XLR
- The qualiseur paramtrique is it?
full but lacks dynamic
- The effects section is it intgre? ...
with so many good reverb yam O2R

For consoles numriques:
- What is the precision of chantillonage (bits / kHz)?
the head but I know a good converter c
- Automation is it support?
so carefree and very stable
- What types of media are synchro? ...
TDIF word clock etc the usual pap what

I'm going to live it is very easy and intuitive thanks to its custom personal layer (inputs, shipments and returns on the same layer of faders of the ball ... live)

UTILIZATION

- The configuration gnrale Is it easy?
enough thanks to the manual
- The usual functions are they easily accessible?
we can see very clearly what we do
- The manual is clear and sufficient? ...
yes provided very

SOUNDS

- The A / D and D / A are transparent?
it's the sound 96khz O2R
- Effects and filters are effective?
eq a bit low even if the returns are great eq shipments friendly thanks to the motorized fader for a graphic eq
- The dynamic is it respect? ...
yes

OVERALL OPINION

- How long have you use it?
one year
- What is the particular feature you like best and least?
the most: live and the new ergonomic interface
Cons: lack of precision eq'm not sure it makes the + /-12db correction
- Have you tried many other models before acqurir?
not because I have not even had one of my bosses
- How do you report qualitprix?
Yeah it goes I'm still waiting the price drop before I make an ide
- With the exprience, you do again this choice? ...
for me by my dream is a Santa Claus you thank you DXB has weighed me eh!

Rate this LS9 32 The connection is made only in XLR and RCA S-PDIF is a console that estconsu 100% for the scene. No way to put it in your studio, you record against "live" in 32 tracks as I do frquement adding MY16AT two cards (2 slots available) with ADAT Optical and return to a recorder ALESI or a card M Audio PipeLight example. I do not like the effect section and the rverbe More precisely! I therefore serves as an external effect TC Electronic M-One via inputs / outputs S-PDIF RCA. The top of it. The sycho takes the BNC type video cable with 75 Ohm composite. The 16 outputs are very welcome and make it easy multicasting. Every one of 16 outputs is also diluted. The internal rack, configuring them notament enEQ 31 bands, allow management of 10 dparts (from memory) with a 31 band EQ (15 bands Reduces usable). EQs are available on each parameter bands and each departure. I read that EQ taient a little slack! this is not my opinion. What is important about this console is the memory of the scene which included the gain rglage prampli with the scenes. When the festivities fetival is very very comfortable ... The chantillonage is 48 kHz at 24 bits for the resolution, which is ample in sound (especially RESOLUTION DE24-bit) I rather regret that the compressors are among numriques LS9 32.Ceux on this in my console D32XD are analog Korg allow me to charter her full 24-bit register in the same ditto that, I reget also the failure to take an insert.

UTILIZATION

The manual should include concrete examples, I think a should not be empty to address this console as it comes from the analog world

OVERALL OPINION

I use it for a year, I used (I still use) and a Yamaha 01V96 Korg D32XD which is also very clean. I would do this choice because I appreciate some festival and Quazi is essential.