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Cuenca NW 20
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petite-nuit petite-nuit
Published on 01/06/07 at 02:05
Guitar, purely acoustic.
Channel close to a electrical, mahogany, affects bne.
Mcaniques chrome, oil bath.
Table mountain cedar, rosewood back & wicker covers. Nets saddle and satin finish.
Fasteners blocks for self-strap.

UTILIZATION

Channel trs enjoyable, with good Access in AIGS. Profile, a little round, the game allows the thumb on top.
Guitar good balance, finishing copy, which exudes a job well done and makes you want to give the best of his game

Personally, I play with ropes deep draft, so it's as easy as any electric. The bars are really asking for muscle phalanges. Whereas I do not like a guitar easy Accs.

SOUNDS

From the outset it must be said: this guitar has nothing to do with a supermarket MODEL. The volume, gloss, The definition, depth is a whole new level.
Compared to the NW10 MODEL, this guitar is more aggressive. Both the 10 is soft and velvety, a game adapted to your fingers clean and sensible, as the 20 is loud, prcise, snapping, and adapts the game with mdiator.
That said, it supports standards mood swings without losing its quality.
Manir playing intimate, it evokes the more clear that the sensuality.
Playing harder, and it evokes Determines matrise, with a depth REALLY moving;

OVERALL OPINION

I use this guitar for two years, and I do not spare more.
I, like everyone else, essay amount of acoustic guitars low end or midrange. One thing I parat clear: the diffrence between diffrent quality is most obvious on the acoustic than electric.
Remember that this guitar score between 800 and 1000 € (630 € in my case), which would be very affordable for an electrical equivalent in terms of range ...

An excellent choice, therefore, compared to most guitars rpandues, for a price not too outrageous!

Note that I am pleased to have trs fix a micro electric (removable) on the rose: The sound hybrid, snapping, but without much sustain trs deep, offers incredible opportunities.

[edit 2007]
APRS four years of use, review:
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This is the best folk guitar on which he t given me to play. But be careful, I do not frquente professionals ...
Over time, more j'apprcie this guitar. It is REALLY versatile: as we play hard or not, with a mdiator or finger toward the bridge or the neck prs, the sound is diffrent trs. The sound palette is so broad that we really want to navigate and operate a maximum.
Finally, I am a little tired of the sound with a microphone: it is coarser and changing the acoustics. on the other hand, when I do I often taken to record the microphone complment: a bit of crunch highlights the guitar in the mix, thanks to mediums fluffy amps lamps.
In fact, since I have this guitar I play a lot less on my electric guitar. As the lovers, I am filled with it !
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