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jazz4U
Published on 01/19/06 at 07:23 (This content has been automatically translated from French)
Dreadnought guitar handmade in Qubec.
21 boxes.
Table massive cedar (wood very soft but very brand (too) easily).
Back and sides?
Bridge with attaching ropes ankles.
The handle is in the same style as in Martin therefore rather broad and flat.
The notes will be 8 because the wood for the sides and back is not very nice and the size of the ankle is not standard
UTILIZATION
To handle this I said above, it's flat and large we like or not like it, but for me it's the perfect race.
The string action is perfect on mine. Very low and no frieze.
For access to the treble is not a Dreadnought Cutaway so we quickly forget the solos below the 12 fret. Any fawn over this guitar...…
21 boxes.
Table massive cedar (wood very soft but very brand (too) easily).
Back and sides?
Bridge with attaching ropes ankles.
The handle is in the same style as in Martin therefore rather broad and flat.
The notes will be 8 because the wood for the sides and back is not very nice and the size of the ankle is not standard
UTILIZATION
To handle this I said above, it's flat and large we like or not like it, but for me it's the perfect race.
The string action is perfect on mine. Very low and no frieze.
For access to the treble is not a Dreadnought Cutaway so we quickly forget the solos below the 12 fret. Any fawn over this guitar...…
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Dreadnought guitar handmade in Qubec.
21 boxes.
Table massive cedar (wood very soft but very brand (too) easily).
Back and sides?
Bridge with attaching ropes ankles.
The handle is in the same style as in Martin therefore rather broad and flat.
The notes will be 8 because the wood for the sides and back is not very nice and the size of the ankle is not standard
UTILIZATION
To handle this I said above, it's flat and large we like or not like it, but for me it's the perfect race.
The string action is perfect on mine. Very low and no frieze.
For access to the treble is not a Dreadnought Cutaway so we quickly forget the solos below the 12 fret. Any fawn over this guitar accompaniment see a vocation registration (see below).
I put to use because the handle 10 and the action of the strings are a rgal. Also the weight of the instrument is fine.
SOUNDS
For sound, it's a massive cedar (softwood) so forcment highs are in the background. For dvelopper I would say that the bass is well rounded and Submitted. But what stands out most about this guitar are the mdiums that are really very beautiful. For acute unfortunately they are clumps by mdiums, but I think with a pulling suprieur to be perfect (Skip the extra-light to light). For a studio recording sound is very neutral so happens FYI, I rcupr mine a month ago and is part RVision in the luthier. And super silent tonn of sound quality so if you see one lying around in the ads Do not hesitate (150 for mine)
OVERALL OPINION
So I use it for over a month. My guitar has over 10 years and then worked the wood, and I end up with perfect sound. I had a lot of low end guitar like high end Takamine example and I can tell you that this guitar is REALLY thunder (total of Taka diffrent for sound and the handle). I will do it again without hsiter choice.
21 boxes.
Table massive cedar (wood very soft but very brand (too) easily).
Back and sides?
Bridge with attaching ropes ankles.
The handle is in the same style as in Martin therefore rather broad and flat.
The notes will be 8 because the wood for the sides and back is not very nice and the size of the ankle is not standard
UTILIZATION
To handle this I said above, it's flat and large we like or not like it, but for me it's the perfect race.
The string action is perfect on mine. Very low and no frieze.
For access to the treble is not a Dreadnought Cutaway so we quickly forget the solos below the 12 fret. Any fawn over this guitar accompaniment see a vocation registration (see below).
I put to use because the handle 10 and the action of the strings are a rgal. Also the weight of the instrument is fine.
SOUNDS
For sound, it's a massive cedar (softwood) so forcment highs are in the background. For dvelopper I would say that the bass is well rounded and Submitted. But what stands out most about this guitar are the mdiums that are really very beautiful. For acute unfortunately they are clumps by mdiums, but I think with a pulling suprieur to be perfect (Skip the extra-light to light). For a studio recording sound is very neutral so happens FYI, I rcupr mine a month ago and is part RVision in the luthier. And super silent tonn of sound quality so if you see one lying around in the ads Do not hesitate (150 for mine)
OVERALL OPINION
So I use it for over a month. My guitar has over 10 years and then worked the wood, and I end up with perfect sound. I had a lot of low end guitar like high end Takamine example and I can tell you that this guitar is REALLY thunder (total of Taka diffrent for sound and the handle). I will do it again without hsiter choice.
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Tech. sheet
- Manufacturer: Simon & Patrick
- Model: Wild Cherry 6
- Category: Dreadnought Steel String Guitars
- Added in our database on: 01/12/2006
We have no technical specifications for this product
but your help will be much welcomed
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Other categories in Steel String Guitars
Other names: wild cherry 6, wildcherry6, wildcherry 6, wild cherry6