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  • stereosoundstereosound
    Behringer UltraBass EX1000Published on 03/11/07 at 08:55
    (This content has been automatically translated from French)
    Generator sub-bass analog (via internal synthesizer).
    An active filter at 75 Hz is used to send the SUB on a separate output (use sound) or re-integrated into the signal source.
    A pot. modulates the threshold for triggering the processor, another type of SUB (bass exterme bass).
    Limiter helps limit sub.

    Connectors JACK 6.35 (the first model = large buttons)

    Rack with integrated power supply

    UTILIZATION

    Single use

    SOUND QUALITY

    The stroke of the threshold setting does not seem entirely appropriate: it flies in "nothing" to "too much"

    The limiter is completely transparent (on version 1), to wonder if something limits.

    Use with caution in beacoup recordi…
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    Generator sub-bass analog (via internal synthesizer).
    An active filter at 75 Hz is used to send the SUB on a separate output (use sound) or re-integrated into the signal source.
    A pot. modulates the threshold for triggering the processor, another type of SUB (bass exterme bass).
    Limiter helps limit sub.

    Connectors JACK 6.35 (the first model = large buttons)

    Rack with integrated power supply

    UTILIZATION

    Single use

    SOUND QUALITY

    The stroke of the threshold setting does not seem entirely appropriate: it flies in "nothing" to "too much"

    The limiter is completely transparent (on version 1), to wonder if something limits.

    Use with caution in beacoup recording / mixing. Can be useful to "catch up" taking its foot bass drum or bass a little short in the bass. On the side of the marrow and serious is successful (warning: the speakers are down to 30 Hz for a good perceived sound).

    OVERALL OPINION

    (+) Cause serious, which is quite different from a booster APHEX serious type. The sound is deeper, more realistic.
    The only condition use CD in good conditions of bandwidth and not necessarily "radio" or small diffusion.

    (-) Control the dynamics not always convincing. The limiter (v.1) should be reviewed.

    Use very specific and useful in some cases, to give more notament sitting at a sound recording sound a little too energetically filtered at 100 Hz I am less confident for the TECHNO and RAP, but I also less experience in this type of prod.
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