Subsub74
Published on 07/05/14 at 05:04
Any analog fuzz, French production (see features on the site JMB Experience).
Hyper robust construction.
UTILIZATION
3 knobs adjustment. No manual, but on the site of JMB Experience you will find a card that gives some kind settings (Comfortably Numb, Sorrow, U2, Slash ...).
So very simple, and very quickly found its sound.
SOUND QUALITY
I sold my Little Big Muff (too gaudy for my taste). The Classic 70 is well above on every point of view. I use it with a Strat (Mexican, but completely changed) with microphones MS Tornado Gilmourish. Found no problems atmosphere Gilmour. Pure bliss!
What I particularly like about this pedal is that it delivers more midrange than the Big Muff.
I never found a pedal that do as well.
OVERALL OPINION
I use it for less than a week, but do not need more time to judge this little gem.
We feel that there is a real work of development behind, in the interest of guitarist (not in the interest of an artist who would sign such a model).
It's top is 100% French, this is a pedal that is not ready to leave my pedalboard!
On top of that, I find that being able to communicate with the designer, Jean-Michel (very nice), it is more significant. At least for enthusiasts like me
Matis
Hyper robust construction.
UTILIZATION
3 knobs adjustment. No manual, but on the site of JMB Experience you will find a card that gives some kind settings (Comfortably Numb, Sorrow, U2, Slash ...).
So very simple, and very quickly found its sound.
SOUND QUALITY
I sold my Little Big Muff (too gaudy for my taste). The Classic 70 is well above on every point of view. I use it with a Strat (Mexican, but completely changed) with microphones MS Tornado Gilmourish. Found no problems atmosphere Gilmour. Pure bliss!
What I particularly like about this pedal is that it delivers more midrange than the Big Muff.
I never found a pedal that do as well.
OVERALL OPINION
I use it for less than a week, but do not need more time to judge this little gem.
We feel that there is a real work of development behind, in the interest of guitarist (not in the interest of an artist who would sign such a model).
It's top is 100% French, this is a pedal that is not ready to leave my pedalboard!
On top of that, I find that being able to communicate with the designer, Jean-Michel (very nice), it is more significant. At least for enthusiasts like me
Matis