All user reviews for the Behringer Ultragraph FBQ-Pro FBQ6200

31-band equalizer with different function (see spec onsite Behringer) .Possède everything from a good equalizer ... For a lower price than the competition but ....

UTILIZATION

Promises not difficult for any man who knows a little s`y sonorisation.Peu do you have a good sound? Hard to say, since the only It`s equalizer that I have bought, so I can not compare .... But I'm sure to impress is much better ... much more expensive ...

SOUND QUALITY

The bands do their work

OVERALL OPINION

I have bought this product around 2006-2007, since j`avais need d`un equalizer for my sound board, and I must admit that I have rather bought a PRICE that the m`explique qualité.Je, j`ai done much research on the internet before making a purchase of this equipment, and I do not want to spend too many dollars, so j`ai finally targeted this kind of product that suited me in terms of budget.

After use at home for about 7 years (I decided finally to register a notice), I must admit that the product still works, but the bands are very fragilent and break very easily, and small lights ( diodes) on the tapes, burn facilement.Et, I emphasize that I am any man who is careful in his musical instruments ...

For me, the product is made job, but nothing more ...

I think to reinvest in the purchase of a new equalizer when j`aurais a little money to spend, but especially not in hardware BEHRINGER ...

For those on a smaller budget: maybe .... If you have more money, go your way ....

Thank you ...... PS: And for those who like the product, do not want too m`en, I am perhaps a little too demanding in terms of musical instruments ....

Behringer FBQ6200 Ultragraph Pro
Professional graphic equalizer stereo 2x 31 bands studio and live
System FBQ Feedback Detection (feedback detection is done by pressing a button with flashing LED light in each band)
Mono subwoofer output with adjustable crossover frequency
Additional low cut filter removes unwanted frequencies such as floor rumble
Control the input level
Inputs and outputs XLR and JACK 6.3mm jack balanced gold plated connectors
Bright high quality faders
ALPS ® potentiometers and illuminated switches
Rugged metal housing
Format 19 "3U

UTILIZATION

much adjustment and filter! perfect for cutting down my speakers, more balanced output which serves me well for my signal fed 4 amps signal, more was the choice for 6 or 12 db for equalization

SOUND QUALITY

the sound quality and in the middle there are ways to correct the signal very well! after's always better but it's not the same price!

OVERALL OPINION

I am using the equalizer for over a year! no complaints very good quality / price ratio!

This is a very good product for the price, it certainly is not the DBX finish ... but ... this opportunity is a very good machine, I use it only to correct sourounds in HC M600 amp with Inter but I also listen to full band on average yield was pregnant ... (95 dB)
Attention all of the same large enough breath, you must:
Lower the output level of the amp and increase the fortment the preamp (here Onkyo 5507) ... Under these conditions the breath (for correction + or -) becomes almost inaudible ....

UTILIZATION

Little + in use HC in a dark little piece on the red disconnect led by activating the FBQ function ... handy if the 6200 is in the dirty projection

SOUND QUALITY

FOr the price, nothing to say, on the occasion .. it's a 100 € ...... once solved the problem of breath, here works very well ... watch all the same it is not a product "audiophile" transparent ... but HC is perfect

OVERALL OPINION

No problem I would do this choice .. but only bargain price .....

Description:
- 31-band stereo graphic equalizer (analog)
- Feedback detection system instantaneous feedback frequencies can also be used as a spectrum analyzer
- Dedicated limiters (with indication of the level reduction on each channel protect your system against overload and distortion)
- Pink Noise Generator to correct the response of the sound system to the acoustics of the place
- Subwoofer output (XLR) mono with dedicated level control and adjustable cutoff frequency
- Low-cut filters and high-cut adjustable on each channel for the removal of residual noise such as beating up, the tape hiss, etc..
- 8-segment LED display indicating the levels of input and output gain control over input levels for perfect
- Relay hard bypass with auto bypass function in case of power supply voltage
- Balanced inputs and outputs on XLR jacks and gold plated
- 45 mm faders light
- ALPS ® potentiometers relaxation
- Illuminated buttons
- Shielded toroidal transformer
- Extremely robust metal chassis
- Jack and XLR stereo inputs. Stereo outputs XLR and XLR mono sub output +
- Designed in Germany. Manufactured under an ISO9000 certified management industry

UTILIZATION

Quick (10 to 15 minutes with the manual)
Pleasantly surprised by behringer, I expected the poor quality stuff but the quality is good (level and its strength)
Using weekly evening about 100 people.

SOUND QUALITY

I use it to correct the faults of my speakers and also reduce the possibility of feedback.
I use a sound system with low range and is perfect for me.

OVERALL OPINION

I use it for three nights.
I have not tried the other model but considering the price and quality, I do it again this choice without hesitation.

The Behringer Ultragraph Pro Series is an analog effects unit that is exactly what the name states.  It is indeed a rack mountable piece of gear and it will take up two rack space units. 


UTILIZATION

The make up of the Behringer Ultragraph Pro is really basic as it simply has ten sliders set at fixed frequencies that you can cut or boost, as you would expect with a graphic EQ.  It also has two other knobs to control the level of output coming out from the unit.  If you have any experience with graphic EQs, the Moog Music 10-Band Graphic Equalizer is a cinch to understand and figure out.  I've never seen the manual for the Behringer Ultragraph Pro so I can't speak to how helpful it would be, but the unit is easy enough to figure out without one.


SOUND QUALITY

The sound quality of the Behringer Ultragraph Pro is pretty good overall, but isn't anything all that crazy in my opinion.  Don't get me wrong, it is definitely a clean sounding EQ but sometimes I feel like Behringer products get hyped up a little bit so maybe I was expecting more.  Either way, the Behringer Ultragraph Pro is a great EQ that will output just as clean of a signal as you send into it.  While I usually prefer to use parametric EQs as I find them to have more control over your sound, this unit does provide a good amount of options and plenty of bands.


OVERALL OPINION

I've only been using the Behringer Ultragraph Pro for about a year.  I'm a huge fan of all products made by Behringer so I decided to check out this EQ and while Moog clearly isn't known for their signal processing gear, they definitely did a great job with this unit overall.  While I wouldn't recommend it if you are looking for a single EQ to use for your home studio, it is a great addition to any studio looking to expand their outboard gear.  The only problem is that these are extremely rare and hard to find and I really just got lucky.  If you are a fan of Behringer and are also an audio engineer, the Behringer Ultragraph Pro is a must try.

This product is primarily a graphic equalizer 31 band analog twice (what fun) both channels. It also possde limiter per channel which can rgler rduction the magnitude of the gain "threshold" (no other rglages for the limiter, 4 LEDs indicate the work of the limiter).
Each channel knob to a possde rgler the level of a vumtre consists of 8 LEDs, a switch to see the level of input / output on vumtre, a switch to "activate" or not the equalizer on the channel. For each channel can also defines a attenuation / increase of + / - 6 dB per band or + / - 12dB per band.
Gnrateur a pink noise will make the legalization of rglages using a spectrum analyzer. The equalizer also has a subwoofer output and a knob rglant the level of this output.
And finally a strong function INTERESTED (a major reason for my purchase), the feedback-detection for cahque channel. In conventional operating mode of each fader strip possde a red LED that lets you know we put o fingers in the dark. Mode-detection feedback LEDs s'teignent and intensity varies with the volume of each band. So for the DTECT frquence that causes arsen just push a little microphone and the gain of the master. At the onset of feedback from the LED fader frquence causing the feedback, begins to shine more than others (that trs net). Just then the attnuer frequencies. Of course we can not always eliminate completely the feedback but it can considerably delay its coming.
In dpart I did not really believe the APRS and then I confess that I have test t bluff by the effectiveness of the System.

Level connections are the entries in 6.35mm jack or XLR output also including the subwoofer.
The unit is rack-mount, in fact it is possible to dvisser the two steel plates cahque ct DSIR if you do not use rack and save space.

UTILIZATION

The device is very simple to use, in 10 minutes we realized the principle of each function. The long stroke faders allows greater precision (at dtriment congestion, 2U).
Unfortunately it is a mania in Behringer, the knobs and faders are not really sturdy, it's not the top in terms of comfort, I do not like for example the knob of SETTING THE level of input e that possde notches, so a lower precision (they are small especially the knobs).

The book is about him trsrduit (a few pages) but adequate and clear. A table of correspondence between rcapitulatif instruments / voice and frquences is useful.

SOUND QUALITY

I use this unit to the sound, I find myself often in rooms with poor acoustics and quality j'espre dsormais opportunity to correct it (well as best possible).
In terms of sound quality I have nothing to say except a lightweight snap (sometimes) when using the switch activation / disabling of the legalization (ca priori is not a PBS is used as that in the rglages). When the device saturates must rush to lower the level of clicks to avoid strong, fortunately the limiter should avoid this kind of dsagrements, it works quite effectively and fawn with a rglage one (very quick set up).
I can not really comment on the sound quality of the device as a given that my Systm sound quality is pretty bad and I could not compare with other products equivalents ).

OVERALL OPINION

Well, except for knobs that are a little LGERS the rest is really nice. I love the design and reporting quality behringer price is really excellent. Feedback from the dtecteur m'vitera dsormais lot of trouble. This is not a high-end course, but for a price like this is really trs INTERESTED, especially from small functions that are associated very useful.
In short a good product for those who do not wish to make a fortune in this type of equipment but all the same who seek something serious.