All user reviews for the Fender Hot Noiseless Strat Pickups

I use hot moiseless for 1 year on a standard strat US highway.
No problem with. Many more EHJV output for a sound that is clean and free - or preseque - the typical single coil hum standard.
The attack is really good and trs trs microphones are sensitive mdiator.
Regarding the many serious - sometimes too - but at the same time I like
I have another layer 1979 with the original pickups. The microphone is a little less serious round. Ditto for the mdium. For cons, the treble is more cool and less brittle.
It is the only real complaint that I will to hot noiseless: the micro fever is breaking. But at the same time, I'm not a big fan of acute slamming.
The report price is quite good quality.
I exprience with the referrer that choice.

I just installed on my Hot Noiseless Stratocaster (American standard), and we can say we move into another dimension of his guitar.
The most impressive is the neck pickup, well-rounded attack and full of punch and more Dfine the micro standard. The micro medium is much sharper, and the microphone was acute, it is true THE FIRST COST, a much more "strident" and the standard acid, too much if we keep up a tone. on the other hand, and in the case of the three microphones, there are sensations with the volume and tone that is not with the standard pickups. By Ms. mumuse with knobs, microphones and keep their DEFINITIONS peps, and takes the microphone acute balanced and powerful sound when the tone knobs are 2 / 3.
Previously, the microphones Ormis standards, I tried the noiseless on a custom shop, but they have less personality.
The ratio quality price is right ds as you leave our borders (if you know what I mean ...), they can stepfather a bit expensive in France, except the finding of opportunity.
Regarding the choice again or not, I'll have a little more perspective, I agree with the opinion within qq time.

Microphones used on the Jeff Beck Signature Stratocaster.
I have version easel "hot bridge" so.
Good microphone. Completely noiseless. Fine grain and beautiful feeling.
For it was not against a lot of levels. If you use it as a set of three I think it is not too noticeable because they are balanced on the other hand, the only one bridge with other microphones (even simple standards) it is rather feeble. It's amazing.
So I placed it in the neck position on a Start (attention because the microphone is higher than a single standard and if your body does not get high enough deep, gallery ...) so in the neck position and there you have a super micro, very close to a single coil, reacting well to the saturation and especially noiseless.
Good value if you are not looking for power.

I installed on my sleeve MODEL fat telecaster here six months and I am very surprised by this microphone. It replaces a Kinman 62N, which posed problem of phase (a blind driver as is therefore blocked. The Fender has 2 wires without shielding him so we do what we want).
The output level is hot, at least in the version set, lev (made with double the weight passive EMG bridge ...).
The sound is warm, prcis, Dfine, zero noise. Compared with Kinman is less fine, much less stratode, but fat on the tv is perfect.
I would say the hot noiseless handle is closer to the spirit tele in fact (nice bass, treble sweet, but the necessary).
A great surprise, I think buying a complete set for express on other guitars at the price I o is wrong to deprive myself.
For its strat kills quietly, take the picture however Kinman is not.
But for other things these hot noiseless are great.

The set of pickups hot noiseless not originally fitted on strato cheap, but rather on the high end (Jeff Beck, Clapton ...). First to show that the basic quality. They're not microphones that larsennent because they are "dual coil". Do not wait humbuckers anyway: there is not much gain or sustain or harmonics on a good humbucker, but they are much more punchy in the single coil impedance, and mostly they take much better distortion without feedback.
The neck pickup and the lyrics' are similar and the same impedance. The bridge pickup is punchy, and it is for the big crunch or distortion.
The neck pickup has a very nice clean sounds serious, the lyrics are well balanced.
A nice surprise to hear modern microphones with typical Fender Start sounds without worrying about untimely larsen. Intermediate positions, in 2 and 4 are very pleasing to the ear and we want to go in country casserole! The ideal for a casual or a pro, is having such a strat equipped with these mics, 2 guitars and one or more "hard" with humbuckers.