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4.5/5(4 reviews)
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packetdomPublished on 04/16/05 at 12:04 (This content has been automatically translated from French)
A great bridge pickup with the character (pretty color) and potato. adcouvrir
04
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PoilorPublished on 03/07/09 at 01:29 (This content has been automatically translated from French)
I mounted the mic on a guitar I made a month ago.
The sound is both hot and nervous, but very versatile vintage since I use both jazz for the metal.
The cache is semi-open, it gives the original look and a microphone, I think, pretty class.
Wiring is simple, noted that on a guitar Duesenberg there is a split that allows to explore all the sounds imaginable, without any loss in volume when changing from one tone to another.
The output level is high, no problem with a couple gibson 490 in handle.
Nervousness is also related to the guitar (ash body) but I also had a Duesenberg was surprised by fishing for this microphone.
The grain is very fine, it colors the overdrive a bit...…
The sound is both hot and nervous, but very versatile vintage since I use both jazz for the metal.
The cache is semi-open, it gives the original look and a microphone, I think, pretty class.
Wiring is simple, noted that on a guitar Duesenberg there is a split that allows to explore all the sounds imaginable, without any loss in volume when changing from one tone to another.
The output level is high, no problem with a couple gibson 490 in handle.
Nervousness is also related to the guitar (ash body) but I also had a Duesenberg was surprised by fishing for this microphone.
The grain is very fine, it colors the overdrive a bit...…
Read more
I mounted the mic on a guitar I made a month ago.
The sound is both hot and nervous, but very versatile vintage since I use both jazz for the metal.
The cache is semi-open, it gives the original look and a microphone, I think, pretty class.
Wiring is simple, noted that on a guitar Duesenberg there is a split that allows to explore all the sounds imaginable, without any loss in volume when changing from one tone to another.
The output level is high, no problem with a couple gibson 490 in handle.
Nervousness is also related to the guitar (ash body) but I also had a Duesenberg was surprised by fishing for this microphone.
The grain is very fine, it colors the overdrive a bit like the sound of Gibbons in ZZ and fries can be strings, there is a dynamic quite impressive.
In a Mesa 2:50 + JMP1 the distortion is anything but chemical: a real sound to the Mastodon, huge and full, not hollow (rather rounded in the treble) and to switch from rhythm to solo without failing.
A 90 euros new, do not hesitate.
I would probably not on the microphone to the guitar next, although the desire to try all the mics in the world has long haunted me. To be continued ...
The sound is both hot and nervous, but very versatile vintage since I use both jazz for the metal.
The cache is semi-open, it gives the original look and a microphone, I think, pretty class.
Wiring is simple, noted that on a guitar Duesenberg there is a split that allows to explore all the sounds imaginable, without any loss in volume when changing from one tone to another.
The output level is high, no problem with a couple gibson 490 in handle.
Nervousness is also related to the guitar (ash body) but I also had a Duesenberg was surprised by fishing for this microphone.
The grain is very fine, it colors the overdrive a bit like the sound of Gibbons in ZZ and fries can be strings, there is a dynamic quite impressive.
In a Mesa 2:50 + JMP1 the distortion is anything but chemical: a real sound to the Mastodon, huge and full, not hollow (rather rounded in the treble) and to switch from rhythm to solo without failing.
A 90 euros new, do not hesitate.
I would probably not on the microphone to the guitar next, although the desire to try all the mics in the world has long haunted me. To be continued ...
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50
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Le TazA Must!
Published on 06/16/11 at 16:37 (This content has been automatically translated from French)I had the opportunity to try several times this microphone: a Duesenberg Starplayer TV, but also on guitar luthier (prototypes to be more prcis) A model with solid-body en fr do and handle (and key) Rabl. I plutt difficult in terms of microphones ... not sensitive to Seymour, but not satisfied with the Di Marzio type of Gibson guitars (in gnral A MODEL prs). If I had to change a microphone on a Gibson, I Do not hesitate one second, because the humbucker gives exactly what this type of instrument: a balance between heat idalie vintage, and the pr decision a little more adapted to modern loadings.
As long as you do not expect him to do in the mtal, you can go for it a closed ring, it is...…
As long as you do not expect him to do in the mtal, you can go for it a closed ring, it is...…
Read more
I had the opportunity to try several times this microphone: a Duesenberg Starplayer TV, but also on guitar luthier (prototypes to be more prcis) A model with solid-body en fr do and handle (and key) Rabl. I plutt difficult in terms of microphones ... not sensitive to Seymour, but not satisfied with the Di Marzio type of Gibson guitars (in gnral A MODEL prs). If I had to change a microphone on a Gibson, I Do not hesitate one second, because the humbucker gives exactly what this type of instrument: a balance between heat idalie vintage, and the pr decision a little more adapted to modern loadings.
As long as you do not expect him to do in the mtal, you can go for it a closed ring, it is expressive, balanced in single-and rhythm. While I am much less convinced by Domino (p90) that I found really sour. The Duesenberg Grand Vintage Hb is doing as well in typical vintage amps (Vox, Fender) in mchant more amps (Marshall, etc.).. A kind of Classic 57 more open, prcis more punchy ... In short, I absolutely loved it!
As long as you do not expect him to do in the mtal, you can go for it a closed ring, it is expressive, balanced in single-and rhythm. While I am much less convinced by Domino (p90) that I found really sour. The Duesenberg Grand Vintage Hb is doing as well in typical vintage amps (Vox, Fender) in mchant more amps (Marshall, etc.).. A kind of Classic 57 more open, prcis more punchy ... In short, I absolutely loved it!
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70
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barbouille38A bit stressful
Published on 02/08/11 at 04:00 (This content has been automatically translated from French)I use it for three years. I had long since cracked Starplayer on TV, and I was very happy to acquire it. But the microphone acute puzzles me ...
Indeed, coupled with p90de Dueseneberg, there is a large difference in output level hardly compensated for there is no separate volumes on this guitar ...
Then you must love the sound it produces. I was accustomed to the sound of strats, I play often at the microphones evolution Di Marzio.
So, to compare, it is sorely lacking high mids, and suffers from a tart side, which saddens me, especially when passing the executioner in the neck position for a while its acute positron easel.
It also lacks a little definition to my taste, especially on...…
Indeed, coupled with p90de Dueseneberg, there is a large difference in output level hardly compensated for there is no separate volumes on this guitar ...
Then you must love the sound it produces. I was accustomed to the sound of strats, I play often at the microphones evolution Di Marzio.
So, to compare, it is sorely lacking high mids, and suffers from a tart side, which saddens me, especially when passing the executioner in the neck position for a while its acute positron easel.
It also lacks a little definition to my taste, especially on...…
Read more
I use it for three years. I had long since cracked Starplayer on TV, and I was very happy to acquire it. But the microphone acute puzzles me ...
Indeed, coupled with p90de Dueseneberg, there is a large difference in output level hardly compensated for there is no separate volumes on this guitar ...
Then you must love the sound it produces. I was accustomed to the sound of strats, I play often at the microphones evolution Di Marzio.
So, to compare, it is sorely lacking high mids, and suffers from a tart side, which saddens me, especially when passing the executioner in the neck position for a while its acute positron easel.
It also lacks a little definition to my taste, especially on complex agreements ...
My opinion may be biased by my habit of evo that I have over ten years but I am still about to change to a more micro-loaded midrange ....
Indeed, coupled with p90de Dueseneberg, there is a large difference in output level hardly compensated for there is no separate volumes on this guitar ...
Then you must love the sound it produces. I was accustomed to the sound of strats, I play often at the microphones evolution Di Marzio.
So, to compare, it is sorely lacking high mids, and suffers from a tart side, which saddens me, especially when passing the executioner in the neck position for a while its acute positron easel.
It also lacks a little definition to my taste, especially on complex agreements ...
My opinion may be biased by my habit of evo that I have over ten years but I am still about to change to a more micro-loaded midrange ....
See less
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Tech. sheet
- Manufacturer: Duesenberg
- Model: Grand Vintage Humbucker
- Category: Humbucker guitar pickups
- Added in our database on: 04/06/2007
We have no technical specifications for this product
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Other names: grand vintage humbucker, grandvintagehumbucker