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jimilu « As an old PAF. »
Published on 01/17/09 at 10:56I am the happy owner of this micro for two weeks now and I am delighted by the sound of "NoPAF".
I wanted a more typical vintage microphone on a guitar built by luthier friend 11 years ago, on the MODEL Paul junior double cutaway, mahogany body, table, stocky, round button in the saddle and b no, I did change the bridge pickup which ignores a Dimarzio Tone Zone home.
So I searched everywhere, with Seymour Duncan, Dimarzio, Gibson and one day by chance I'm all on a forum someone spoke o Kami microphones. I have to be honnte I initially thought that Asian c'tait microphones. I'm all for a ride on the site and when I saw the description of the microphones I t sduit by the concept, there is a choice between a standard micro say that with Sylvain offers CHARACTERISTICS tables in advance and a micro custom made according to customer requirements and for a price bttn because less than a micro stock of major brands.
Contact table with Sylvain, I have outlined my expectations, he immediately saw what I was looking for her and some APRS messages changes we agreed on a MODEL, with a NoPaf Alnico2 magnets, black finish ZBRA crme, without cover, typ blues, bold, rpeux, with enough sound and bass are less pronounced than the Tone Zone.
Between payment with "paypal" and rception the microphone, it took only 10 days!
And what about the hair in which was the microphone, trs pretty, which does not gche the thing.
APRS installation, testing and bluff I t is exactly what I expected at the sound I redcouvert my guitar!
The Tone Zone is a good micro trs, powerful, warm, but it saturated too quickly, and especially the bass was too Submitted got me, I have yet jou with this mic for over 10 years and I wanted something else.
In conclusion I would say that for a micro hand-made by a passionate an unbeatable price, yes I would do without hsiter this choice and as I have other guitars, why replace other microphones. Sylvain is a guy who MRIT of being more experienced, there is no publicity and only the mouth ear allows him to have new customers, so j'espre the opinions of its microphones will give him more of Notore.
One more point for the tanks, if so, I see .... Have a look at the site of "Judge Fred", guitarist, journalist of guitars in various magazines, gear tester etc ... He also tried the microphone Kami and adopted a pair of No. Paf and opinion only confirms what you read here below.
Long live rock'n'roll and Kami.
EDIT: APRS over two years I used a little more back and ........... still on the guitar, great sound. To say the second guitarist of a Les Paul custom classic climbs with 57 'at Gibson, I tried it several times on my scraper equipment, micro Kami sounds as well as a PAF even better! Objective opinion of our bass player.
I wanted a more typical vintage microphone on a guitar built by luthier friend 11 years ago, on the MODEL Paul junior double cutaway, mahogany body, table, stocky, round button in the saddle and b no, I did change the bridge pickup which ignores a Dimarzio Tone Zone home.
So I searched everywhere, with Seymour Duncan, Dimarzio, Gibson and one day by chance I'm all on a forum someone spoke o Kami microphones. I have to be honnte I initially thought that Asian c'tait microphones. I'm all for a ride on the site and when I saw the description of the microphones I t sduit by the concept, there is a choice between a standard micro say that with Sylvain offers CHARACTERISTICS tables in advance and a micro custom made according to customer requirements and for a price bttn because less than a micro stock of major brands.
Contact table with Sylvain, I have outlined my expectations, he immediately saw what I was looking for her and some APRS messages changes we agreed on a MODEL, with a NoPaf Alnico2 magnets, black finish ZBRA crme, without cover, typ blues, bold, rpeux, with enough sound and bass are less pronounced than the Tone Zone.
Between payment with "paypal" and rception the microphone, it took only 10 days!
And what about the hair in which was the microphone, trs pretty, which does not gche the thing.
APRS installation, testing and bluff I t is exactly what I expected at the sound I redcouvert my guitar!
The Tone Zone is a good micro trs, powerful, warm, but it saturated too quickly, and especially the bass was too Submitted got me, I have yet jou with this mic for over 10 years and I wanted something else.
In conclusion I would say that for a micro hand-made by a passionate an unbeatable price, yes I would do without hsiter this choice and as I have other guitars, why replace other microphones. Sylvain is a guy who MRIT of being more experienced, there is no publicity and only the mouth ear allows him to have new customers, so j'espre the opinions of its microphones will give him more of Notore.
One more point for the tanks, if so, I see .... Have a look at the site of "Judge Fred", guitarist, journalist of guitars in various magazines, gear tester etc ... He also tried the microphone Kami and adopted a pair of No. Paf and opinion only confirms what you read here below.
Long live rock'n'roll and Kami.
EDIT: APRS over two years I used a little more back and ........... still on the guitar, great sound. To say the second guitarist of a Les Paul custom classic climbs with 57 'at Gibson, I tried it several times on my scraper equipment, micro Kami sounds as well as a PAF even better! Objective opinion of our bass player.
