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ShibayaPublished on 02/05/07 at 08:39 (This content has been automatically translated from French)
Microphone mounted on an Epiphone Howard Roberts Archtop replace the micro series.
The original micro procured acute aggressive and saturation on the low E string.
Acute silkier, warm and velvety bass are the characteristics of the microphone.
The impedance is low (8KOhms) next to the microphone 250KOhms home. I was afraid to have a potentiometer to replace the 250K volume and tone, but it turns out they are more progressive and effective throughout the range with the previous micro.
The output level is consistent with good momentum, but still without excessive saturation.
An excellent microphone for a hollow body jazz guitar, notament used by many luthiers. …
The original micro procured acute aggressive and saturation on the low E string.
Acute silkier, warm and velvety bass are the characteristics of the microphone.
The impedance is low (8KOhms) next to the microphone 250KOhms home. I was afraid to have a potentiometer to replace the 250K volume and tone, but it turns out they are more progressive and effective throughout the range with the previous micro.
The output level is consistent with good momentum, but still without excessive saturation.
An excellent microphone for a hollow body jazz guitar, notament used by many luthiers. …
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Microphone mounted on an Epiphone Howard Roberts Archtop replace the micro series.
The original micro procured acute aggressive and saturation on the low E string.
Acute silkier, warm and velvety bass are the characteristics of the microphone.
The impedance is low (8KOhms) next to the microphone 250KOhms home. I was afraid to have a potentiometer to replace the 250K volume and tone, but it turns out they are more progressive and effective throughout the range with the previous micro.
The output level is consistent with good momentum, but still without excessive saturation.
An excellent microphone for a hollow body jazz guitar, notament used by many luthiers.
The original micro procured acute aggressive and saturation on the low E string.
Acute silkier, warm and velvety bass are the characteristics of the microphone.
The impedance is low (8KOhms) next to the microphone 250KOhms home. I was afraid to have a potentiometer to replace the 250K volume and tone, but it turns out they are more progressive and effective throughout the range with the previous micro.
The output level is consistent with good momentum, but still without excessive saturation.
An excellent microphone for a hollow body jazz guitar, notament used by many luthiers.
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Tech. sheet
- Manufacturer: Kent Armstrong
- Model: Mini Humbucker flottant HJGN6-GD
- Category: Humbucker guitar pickups
- Added in our database on: 01/20/2007
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