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Seymour Duncan SH-6B Duncan Distortion Bridge
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Seymour Duncan SH-6B Duncan Distortion Bridge
Fend. Fend.
Published on 12/02/05 at 04:06
I bought it to replace my micro ESP LH-200 home in the bridge position on my ESP Horizon (alder body). Rsultat first audible loss of important low!
I think it's default. This microphone is too low provided.
The sound is nevertheless an excellent micro edge is sharp and aggressive. It possde trs a high output level high apprciable in some cases and remains all the same prcis enough, without reaching the precision of a EMG81 or some DiMarzio has left when even a little fat ;-). A good balance.
Its grain aggressive enough with its typical small trs ct fat is enjoyable and makes it infinitely more alive than EMG81 example. This microphone is surly!
The palm-mute trs are percuttant possde and a lot of attack. Dynamic level is good but not great, still has a micro hi-gain modern and a little compressed.
In his position is clear in this trs trs dry and slamming! Nanmoins Splitt he is doing better. And coupled with SH-2 Jazz (Splitt also become lgs clean sounds with lots of attack and compression. A point that has made me think the excellence of a good Start US! perfect for blues, rock, ... For both the clean crunch.

I agree with the trs and even in low frequencies like this it keeps all its qualities. It is bright enough to make intelligible and prcis agreements renvers trs serious. Indniable proof that the sagit trs trs a good microphone.

APRS several months of use and testing of other mics, it makes s'avre trs equilibrated (still miss the bass I got, but just rgler the amp consquence).