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Seymour Duncan SH-6B Duncan Distortion Bridge
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Seymour Duncan SH-6B Duncan Distortion Bridge
Nigel Nigel
Published on 07/14/04 at 09:23
Mount a luthier to replace a FRED prfre on my Start in the bridge position, I t in the first place rather then the strength I apprcie.

I play for the past 6 months prs. I find it a bit just to issue an output level microphones prsum tough this level l. He has over the NIAC is FRED sr formygood but really nothing that says it offers the advantage of a good concerver dfiniton precision in the sound.

It is also subject to a single splitable trs sound acceptable (even louder than when Hotrails honntement but will) what he Confre good versatility.

Finally I found him in time force a certain charm sound, with good relief in the harmonic mdiums but always too many for me. J'hsite still pass the DiMarzio DP100 carrment to finally accder a big sound without doubt dtriement sounds clear and precision. For now I concervé until the arrival of my Mesa rack to see how it behaves then I will notify cetain to change.

DEFINITIONS In INTERESTED I think it is for people wanting a more dynamic microphones and powerful than average to play in styles blues, pop, rock that still wise enough but if you want a solid foundation for a distortion of hell is not the right place I think even with a good config derrire but it's basically the story of a naturally got. To give an idea of ​​comparison even when my Flying V gives incomparably more travel to distortion of the microphone.

A microphone if possible try before you buy to get an ide.