AKG C 411 L - " surprising"
translatedmiking dynamic 1 year I use it for making her live on the foot-tapping and it works very well the only compact invisible bemole is the cable I'm a little scared to loose it all the time even…
AKG C 417 - " Good mic"
translatedI use these mics (I have two) for a very short time. I bought the version with XLR, for which some users have reported problems with the length of the connector pins. For my part, noted nothing unusu…
AKG C 411 - Anonyme's review
translated- How long have you use it? I have 6 years, and it's not bad at all. - What is the particular feature you like best and least? The +: trs Fidler reproduces the sound of the instrument on the t…
AKG C 417 L - Super Giorgio's review
translatedMicrophones ties are magical tools. He was tiny, close in size to a head Alumet. It is OMNI and food by the director. The rendering is good trs (size / sound). Its use is that some ncessite reserved.…
AKG C 417 - J-Luc's review
translatedBen here is a little gem catches the strap of my left hand diatonic accordion. Before I had a tie Monacor the diffrence of the trs is sensitive, the C417 has more clearly a more Fidler, simply. Boo…
AKG C 411 - Arts en Scène's review
translatedUsed for 4 years, no further testing before. + Easy to use, robust, usable in systems HF - Its a bit sour Good value for money, choice again (I 4) and again!
AKG C 411 - " Micro-utility diversion"
translatedI use it for 1 year. AS INSTRUMENT NO PICKUP, BUT AS PICKUP OF PERCUSSION, it does! (On a violin, it makes me nosebleed!) I compared to Beta 91, Crown PZM, Crown PCC160, C-ducer in capturing po…
