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lsotis
Published on 02/04/09 at 07:09
Les Paul type guitar made in Korea
Channel 3 piece mahogany, rosewood fingerboard, 22 frets, standard profile 60's (late)
Mahogany body
Tune O Matic mechanical type vintage KLUSON
2 P90 type pickups with 2 volume knobs and 2 tone, 3-position selector
level violin is very good, electronics, fine too (quality of knobs including and especially that of microphones)
UTILIZATION
I used to play on an Ibanez and Cort Stratocaster type, in other words another world. I've made very quickly, despite the presence of varnish. Handle very nice.
Access to acute ... like on a Les Paul. Same for the handling, ergonomics ... and weight! ... a little less heavy, however, that my friend Gibby GT but has a thicker body makes sense. A good belt and forget.
The knobs do their office on their entire race so you get the sound quickly and easily searched.
8 for access to acute, the mechanisms that take less agreement as oil baths (normal) and the position of the selector (which I tend to change unintentionally with my movements) but hey, c 'it is very personal and I myself made over time. Others will not have this problem.
SOUNDS
This is the major strong point of this guitar. It's just bluffing to get a sound like the scratching at that price. Both the bridge pickup as the neck pickup is really quality worthy of much more expensive guitars.
We play a good rock nervous about that sounds very crunchy saturated (it was not always the case) and the P90 are doing wonderfully.
I use very few effects in addition to my preamp tube (a Koch Road Pedaltone on my transistor 1978): chouillat of a spring reverb of my amp, occasionally a little time and very rarely a little phaser. For cons, I have just acquired a Jacques Katapult (brand new) that she brings a real plus (treeble booster)
Clear sounds clear and powerful sound, the crunch really top. I do not use very large amount of distortion, then, these microphones do quite well also.
My favorite sounds: in crunch on the bridge or bridge + neck with the handle to 7 (more, especially with the boost treeble)
OVERALL OPINION
I for 1 year. I love everything in this skyscraper. The sound of all, the look and comfort of play
What I like least ... I have never farted as string with this scratch. I was luckily given a tip from and the problem seems solved, I can do a set without breaking. And therefore the view of the tuning but hey, it's all not too serious. I was wrong with my Floyd used on the Ibanez.
I tried a few scrapes with a Lag Roxanne (I have purchased had there been the RF1000) but the models below (more to do with the price of the C77 does not sound as well.
The value for money is really good in goldtop € 395 (the walnut is no longer), it's really cheap. Some say it scratches vautune to € 1000. I might go so far but not in any case as they bury Epiphone guitars, really is no comparison. It will be difficult to find a guitar which sounds as good as the € 600 (I did not say impossible, eh!)
I found the mark on the net but am going to Lyon in the boss to try them, I was afraid of being disappointed. I tried almost all of their range at the time so yes, I was sure of my choice and yes, I do it again with eyes closed.
There are certainly better on the market but at that price ... I do not know if all models of the market, I can tell you that you go for a good time to find as well.
Channel 3 piece mahogany, rosewood fingerboard, 22 frets, standard profile 60's (late)
Mahogany body
Tune O Matic mechanical type vintage KLUSON
2 P90 type pickups with 2 volume knobs and 2 tone, 3-position selector
level violin is very good, electronics, fine too (quality of knobs including and especially that of microphones)
UTILIZATION
I used to play on an Ibanez and Cort Stratocaster type, in other words another world. I've made very quickly, despite the presence of varnish. Handle very nice.
Access to acute ... like on a Les Paul. Same for the handling, ergonomics ... and weight! ... a little less heavy, however, that my friend Gibby GT but has a thicker body makes sense. A good belt and forget.
The knobs do their office on their entire race so you get the sound quickly and easily searched.
8 for access to acute, the mechanisms that take less agreement as oil baths (normal) and the position of the selector (which I tend to change unintentionally with my movements) but hey, c 'it is very personal and I myself made over time. Others will not have this problem.
SOUNDS
This is the major strong point of this guitar. It's just bluffing to get a sound like the scratching at that price. Both the bridge pickup as the neck pickup is really quality worthy of much more expensive guitars.
We play a good rock nervous about that sounds very crunchy saturated (it was not always the case) and the P90 are doing wonderfully.
I use very few effects in addition to my preamp tube (a Koch Road Pedaltone on my transistor 1978): chouillat of a spring reverb of my amp, occasionally a little time and very rarely a little phaser. For cons, I have just acquired a Jacques Katapult (brand new) that she brings a real plus (treeble booster)
Clear sounds clear and powerful sound, the crunch really top. I do not use very large amount of distortion, then, these microphones do quite well also.
My favorite sounds: in crunch on the bridge or bridge + neck with the handle to 7 (more, especially with the boost treeble)
OVERALL OPINION
I for 1 year. I love everything in this skyscraper. The sound of all, the look and comfort of play
What I like least ... I have never farted as string with this scratch. I was luckily given a tip from and the problem seems solved, I can do a set without breaking. And therefore the view of the tuning but hey, it's all not too serious. I was wrong with my Floyd used on the Ibanez.
I tried a few scrapes with a Lag Roxanne (I have purchased had there been the RF1000) but the models below (more to do with the price of the C77 does not sound as well.
The value for money is really good in goldtop € 395 (the walnut is no longer), it's really cheap. Some say it scratches vautune to € 1000. I might go so far but not in any case as they bury Epiphone guitars, really is no comparison. It will be difficult to find a guitar which sounds as good as the € 600 (I did not say impossible, eh!)
I found the mark on the net but am going to Lyon in the boss to try them, I was afraid of being disappointed. I tried almost all of their range at the time so yes, I was sure of my choice and yes, I do it again with eyes closed.
There are certainly better on the market but at that price ... I do not know if all models of the market, I can tell you that you go for a good time to find as well.