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bert'nortt' « ... "Irrrrrrrrr .... ésisisi tible ..! .... »
Published on 04/25/14 at 06:08-Med in China, excellent color "sunburst / Tobacco" finish.
-Bridge "Tuno / matic" tailpiece own brand as its handle stuck more "trussrod" tuning fork with 628mm as well as P/90S micros "HAG." 2 volume, 2 tone, 3 positions.
UTILIZATION
-Beautiful, mahogany body with a table adorned with a maple veneer "sunburst well veined and transparent"
Channel "radius 15" with a "trussrod house," a little slim '2-piece mahogany neck and treated "Resinator" keys or the own-branded composite, a little spec', a little 'oily com' sensation ", a very neutral feel in the beginning, more surprised than charmed I confess. But with very good frets and because it is so "fast" it quickly turns his formidable add lifts are excellent.
-Focusing on a sharp LP. Slightly smaller for this type of grat ', which makes it very attractive in ergonomics.
-Most importantly, with good projection vacuum plugged it is a revelation we are surprised by the quality of these microphones "house" of P/90 S. For they have a version of P/90 less voracious, this that does not mean that they are so hyper 'powerful. No, but it will "move" because they have the "belly" (10K), and especially a sound palette that speaks to you. This is Round "bridge", as in that of the handle, we see deep bass, velvety and well "covered" ... treble well defines who through their outputs do not attack, p 'be a p'trop dug in the mids but it' m not mind instead .... Since I have acquired other, j 'familiar Hagstrom ............. we are rarely disappointed.
SOUNDS
Of course it suits my expectations if not why did you buy it??
Although "Vintage" and simple microphones quite "fat" sound is obtained while preserving the slamming. This is not a compromise. it is a sound with its own personality. For "bleuser" that's great, then playing on the knobs for rock/70/80 sends around distortion 'progressive, because side amp and additive we just give him to "eat" and if it ! it is not versatile ... Even the "jazzman" will find something to use and always surprising.
-For amps I remember Orange, VOX, Marshall and Fender that "fart well Clean" around these p/90 .... (and before with "D'Flder and Hotel California," .. "A'Young ACDC "..." Deep Purpel "..." Money f 'nothing / On SRAIT "...)
OVERALL OPINION
Very well finished for a relatively modest sum, since 3 / / / 4 years she delighted me. A little unusual you feel individualize this intention. I discovered "Hagstrom" we were talking about all this quite positively and grat 'has imposed me a LP that I've never been very "Fan" up to this acquisition.
Yes I tried a few "Epiphone" and "Hagstrom have done me the" eye ", a Jazz/600 Hag 'very good and a good viking, but beautiful trapeze tailpiece left me" marble, "injury", but not as concerned party for a "solidbody" ... only their "Deuce" has tempted me ... Over the years the charm still works which allows me to say that it was a excellent choice ... I do not urge you to acquire blindness but there definitely try if you cross.
-Bridge "Tuno / matic" tailpiece own brand as its handle stuck more "trussrod" tuning fork with 628mm as well as P/90S micros "HAG." 2 volume, 2 tone, 3 positions.
UTILIZATION
-Beautiful, mahogany body with a table adorned with a maple veneer "sunburst well veined and transparent"
Channel "radius 15" with a "trussrod house," a little slim '2-piece mahogany neck and treated "Resinator" keys or the own-branded composite, a little spec', a little 'oily com' sensation ", a very neutral feel in the beginning, more surprised than charmed I confess. But with very good frets and because it is so "fast" it quickly turns his formidable add lifts are excellent.
-Focusing on a sharp LP. Slightly smaller for this type of grat ', which makes it very attractive in ergonomics.
-Most importantly, with good projection vacuum plugged it is a revelation we are surprised by the quality of these microphones "house" of P/90 S. For they have a version of P/90 less voracious, this that does not mean that they are so hyper 'powerful. No, but it will "move" because they have the "belly" (10K), and especially a sound palette that speaks to you. This is Round "bridge", as in that of the handle, we see deep bass, velvety and well "covered" ... treble well defines who through their outputs do not attack, p 'be a p'trop dug in the mids but it' m not mind instead .... Since I have acquired other, j 'familiar Hagstrom ............. we are rarely disappointed.
SOUNDS
Of course it suits my expectations if not why did you buy it??
Although "Vintage" and simple microphones quite "fat" sound is obtained while preserving the slamming. This is not a compromise. it is a sound with its own personality. For "bleuser" that's great, then playing on the knobs for rock/70/80 sends around distortion 'progressive, because side amp and additive we just give him to "eat" and if it ! it is not versatile ... Even the "jazzman" will find something to use and always surprising.
-For amps I remember Orange, VOX, Marshall and Fender that "fart well Clean" around these p/90 .... (and before with "D'Flder and Hotel California," .. "A'Young ACDC "..." Deep Purpel "..." Money f 'nothing / On SRAIT "...)
OVERALL OPINION
Very well finished for a relatively modest sum, since 3 / / / 4 years she delighted me. A little unusual you feel individualize this intention. I discovered "Hagstrom" we were talking about all this quite positively and grat 'has imposed me a LP that I've never been very "Fan" up to this acquisition.
Yes I tried a few "Epiphone" and "Hagstrom have done me the" eye ", a Jazz/600 Hag 'very good and a good viking, but beautiful trapeze tailpiece left me" marble, "injury", but not as concerned party for a "solidbody" ... only their "Deuce" has tempted me ... Over the years the charm still works which allows me to say that it was a excellent choice ... I do not urge you to acquire blindness but there definitely try if you cross.