View other reviews for this product:
gunther k « Just perfect »
Published on 10/28/11 at 10:59- Body in solid mahogany
- Table 1.7 cm mass in maple leaf fine + AAA flamed maple
- In neck 3-piece mahogany long tenon
- Channel 60's thin profile type
- Rosewood
- 22 jumbo frets
- Nut XL in Black TusQnut
- Trapezoid Inlays Acrylic
- Grover in oil bath
- Diapason 24''3 / 4
- Simple binding cream on your upper body and neck.
- 2 humbuckers with alnico 5 SRHM modern tones with chrome cover
- 2 volumes and 2 tones with a push-pull controls on
volume to the splitter humbuckers
- 3 position pickups selector
- Bridge stopbar tailpiece Tunomatic TonePros
- Chrome Fittings
- Glossy polyurethane varnish
- Button-type black speed knob
- Strings D'Addario 10-46
- Weight: about 4.2 kg
Thanks to the Web site configuration I changed the knobs volume and tone knob for tophat for a retro mechanical and Grovers for Rotomatic because that's what I use on all my guitars including a Gibson Les Paul .
UTILIZATION
I played for years on a Gibson Les Paul and I must say today I wonder Why such a price be put in a Gibson (apart from that I love my Les Paul ...) The handle is very nice to play in the purest spirit of '60 Les Paul. Weight rather "cool" around 4lbs, a table and a massive maple leaf maple AAA, access to acute like a Gibson, at the same time it is not that kind of guitar you want to go box at the 52nd ... As for the sound, one branch and the sound is there! It fiddles with some knobs of the amp and its Ouaaaah! That's it you are guitarist. Finally ...
SOUNDS
The sound? Well! Superb! I play Marshall JMP1 + power amp + Marshall 9005 Cab homemade 2 * 12 with Celestion V30. A neck pickup sounds more brilliant light. We work on the crunch knob is as it should to play a good blues or good old rock. The bridge pickup with distortion crunch takes you to the saturation of the fattest. Most is the pickups and split that achieve the sound of a scratching equipped with single coils. MIAMM, MIAMM.
So obviously, we're not here to play jazz or metal very heavy but I do not think it is the spirit of the brand. It's roots and love.
(Jazzeux friends, friends, metalheads, I love you too!)
OVERALL OPINION
I use it extensively since my purchase in February. I see no wear or freight or varnish, or anything for that matter. The handle does not move, the accuracy and nickel even original. I played on many brands from BcRich, Jackson, Ibanez to VGS, Fender Gibson, and SR honnêtemment delighted me at every rehearsal, every time I out of the holster. There are only 15 years a guitar of this quality would have cost three times its current price.
I do it again this choice 10 times with eyes closed. I am also preparing two new orders.
Thank you sir for your SR required and your affordable prices. The sound at a price of course, but when you just have it for € 449 does not spoil our fun.
- Table 1.7 cm mass in maple leaf fine + AAA flamed maple
- In neck 3-piece mahogany long tenon
- Channel 60's thin profile type
- Rosewood
- 22 jumbo frets
- Nut XL in Black TusQnut
- Trapezoid Inlays Acrylic
- Grover in oil bath
- Diapason 24''3 / 4
- Simple binding cream on your upper body and neck.
- 2 humbuckers with alnico 5 SRHM modern tones with chrome cover
- 2 volumes and 2 tones with a push-pull controls on
volume to the splitter humbuckers
- 3 position pickups selector
- Bridge stopbar tailpiece Tunomatic TonePros
- Chrome Fittings
- Glossy polyurethane varnish
- Button-type black speed knob
- Strings D'Addario 10-46
- Weight: about 4.2 kg
Thanks to the Web site configuration I changed the knobs volume and tone knob for tophat for a retro mechanical and Grovers for Rotomatic because that's what I use on all my guitars including a Gibson Les Paul .
UTILIZATION
I played for years on a Gibson Les Paul and I must say today I wonder Why such a price be put in a Gibson (apart from that I love my Les Paul ...) The handle is very nice to play in the purest spirit of '60 Les Paul. Weight rather "cool" around 4lbs, a table and a massive maple leaf maple AAA, access to acute like a Gibson, at the same time it is not that kind of guitar you want to go box at the 52nd ... As for the sound, one branch and the sound is there! It fiddles with some knobs of the amp and its Ouaaaah! That's it you are guitarist. Finally ...
SOUNDS
The sound? Well! Superb! I play Marshall JMP1 + power amp + Marshall 9005 Cab homemade 2 * 12 with Celestion V30. A neck pickup sounds more brilliant light. We work on the crunch knob is as it should to play a good blues or good old rock. The bridge pickup with distortion crunch takes you to the saturation of the fattest. Most is the pickups and split that achieve the sound of a scratching equipped with single coils. MIAMM, MIAMM.
So obviously, we're not here to play jazz or metal very heavy but I do not think it is the spirit of the brand. It's roots and love.
(Jazzeux friends, friends, metalheads, I love you too!)
OVERALL OPINION
I use it extensively since my purchase in February. I see no wear or freight or varnish, or anything for that matter. The handle does not move, the accuracy and nickel even original. I played on many brands from BcRich, Jackson, Ibanez to VGS, Fender Gibson, and SR honnêtemment delighted me at every rehearsal, every time I out of the holster. There are only 15 years a guitar of this quality would have cost three times its current price.
I do it again this choice 10 times with eyes closed. I am also preparing two new orders.
Thank you sir for your SR required and your affordable prices. The sound at a price of course, but when you just have it for € 449 does not spoil our fun.