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Bernard Ancèze
Published on 11/21/05 at 07:13
For music in the studio or live sound and torque APAIR XY or AB
Broacast the tv, the cinma.
Micro electrostatic cardo
OVERALL OPINION
I used these mics for over 10 years, studio, TV, radio and cinma.
I even made the catch of his collection's outdoor in animalires in Stereo.
I know of nothing so remarkable. Particulirement good balance, you must still take great care placement because they ragissent to millipoil. Windscreen and windscreen pop, soft suspension, indispensable. They may sound Drout the ingnieur not express. Likewise in post-production mixing or better to take his time.
Not microphones for work or BCLS speeds, so the dsastre!
I would not say they surpass KM akg neuman or tubes, at least they do not alone, this level is the technician who made the difference, regardless of the micro, between ordinary and making the nice work.
Broacast the tv, the cinma.
Micro electrostatic cardo
OVERALL OPINION
I used these mics for over 10 years, studio, TV, radio and cinma.
I even made the catch of his collection's outdoor in animalires in Stereo.
I know of nothing so remarkable. Particulirement good balance, you must still take great care placement because they ragissent to millipoil. Windscreen and windscreen pop, soft suspension, indispensable. They may sound Drout the ingnieur not express. Likewise in post-production mixing or better to take his time.
Not microphones for work or BCLS speeds, so the dsastre!
I would not say they surpass KM akg neuman or tubes, at least they do not alone, this level is the technician who made the difference, regardless of the micro, between ordinary and making the nice work.