A bass drum mic BD 300
4 dynamic mics toms / snare with attached hoop
2 condense overhead microphones with the clips EM500 (need a 48v because not possible to run on batteries)

OVERALL OPINION

I use it for over two months now and I use it for the live or recording. For the price it's worth, it's just fantastic!
what I like and dislike:
- The kick drum mic: trs frankly good! It is perhaps a little too low but that rule ca FACL has the eq. I have a D112 too, is empty it is better but the diffrence is not proportional to the price diffrence! t-bone has really nothing to be ashamed! to make a bass amp, it should trs well, especially if like me, you have a bassste who loves his round!
- Tom mics: trs correct! He can take the full gu ... on without flinching! ets the fastening system properly, but the shape of the micro is a little Dranga especially a snare drum, they tend to affect auraitvite skin if not careful ...
for sounds: nothing to say on the toms. tranparent. for the snare is a bit more difficult. I find that the spectrum is too large and takes too much snare micro elements around. Without the gate quickly become pnible ... So I personally use a 57 on my snare.
- Overheads: gniaux! a bit too sharp but ca is set by eq! for making gnrale are perfect for the price! I try to take a closer engagement with Charley, it works but it's also more to the live for the rec

I tried many other micro battery Shure or AKG or Sennheiser!
T-bone are less pros but given the price diffrence is well understood that CIBL amateur! I remain convinced that even when semi-pro studio, he must take the road!
The report quality are exceptional and prices for the home studio or live the dream!
fragility level you just pay attention to overheads, they seem limits

If it again??
I repeated the same choice even less hsitant
10/10 for quality over price
8 / 10 for sonoritbr /> I put 9 in being more than fair play