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Martin Freekie
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4.7/5
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  • secondebestsecondebest

    8 YEARS OF FREEKIE

    Martin FreekiePublished on 01/12/13 at 13:11
    (This content has been automatically translated from French)
    I use (separately) 2 tables Freekie Martin Light 8 years for my small gigs like dances.

    - One for my 4 and 5 lyres changers (in 250 Hmi) and 10 Suntrips, only my shows (12 programs with 10 positions)
    - The second "live" for 12 slices Pars, the Claps, Pc, etc. .. via a power block (although with a few shows under the thumb).

    I keep my programming shows a full year and each new room or provisions of lights, I open the memory I change quickly enough, tempos, tilts and pans lyres, etc ...
    In conclusion, reliable, accurate, there are better, but they are good value for money for years with DMX.

    A project for 2013, the top level management DMX, but with a budget of over € 4,000, but …
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    I use (separately) 2 tables Freekie Martin Light 8 years for my small gigs like dances.

    - One for my 4 and 5 lyres changers (in 250 Hmi) and 10 Suntrips, only my shows (12 programs with 10 positions)
    - The second "live" for 12 slices Pars, the Claps, Pc, etc. .. via a power block (although with a few shows under the thumb).

    I keep my programming shows a full year and each new room or provisions of lights, I open the memory I change quickly enough, tempos, tilts and pans lyres, etc ...
    In conclusion, reliable, accurate, there are better, but they are good value for money for years with DMX.

    A project for 2013, the top level management DMX, but with a budget of over € 4,000, but always with a real table, programming, live, scalable, more than 12 slices, but still without a computer.
    PS: I already have a buyer for my 2 Freekies.
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  • dj manxdj manx

    Martin FreekiePublished on 10/24/06 at 04:37
    (This content has been automatically translated from French)
    It's been four months that I use the Freekie and I'm not disappointed (with 4 scans SCX600 is the foot).
    I had time to adapt as an era entered the world of DMX and I rowed a little ...
    But after a good grip thee a "god".
    The price seems justified, but I have no comparison to be made.
    Finally I have what I wanted.
  • dusteddusted

    Martin FreekiePublished on 11/17/07 at 10:19
    (This content has been automatically translated from French)
    It will soon be more than three year since I use it, and frankly, I would not change for anything (well in the same range).

    I am completely satisfied, there is nothing to say about this beautiful table DMX.

    In short, one can cheer, but I advice without modration.
  • elliotgaudreau1elliotgaudreau1

    Martin FreekiePublished on 02/20/08 at 05:51
    (This content has been automatically translated from French)
    I use it for 1 month. This small console is made for more bars and dj. I use it in a small theater and ct''live''is impractical trs. (Macro limit some slack on the faders ...) Easy to use, it does not really ncessite a Ph.D. in lighting. In short, for a theater in a context where we do not know the shows, they are more difficult to make a good report.
  • Anonymous

    Martin FreekiePublished on 03/03/08 at 11:28
    (This content has been automatically translated from French)
    I've had one. She walks well trs. it's a nice little console. Learn and easy to program. It possde a key to the Fümm and one for the strobe that can be acrionnes quans same for any one program.
    There is also a joystick which is used to control a lyre in tracking mode for a show.
    Voila. Ideal for beginners or small STRUCTURE (DJs, bar, ect ...)
  • Ludo_Le_DjLudo_Le_Dj

    Exellent product very reliable ultra-hand

    Martin FreekiePublished on 05/12/11 at 07:14
    (This content has been automatically translated from French)
    Freeke I use for 2 years

    I had several remote DMX before, a CTL in 50 of Contest, a 512 standard in Nicols, then a Director in Starway 256 Nap,

    This remote is very intuitive, easy to program, the faders and joystick are very accurate, the integrated effects are not bad practice, dubbing connectors is useful in the installation of the console, there are two 3-pin XLR, and two 5-pin (you can connect a single start of course!), little more is the record engraved on the back of the console. It can store a lot of program and restitution is perfect.

    Even if it never bothered me, it must be considered that can be made only meter apparatus 12 CHANNELS DMX, and 12 aircraft. I also criticize…
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    Freeke I use for 2 years

    I had several remote DMX before, a CTL in 50 of Contest, a 512 standard in Nicols, then a Director in Starway 256 Nap,

    This remote is very intuitive, easy to program, the faders and joystick are very accurate, the integrated effects are not bad practice, dubbing connectors is useful in the installation of the console, there are two 3-pin XLR, and two 5-pin (you can connect a single start of course!), little more is the record engraved on the back of the console. It can store a lot of program and restitution is perfect.

    Even if it never bothered me, it must be considered that can be made only meter apparatus 12 CHANNELS DMX, and 12 aircraft. I also criticized the fact that the transfer function indicating numbers and is fragile and falls off relatively easily.

    To use my mobile dj, it is perfect, it takes time for the scheduled time with a different configuration of hardware and you're done! It launches the programs live and you're done, it fits the rhythm of the music! In addition you can switch from one program to another without aim or "white" or pause.
    I will register a number of programs according to my configurations of lights, and my laser show.

    New it was expensive compared to standard format, but opportunity remains very correct and it changes your life!

    To be honest I can not do without!

    In addition it came out with flying colors when tested in PA Magazine July August 2010.
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