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5.0/5(4 reviews)
75 %
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The Silver SurferPublished on 05/18/07 at 10:50 (This content has been automatically translated from French)
Hello,
I suspect that this guitar is not worth much, or more prcisemment she's a little Exceeds. But I when I was rvais Lycén so if you see one that trane somewhere, I'm interested.
Thank you,
The Silver Surfer
USE
.dropoff Window
SONORITS
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NOTICE GLOBAL
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I suspect that this guitar is not worth much, or more prcisemment she's a little Exceeds. But I when I was rvais Lycén so if you see one that trane somewhere, I'm interested.
Thank you,
The Silver Surfer
USE
.dropoff Window
SONORITS
.dropoff Window
NOTICE GLOBAL
.dropoff Window
00
»
david chikonunique
Published on 06/25/14 at 14:03 (This content has been automatically translated from French)Original Japanese bass very good, round 2 octaves, crossing, flat fingerboard.
This is the form that is unlike any other bass that makes it unique.
Two microphones splitables independently of one another.
UTILIZATION
Very enjoyable to play standing, sitting. Channel not super fine, not overly wide, it is like that and it suits him well.
Weight a little tiring perhaps, but it is solid wood.
Its pretty typical 70's.
SOUNDS
I love the instrument, I will not be objective while for me.
OVERALL OPINION
The model was available in low and guitar, the two are terrible! …
This is the form that is unlike any other bass that makes it unique.
Two microphones splitables independently of one another.
UTILIZATION
Very enjoyable to play standing, sitting. Channel not super fine, not overly wide, it is like that and it suits him well.
Weight a little tiring perhaps, but it is solid wood.
Its pretty typical 70's.
SOUNDS
I love the instrument, I will not be objective while for me.
OVERALL OPINION
The model was available in low and guitar, the two are terrible! …
Read more
Original Japanese bass very good, round 2 octaves, crossing, flat fingerboard.
This is the form that is unlike any other bass that makes it unique.
Two microphones splitables independently of one another.
UTILIZATION
Very enjoyable to play standing, sitting. Channel not super fine, not overly wide, it is like that and it suits him well.
Weight a little tiring perhaps, but it is solid wood.
Its pretty typical 70's.
SOUNDS
I love the instrument, I will not be objective while for me.
OVERALL OPINION
The model was available in low and guitar, the two are terrible!
This is the form that is unlike any other bass that makes it unique.
Two microphones splitables independently of one another.
UTILIZATION
Very enjoyable to play standing, sitting. Channel not super fine, not overly wide, it is like that and it suits him well.
Weight a little tiring perhaps, but it is solid wood.
Its pretty typical 70's.
SOUNDS
I love the instrument, I will not be objective while for me.
OVERALL OPINION
The model was available in low and guitar, the two are terrible!
See less
12
»
exinPublished on 05/30/07 at 05:00 (This content has been automatically translated from French)
"Made in Japan" late 70's and early 80
2 microphones splitables has DiMarzio, 11 -12 k,
The neck-through, 24 frets,
UTILIZATION
Finicion beautiful, nice handle
SOUNDS
Numerous possibilities for the (1, 1 +2, 2 with 1 and 2 humbucker or single coil) and the volume control and tone for each pickup! Very good sustain (given the neck-through)
OVERALL OPINION
Nice guitar, good and rare ... some pictures of www.laco.biz / morris.htm (the guitar is not for sale)
2 microphones splitables has DiMarzio, 11 -12 k,
The neck-through, 24 frets,
UTILIZATION
Finicion beautiful, nice handle
SOUNDS
Numerous possibilities for the (1, 1 +2, 2 with 1 and 2 humbucker or single coil) and the volume control and tone for each pickup! Very good sustain (given the neck-through)
OVERALL OPINION
Nice guitar, good and rare ... some pictures of www.laco.biz / morris.htm (the guitar is not for sale)
10
»
DiesecPublished on 12/15/07 at 13:31 (This content has been automatically translated from French)
Japan
24 Frets 2 double reverse-phase
Solid brass bridge, heavy but rigid
2 volumes, 2 tones
Driver Channel
UTILIZATION
Channel a bit wide
Finish, a little light, but it is even 81-82 Gibson was a bit small e this side at this time
Easy access to acute and more 25 years before
Rather light
Beau's easy, all styles
SOUNDS
Suitable for all styles for Funk ROCK
No sound as my crystal ultra fade Charvel of the time
Peavey Classic 30, but it most closely to the Marshall 75w 84
Phase bridge the blues or handle his hard fat
Big Sustain
OVERALL OPINION
I bought this guitar 25 years ago now!
I've always liked its shape and its sound and its wide range.
Glad...…
24 Frets 2 double reverse-phase
Solid brass bridge, heavy but rigid
2 volumes, 2 tones
Driver Channel
UTILIZATION
Channel a bit wide
Finish, a little light, but it is even 81-82 Gibson was a bit small e this side at this time
Easy access to acute and more 25 years before
Rather light
Beau's easy, all styles
SOUNDS
Suitable for all styles for Funk ROCK
No sound as my crystal ultra fade Charvel of the time
Peavey Classic 30, but it most closely to the Marshall 75w 84
Phase bridge the blues or handle his hard fat
Big Sustain
OVERALL OPINION
I bought this guitar 25 years ago now!
I've always liked its shape and its sound and its wide range.
Glad...…
Read more
Japan
24 Frets 2 double reverse-phase
Solid brass bridge, heavy but rigid
2 volumes, 2 tones
Driver Channel
UTILIZATION
Channel a bit wide
Finish, a little light, but it is even 81-82 Gibson was a bit small e this side at this time
Easy access to acute and more 25 years before
Rather light
Beau's easy, all styles
SOUNDS
Suitable for all styles for Funk ROCK
No sound as my crystal ultra fade Charvel of the time
Peavey Classic 30, but it most closely to the Marshall 75w 84
Phase bridge the blues or handle his hard fat
Big Sustain
OVERALL OPINION
I bought this guitar 25 years ago now!
I've always liked its shape and its sound and its wide range.
Glad to know so long after that he left others and they seem to be appreciated.
Without a NAME, in fact, I always was the only one to speak well. Guitarists from home does not dry up my praise for Gibson!
I have been amazed by this one.
She was also the first ...
Didier
24 Frets 2 double reverse-phase
Solid brass bridge, heavy but rigid
2 volumes, 2 tones
Driver Channel
UTILIZATION
Channel a bit wide
Finish, a little light, but it is even 81-82 Gibson was a bit small e this side at this time
Easy access to acute and more 25 years before
Rather light
Beau's easy, all styles
SOUNDS
Suitable for all styles for Funk ROCK
No sound as my crystal ultra fade Charvel of the time
Peavey Classic 30, but it most closely to the Marshall 75w 84
Phase bridge the blues or handle his hard fat
Big Sustain
OVERALL OPINION
I bought this guitar 25 years ago now!
I've always liked its shape and its sound and its wide range.
Glad to know so long after that he left others and they seem to be appreciated.
Without a NAME, in fact, I always was the only one to speak well. Guitarists from home does not dry up my praise for Gibson!
I have been amazed by this one.
She was also the first ...
Didier
See less
00
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Tech. sheet
- Manufacturer: Morris
- Model: HS Anderson Part II
- Category: Other Shape Guitars
- Added in our database on: 12/31/2004
We have no technical specifications for this product
but your help will be much welcomed
»
Other categories in Solid Body Electric Guitars
Other names: hs anderson part ii, hs andersonpartii, hsandersonpartii, hs anderson part ii, hs anderson part 2, hs andersonpart ii, hsandersonpart ii