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Pierrick Brua Folk 1900
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  • LfLf

    GUITAR EXCEPT

    Pierrick Brua Folk 1900Published on 08/09/13 at 07:42
    (This content has been automatically translated from French)
    French manufacturing an extraordinarily inventive maker and more, Meilleur Ouvrier de France. The violin is perfect. European spruce table. Rosewood back and sides. The handle is Taylor-type, very easy to play.

    UTILIZATION

    The guitar is a remarkably light for its size and very ergonomic. access to acute is facilitated by the cutaway. The sound is both soft and strong presence in the midrange and treble. The bass is very present. So overall very balanced. But the most characteristic its very distinctive sound, a bit jazzy, I have never found on any other guitar industrial type, even among the most renowned (Martin, Collings, ...) can be This is what makes the difference between an…
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    French manufacturing an extraordinarily inventive maker and more, Meilleur Ouvrier de France. The violin is perfect. European spruce table. Rosewood back and sides. The handle is Taylor-type, very easy to play.

    UTILIZATION

    The guitar is a remarkably light for its size and very ergonomic. access to acute is facilitated by the cutaway. The sound is both soft and strong presence in the midrange and treble. The bass is very present. So overall very balanced. But the most characteristic its very distinctive sound, a bit jazzy, I have never found on any other guitar industrial type, even among the most renowned (Martin, Collings, ...) can be This is what makes the difference between an industrial and a guitar luthier guitar (right).

    SOUNDS

    The sound is very typical, I have already spoken, but I forgot to mention the extraordinary richness of harmonics that do not end up sounding. You can play everything with, but I prefer jazz and folk.

    OVERALL OPINION

    EXCELLENT, UNIQUE AND WONDERFUL.
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