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Art & Lutherie Ami Nylon Cedar
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mateopero mateopero
Published on 02/03/10 at 02:11
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UTILIZATION

Agree with what has been said: compact and lightweight while very well done, faithful to the Canadian industry that provides beautiful instruments at very competitive price (I also have a godin seagull and I played many). Beautiful overall quality of varnish, particularly at the neck, which is easy and fun to play.

SOUNDS

Two aspects attracted me in this instrument: one powerful sound and low heat, I expected less present. On the other hand, the reactivity of the guitar, which reveals different facets as it played aggressively or gently. Let me explain:
The stamp has a slight metallic coloration when you attack a little, reminding her cousins ​​with steel strings, and without blushing that gives life to a folk ballad as a good old gypsy pump.
But if you play it with your fingers, gently, she is also very present and warm.
This guitar accompanied with envy all your musical inspirations. A treat!
There are obviously better, but at this price I do not know.

OVERALL OPINION

I bought it on Monday, breaking my wallet thin, but I have no regrets! I tried a few guitars first prize (alhambra kind), but also some electro-acoustic ibanez or yamaha very disappointing in terms of acoustics.
I was looking for a nylon guitar but that changes a little with a look and sound nice, mainly for my work arrangement in a home setup. This guitar gives me all that!
Value for money super satisfying. I love the dynamics and versatility of this instrument compact and attractive. Makes me want to play the bossa, jazz, flamenco, gypsy and songs!

I do it again without hesitation that choice because it is a guitar that suits me 100%

EDIT: I shade my initial opinion slightly after 8 months of playing this instrument, for two reasons:
1.Some attacks right hand ring free of evil, give a snap weird, as if the rope slipped out of his home beside the bridge. Disappointing in full flamenco beef! Notice to enthusiastic ...
2.sonnent very wrong with a cell on the table. Means more handling noise than the instrument itself.