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«  A rich man's toy, complete, usable and futuristic »

Published on 12/15/10 at 16:19
The principle is somewhat similar to the DS-10, but the sound editing became almost nonexistent, just a rompler (filters on percussion, attack and release on the synths, 2 master effects, very little editing) , but consider it as a groovebox with the best sounds of the original M1.
I never touched it except the legacy software version, so I can not comment on the difference of grain.
But the spirit of his M1 is there. Do not expect to do with the industrial. It sounds very early 80's late 90's, very Kylie Minogue, Rick Astley, etc. ...
Editing is simple, we can move groups of notes in the pattern, adjust the velocity and the gate of notes, duplicate patterns ...


SUITABILITY/PERFORMANCE

The impression that the dynamic is a little soft, but I could be wrong with my low-end speakers. Very credible anyway, provided you have a little imagination and delve into the sound library to blend sounds.
Very refreshing. Digital Sounds dry, but alive.

A big thank you to

OVERALL OPINION

Nobuyoshi Sano and his entire team once again, a great job, thought and designed a marvel.
A toy / workstation avant-garde, a good compromise halfway between the old vintage workstation that could snap at any moment and vst pc that can become boring.
When is a Juno DS-106 or a Yamaha DSX 7?