It is now 3 weeks since I received the H90 with my Ibanez RG NoVH77 for 3120 ANTF, first I had the impression that the pickups lacked roundness ... as I leaned more about it I realized several things to get the well rounded (for H90) requires a massive guitar with soft wood like mahogany, I have too little, just a part of the body, the neck is maple and the top cash flamed (Maple too) which gives much strength to literally and figuratively in this guitar!
So comparing with a Les Paul with microphones samblable (Goldtop with P90) and bah I have to admit that the KAMI sounds much better, more dynamic, more precise in drips o)
I have not quite what I wanted, I better, even if I wanted the blues very fat, I like that one understands the nuances even if they are small.
The pickups IBZ / DIMARZIO rest in peace just like the 5-way switch and a son ridiculous scrapes to 1500 balls!
With the H90, I installed a NoVH77 ... the duo of hell, I use drawing strong facilent 11/54 which is less artificial harmonics but one can tweak my amp (KOCH STUDIOTONE and adding a BEHRINGER Vintage Tub overdrive, Eddie is not far at all! !
Everything I play is precise, laser-engraved fine but with this rabble who would side microphones dull if it was not, I think it is in this lies the talent of Sylvain MULLER, while the love he brings to achieve these microphones means!
Thank you Sylvain.
Obviously, I'm a big fan of micro KAMI, I own 4, a side handle of a EE90 GODIN ExIt22 and unpretentious as a double a lead-based strat bridge.
I just bought a new American Standard Stratocaster HSS and I knew eyeing a kit pre-installed in master Sylvain based strat 57 ', I drool in advance!
The guy can make your 4 wishes for a value for the lowest price, forget the other brands, plus it's French, crowing!