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LG SON Live
Published on 01/02/11 at 00:36
The SMX 15 is for us one of the best market returns.
The only multi return angles (5) that fits all situations in concert.
The only problem is sometimes its very small footprint on the scene.
I reassure "boboson" in these columns that questions the reliability of the magnets and slings of the box.
We use them very intensely on concerts since 2008, not a mechanical problem.
Like all returns painting deserves from time to time of tinkering here and there but hey!
We also use (because it is sometimes forced other trademarks LA, B or D & Meyer) we never get as much finesse.
No need to carve like mad on KT DN 370 or other BSS 966, except when using CCA in One Man Show and so far nothing abnormal.
Driven by Lab Gruppen FP 10000Q process by a DMS 26 APG result is stunning.
We are more reserved side use with 115S or 215S TB sub on big stages but a system 4000 APG take over easily.
One is to overcome disabilities, educate ingesonn to use them.
The sheets are often copied pasted in terms of marks from one artist to another and it is difficult to change habits.
But we never had any problems with ingesonn who dared take the plunge, on the contrary they are thrilled!
A glance at APG they are always available and very attentive to the users which is not the case with some other manufacturers who often think have the best product on the market and make fun of the notice of the small provider.
We are the regional stage but we do discover the SMX 15 national artists we sonorisons during their stay in our region
&% &% &% &%
Very good returns
The only multi return angles (5) that fits all situations in concert.
The only problem is sometimes its very small footprint on the scene.
I reassure "boboson" in these columns that questions the reliability of the magnets and slings of the box.
We use them very intensely on concerts since 2008, not a mechanical problem.
Like all returns painting deserves from time to time of tinkering here and there but hey!
We also use (because it is sometimes forced other trademarks LA, B or D & Meyer) we never get as much finesse.
No need to carve like mad on KT DN 370 or other BSS 966, except when using CCA in One Man Show and so far nothing abnormal.
Driven by Lab Gruppen FP 10000Q process by a DMS 26 APG result is stunning.
We are more reserved side use with 115S or 215S TB sub on big stages but a system 4000 APG take over easily.
One is to overcome disabilities, educate ingesonn to use them.
The sheets are often copied pasted in terms of marks from one artist to another and it is difficult to change habits.
But we never had any problems with ingesonn who dared take the plunge, on the contrary they are thrilled!
A glance at APG they are always available and very attentive to the users which is not the case with some other manufacturers who often think have the best product on the market and make fun of the notice of the small provider.
We are the regional stage but we do discover the SMX 15 national artists we sonorisons during their stay in our region
&% &% &% &%
Very good returns
