For how long have you been using it? About 6 months Did you try many other models before buying it? Compared with blind MTD112, I heard a lot of speakers that range in my travels. What thing do you like most/least about it? Sound: Big dynamic, very pregnant right opening 90x90, True fullrange without processor (now too rare on the market to avoid being noticed) despite a low volume and a compact 12 inch Ergonomics: 4 different wedge angles, handles everywhere, moderate weight, guard foolproof, secure connectivity. What is your opinion about the value for the price? We're talking about a hardware rivaling Tenors market at this level the choice is often subjective criteria. Some have preferred to listen to the MTD112, others preferred the C12, but everyone agrees on the intrinsic quality of the product. Moreover, it is a bit cheaper than L. Acoustics and Nexo, no extra cost of purchasing dedicated processor (although I chose a processor that does THAT Protection the chamber, calibrated at the factory by the manufacturer) so yes, good ratio Q / P. Knowing what you know now, would you make the same choice? ... Yes, definitely, especially since in my opinion, we must support emerging brands to diversify supply on the market, and anyway, it sounds very good to my ears. Conclusion: A very good equipment fitted with quality components (Beyma) on the designer's specifications. A really designed to be easily manipulated and whose quality should last many years Cons: Not found less!

Edit after 1 1 / 2 years of use.

I'm still delighted with the product, equipment is aging well and found its stride. The bass is slightly rounded with time, which is not displease me. Use wedges, in addition to multicast (theater), side of dance (the 90 ° scattering there is any interest).

After a little analysis with measurement microphone, I found a bump was nothing but a slight 10kHz EQ can not correct. It even happened in jazz concert (wedge) to leave the EQ completely right with no problems and no note of feedback from artists on the quality of reproduction of their instrument. Everyone gets along and recognize his instrument. In addition it complies with the dynamics, which facilitates a nuanced playing for musicians, concerts and therefore more interesting. Put artists in a comfortable playing them will give the public the best