All user reviews for the Alesis MidiVerb

What are the effects or types of effects available?
What technology is used? (Analog, digital, tube ...)
Are they ditables? Via a publisher Mac / PC?
What is the connection? (Audio / MIDI)
Is this a rack or rack model?


USE

Is Gnrale setup simple?
The edition of sound effects or is it easy?
Is the manual clear and sufficient? ...dropoff Window


SOUND QUALITY

Are the effects effective and sufficiently ADAPTS GPs?
What instruments do you use?
What are those you prfrez, you dtestez?


NOTICE GLOBAL

How long have you use it?
What is the particular feature you like best and least?
Have you tried many other models before acqurir?
How do you report qualitprix?
With experience, you do again this choice? ...dropoff Window

Very cool reverb sound very Typed, the effects come within the scope and mix well better than the rest of the series to the reverb, echo and reverse a lot of the lead, an effect that is vintage; increasingly sought recently; A 100E it's worth it in any other ca choose ENTERED MidiVerb or MicroVerb it's one .la MicroVerb III prefers and not too bad for its range of interesting gate on percussion ,,, ON 8 10 10 2 On the sound for RCA connection.

UTILIZATION

yes yes clear

SOUND QUALITY

Yes I am

OVERALL OPINION

long time

It is a 12-bit reverb without possibility of editing with sixty reverbs shorter (0.2 s) to the longest (20s)
9 gate reverbs and 4 reverse (beautiful)
A midi input to change the reverb midi program change, basic.
A kind of plastic box half rack rack but not with the list of reverbs silkscreened above.
Cheapo light box and soft gums and also cheapo buttons ... nothing exciting at first.
RCA connections.

UTILIZATION

no editing, no need manual to change presets, only the choice of MIDI channel can be selected and a bypass.

SOUND QUALITY

So there it smashes, these reverbs are soft and dull, never flashy.
I am always surprised by the atmosphere created by this small when I put on a track.

Compared to my MPX-1 is ultra less commercial, less clean (I'll) and less versatile.
Compared to my ex MPX-100 is much more credible.
Compared to my SE-50 is more soft and warm (reverbs SE-50 is not so bad when high frequencies are cut)

It is very typical, we go on in this hot and nightlife with, as if we could not do anything but dark music ... it's inexplicable.

The 12-bit conversion must be for many, the high frequencies are naturally cut and the reverberant sound is compact, crushed ... makes it sound a little dark automatically.

OVERALL OPINION

I bought after reading an interview with Jean Michel Jarre who praised (!) And spoke of his warmth he found in no other reverbs (!)
I love the SOUND of Jarre and I told myself that if this "millionaire" music passed some of these tracks in this box, I could take the chance to buy 50 balls and I did well.

Unfortunately, mine oxidized circuits and it has a horrible that I have not managed to calm despite a cleansing breath rule.
I need to buy one!

in reverse on kicks I've ever heard it in no prods Techno.
In short reverb on synth is cozy and we hear a sentence, it just gives the felt to soothe the ears.
As long reverb is a sci-fi wish for artificial music.

Oh, by the way, it is absolutely NOT NATURAL ... it is a reverb for music that does not exist (non-acoustic music or music that does not try to reproduce reality), we agree?

Digital reverb (room, hall, gate, reverse)
rca connectors
+ / - buttons to change presets
knob mix wet / dry

UTILIZATION

too simple

SOUND QUALITY

sounds interesting for special effects (I only use the presets gate and reverse), type snare eighties or aquatic experimentations.
The gate reverb is much warmer than many others (boss. ..)
The rest of the presets breath still too much.

OVERALL OPINION

+ knob dry for volume control and therefore the possibility of having only the reverb or a mix between the two ...
+ Gate reverb mind 80's kitsch and effective.
Too-breath when looking for a really clean sound
-No way to control the duration of the reverb (short, medium, long, and that's all)

That the reverb!
No editing.
non rackable
Digital Reverb
Audio.
2 in (G & D) rca
2 out (G & D) rca
midi in & out
Many présets.mais one pre or post EQ + comp will be welcome.
Allimentation by extern transformer.

UTILIZATION

Configuration can not be easier
in the the reverb send plugged into the auxiliary table
out of the reverb return in the table.
at the time the manual was not very explicit and very small but half a page if my memory is good.

SOUND QUALITY

It was my first digital reverb and I was super happy!
It was plugged into my two auxiliary mixer (Fostex 450 at the time) it was mainly used for voice, but also and this is where I was most surprised by the quality of the "BAR" compared to my spring reverb.

OVERALL OPINION

Long ago that I sold, but I regret because I'm sure I would use it again today if I had kept it, it was my first digital reverb, what a difference that springs to me used for vocals and instruments percutifs not because it is the more convincing it was (for me) on the BAR was great! Every time I suggest adding a semi-parametric EQ either pre-or post rev + a comp!
Very expensive at the time in 1985 I think, but it was the beginning of the digital era, paid FRS 4500 (more than € 600 today) it was really wanting one, and it was cheaper!
Certainly I would do this choice. We must find for cheap OCASE now!