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4.0/5(2 reviews)
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Published on 10/30/03 at 06:55 (This content has been automatically translated from French)
Snare was not pierced with interchangeable 3.5 "brass in my case.
The sound is punchy and percussive trs. The circles give the Mouls precision sound.
A good snare for trs trs not expensive (Super quality report made I think)
Before, I used wood snare of my pearl export. This one is much better, nothing to see, and much more prcise own level harmonics.
The next will probably be a wooden 6.5 "(but still free floating)
A buy eyes closed - but ears open!
The sound is punchy and percussive trs. The circles give the Mouls precision sound.
A good snare for trs trs not expensive (Super quality report made I think)
Before, I used wood snare of my pearl export. This one is much better, nothing to see, and much more prcise own level harmonics.
The next will probably be a wooden 6.5 "(but still free floating)
A buy eyes closed - but ears open!
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Published on 10/16/07 at 02:43 (This content has been automatically translated from French)
The same version of Maple for 10 years that I have, it remains a must for tyles very powerful, Funck.
on the other hand, because of its construction, its steel (qd was a wooden version) makes this cash-clearly too powerful to play a more traditional jazz style.
Hence my choice on a Sonor SQ2. But here the comparison ends. For to have played many times on stage, the free float is a great value, and I have had nothing but compliments, even from pro musicians. I would say it in concert it comes into its own. In the studio, it is more delicate, because once the other musicians forthe slows on its power.
One last detail, the tuning is not easy all the same, and must spend time to master...…
on the other hand, because of its construction, its steel (qd was a wooden version) makes this cash-clearly too powerful to play a more traditional jazz style.
Hence my choice on a Sonor SQ2. But here the comparison ends. For to have played many times on stage, the free float is a great value, and I have had nothing but compliments, even from pro musicians. I would say it in concert it comes into its own. In the studio, it is more delicate, because once the other musicians forthe slows on its power.
One last detail, the tuning is not easy all the same, and must spend time to master...…
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The same version of Maple for 10 years that I have, it remains a must for tyles very powerful, Funck.
on the other hand, because of its construction, its steel (qd was a wooden version) makes this cash-clearly too powerful to play a more traditional jazz style.
Hence my choice on a Sonor SQ2. But here the comparison ends. For to have played many times on stage, the free float is a great value, and I have had nothing but compliments, even from pro musicians. I would say it in concert it comes into its own. In the studio, it is more delicate, because once the other musicians forthe slows on its power.
One last detail, the tuning is not easy all the same, and must spend time to master the beast.
on the other hand, because of its construction, its steel (qd was a wooden version) makes this cash-clearly too powerful to play a more traditional jazz style.
Hence my choice on a Sonor SQ2. But here the comparison ends. For to have played many times on stage, the free float is a great value, and I have had nothing but compliments, even from pro musicians. I would say it in concert it comes into its own. In the studio, it is more delicate, because once the other musicians forthe slows on its power.
One last detail, the tuning is not easy all the same, and must spend time to master the beast.
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Tech. sheet
- Manufacturer: Pearl
- Model: Free Floating 3 1/2
- Series: Free Floating
- Category: Snare Drums
- Added in our database on: 09/02/2008
We have no technical specifications for this product
but your help will be much welcomed
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