kapelmeister « A good beginning for shredder »
Published on 12/26/11 at 16:36Taiwan factory. Easel TRS 101 (Floyd Rose licensed), Alder body, maple neck rosewood fretboard 24 frets. Microphones HS H. Tones volume configuration, slecteur 5 positions.
Technically very intressante the era of its release.
Particularity the "FP": a pick-guard transparent plexi which allowed to customize his guitar with one of 4 dcor provided prdcoups buying the guitar (there were tr s kitsch ...) or get a personalized decor. Pretty Chroms buttons (to be closer from time to time with the allen key).
Honest work but no paint or graphite materials pousss too. This is srieux for what it is (eg finishing), especially given that proposed the competition, but still a range between.
USE
Typical round of shred-machine 80-90 years: very thin and lightweight varnish to go faster, big frets.
Stratode body or rather "Ibanesque" it is not called RG "X" for nothing (it's a bit of a clone). A weight that requires no unfavorable comment, and a very easy access to acute.
Good can sound palette thanks to the dual-single-double combination, we can touch all registers.
The licensed Floyd is honest and ultimately well holds the years if you take care of him, even if has remained a top prize. Attention to tie ropes blocks that break their guide with time (does not prevent their use, but be careful not to lose them).
SONORITS
Guitar remaining versatile due to its MODR microphones. It's a bit the heel of Achilles of this guitar deserves better since it gently tickles the amp without really have character.
Happiness was the guitarist of that time through a Peavey Bandit Transtube or a Korg A5 (the prehistory for some).
A change of microphones is really a revelation (amendment to TB6 easel and EJ custom handle: so angry and Paf-esque).
NOTICE GLOBAL
I bought this guitar in 1992. I keep 15 years. A skyscraper aging well, including a good handle end as we did more. The handle that will not move. It is expected that the pots dcrasser crachotent time. I could not stand his big pick-guard plexi end. But continues to bring happiness to someone ...
Technically very intressante the era of its release.
Particularity the "FP": a pick-guard transparent plexi which allowed to customize his guitar with one of 4 dcor provided prdcoups buying the guitar (there were tr s kitsch ...) or get a personalized decor. Pretty Chroms buttons (to be closer from time to time with the allen key).
Honest work but no paint or graphite materials pousss too. This is srieux for what it is (eg finishing), especially given that proposed the competition, but still a range between.
USE
Typical round of shred-machine 80-90 years: very thin and lightweight varnish to go faster, big frets.
Stratode body or rather "Ibanesque" it is not called RG "X" for nothing (it's a bit of a clone). A weight that requires no unfavorable comment, and a very easy access to acute.
Good can sound palette thanks to the dual-single-double combination, we can touch all registers.
The licensed Floyd is honest and ultimately well holds the years if you take care of him, even if has remained a top prize. Attention to tie ropes blocks that break their guide with time (does not prevent their use, but be careful not to lose them).
SONORITS
Guitar remaining versatile due to its MODR microphones. It's a bit the heel of Achilles of this guitar deserves better since it gently tickles the amp without really have character.
Happiness was the guitarist of that time through a Peavey Bandit Transtube or a Korg A5 (the prehistory for some).
A change of microphones is really a revelation (amendment to TB6 easel and EJ custom handle: so angry and Paf-esque).
NOTICE GLOBAL
I bought this guitar in 1992. I keep 15 years. A skyscraper aging well, including a good handle end as we did more. The handle that will not move. It is expected that the pots dcrasser crachotent time. I could not stand his big pick-guard plexi end. But continues to bring happiness to someone ...