DiMarzio DP170 Blue Velvet Neck

I have this microphone mounted on a J Custom RG (very high end Ibanez) in combination with a Tone Zone in bridge and an Air Norton in neck!

IDAL is for sounds spiltts (position 2 and 4), position 2 with the Tone Zone, it has a beautiful sound strat 'in position 4 something more round but even when stratabound ...

Position 3 is trs clear, but not so much caratre (it sounds not too vintage)

I put my neck on a Stratocaster mex std associated with red velvet (dp174) ...
The sound of this microphone is a super-rich ... it's nice to hear, it's bluesy, round the attack is not violent but it's super easy to do without touching the cruncher knobs. Sounds are trs trs prcis Defines and great. Some would say it is not powerful but trs forgiveness because they have not heard, the quality is the sustain is dcuplles bends "Gilmouriens" arf arf arf (I drool)), the texture and timbre of his music are trs.
It accepts up without heavy distos molir and keeping his DEFINITIONS.
I advise I am very happy, RAVI!

Very good mic.
I tried on a lot of strata and I say it in the neck position that is best. It is very close to a Fender single coil but with more mellow which predestined naturellent blues and rock 70.
It is true that it evokes Blackmore or Hendrix. Strat sound a little more blues-rock ...
Good manufacturing, it hums like a single-coil but it also sounds like a single-coil!
Come on, let me a tip: you take a rosewood fingerboard alder strat type 62, you put a stick in Blue Velvet, a Fender reversed polarity in the middle, a Dimarzio FS-1 bridge and you have a great sounding versatile strat Start as a true but with a little more for blues and rock n 'roll ...