Tornade MS Pickups Strat ’60s Serie L

Bought complete micro MS TORNADO set: MICROS 2 single coil neck and 60S for middle and a double bobinnage (replica of fred at Di Marzio) .These pickups are mounted on a lag collector 24 cases (stratovolcano home lag era Toulouse). clear microphones are clear, chattering, singing and a highly effective output power and reactive. they are precise and warm, and slightly crunch when attacks like a brute, smooth or normal attack, it's just the opposite, which is frankly very very nice for those who love the energetic funck, anyway it ' microphones is finally very polyvant and accepts as vintage sounds and modern !! I am always a fan of Di Marzio, it was with pleasure that I discovered the humbucking bridge in MARC made to his magical fingers, my boy, well congratulations !! I have not been disappointed, the grain is, warm, saturated sound that satisfies without being aggressive, round and well rock! Means any notes when you sweep, I mean that they are well separated and absolutely no drafts !! A delight to tell the truth, and ditto a very good level output. The icing on the cake is when passing twice in singles, the surprise is, too, reacted very well, even if it is not simple, there is a slight grain that approximates a simple bobinnage !dropoff window of course it will depend on the amp setting, pedal, ect! To sum it all: These microphones are organic !!!, and I strongly advice, especially I think for those who want them mounted on a Stratocaster for clear, because I think this is taking full extent! At least on most modern type of guitar there's no pictures, I re -découvert my guitar! MARC I say a big thank you for your stuff, and also your kindness, your listening and your availability! Well done guys !!!!!

<img src="http://i264.photobucket.com/albums/ii165/maxime-fender/PICT0024.jpg" border="0" alt="Photobucket"> (Http://s264.photobucket.com/albums/ii165/maxime-fender/?action=view&current=PICT0024.jpg)

This set is mounted for a week now on my Fender Stratocaster Classic 50s.

<img src="http://i264.photobucket.com/albums/ii165/maxime-fender/PICT0031.jpg" border="0" alt="Photobucket"> (Http://s264.photobucket.com/albums/ii165/maxime-fender/?action=view&current=PICT0031.jpg)

She has very much taken aprslinstallation life of this set. Marc (manufacturer of these microphones) is completely lcoute needs of the musician and is not stingy with tips (wiring of the set, shield pickguard, value capa install on the pots of tonality r adjustment of the height of microphones).
To be honest, I have not tried FURTHER custom microphones (hand Fender Strat 57/62 on American Vintage 57 that Mount not permit a great memory) and I looked at time of my purchase ct Lollar, Fender CS 69 Fat 50s) but I would do this choice without hsiter! Real craftsmanship Made In France and priced well below the competition!

<img src="http://i264.photobucket.com/albums/ii165/maxime-fender/TORNADEMSPICKUPS60sNECKfront.jpg" border="0" alt="Photobucket"> (dropoff Window http://s264.photobucket.com/albums/ii165/maxime-fender/?action=view&current=TORNADEMSPICKUPS60sNECKfront.jpg )dropoff Window

I never had the pleasure dessayer strat L series so I can not tell if the sound is near or not and any fawn, this set is mounted on a 50s Strat RI ( rable key) so the sound can not be identical a strat rosewood fingerboard. In addition, wood utiliss are not same. But even when we find really biting that characterizes the sound of these mythical guitars.
If I had to name a guitarist for voquer the sound of these pickups (although quune host of other parameters are taken into account as Lampl and fingers of the man), it would no doubt Rory Gallagher!

<img src="http://i264.photobucket.com/albums/ii165/maxime-fender/PICT0024.jpg" border="0" alt="Photobucket"> (Http://s264.photobucket.com/albums/ii165/maxime-fender/?action=view&current=PICT0024.jpg)

These microphones require quune thing Quon returned them in! With a hot amp crunchy and well, this is pure happiness! The bass is prsents but never muddy and quilibrs perfectly with the treble. The micro bridge is biting but be aggressive like this is too often the case with Strats. They are also very versatile. What jentends by ragissent is that they fully play. Each is a sharp attack dharmoniques deluge

<img src="http://i264.photobucket.com/albums/ii165/maxime-fender/TORNADEMSPICKUPS60sSET.jpg" border="0" alt="Photobucket"> (dropoff Window http://s264.photobucket.com/albums/ii165/maxime-fender/?action=view&current=TORNADEMSPICKUPS60sSET.jpg )dropoff Window

Fans (including myself) surf, old rock and roots music in general also will appreciate the clean sound microphones on a Twin Reverb for example. L too, these microphones are very accurate, almost too! The slightest mistake is highlighted and will not forgive! One finds all the funky and bluesy sounds lon expected dune strat jou clean sound.

Finally, if I were dfinir this set of microphones in 3 words, what would be the following: Dynamism, Accuracy and definition.

This set is mounted for a week now on my Fender Stratocaster Classic 50s.

She has very much taken aprslinstallation life of this set. Marc (manufacturer of these microphones) is completely lcoute needs of the musician and is not stingy with tips (wiring of the set, shield pickguard, value capa install on the pots of tonality r adjustment of the height of microphones).
To be honest, I have not tried FURTHER custom microphones (hand Fender Strat 57/62 on American Vintage 57 that Mount not permit a great memory) and I looked at time of my purchase ct Lollar, Fender CS 69 Fat 50s) but I would do this choice without hsiter! Real craftsmanship Made In France and priced well below the competition!

I never had the pleasure dessayer strat L series so I can not tell if the sound is near or not and any fawn, this set is mounted on a 50s Strat RI ( rable key) so the sound can not be identical a strat rosewood fingerboard. In addition, wood utiliss are not same. But even when we find really biting that characterizes the sound of these mythical guitars.
Micro "middle" is RWRP (Reverse Polarity Reverse Wound), which means that it is bobin upside and its polarity is reversed compared to the other. This PROCD soon as you hear the noise on intermediaries positions and the microphones are dmagntisent.

These microphones require quune thing Quon returned them in! With a hot amp crunchy and well, this is pure happiness! The bass is prsents but never muddy and quilibrs perfectly with the treble. The micro bridge is biting but be aggressive like this is too often the case with Strats. They are also very versatile. What jentends by ragissent is that they fully play. Each is a sharp attack dharmoniques deluge

Fans (including myself) surf, old rock and roots music in general also will appreciate the clean sound microphones on a Twin Reverb for example. L too, these microphones are very accurate, almost too! The slightest mistake is highlighted and will not forgive! One finds all the funky and bluesy sounds lon expected dune strat jou clean sound.

Finally, if I were dfinir this set of microphones in 3 words, what would be the following: Dynamism, Accuracy and definition.

This set is mounted for a week now on my Fender Stratocaster Classic 50s.

She has very much taken aprslinstallation life of this set. Marc (manufacturer of these microphones) is completely lcoute needs of the musician and is not stingy with tips (wiring of the set, shield pickguard, value capa install on the pots of tonality r adjustment of the height of microphones).
To be honest, I have not tried FURTHER custom microphones (hand Fender Strat 57/62 on American Vintage 57 that Mount not permit a great memory) and I looked at time of my purchase ct Lollar, Fender CS 69 Fat 50s) but I would do this choice without hsiter! Real craftsmanship Made In France and priced well below the competition!

I never had the pleasure dessayer strat L series so I can not tell if the sound is near or not and any fawn, this set is mounted on a 50s Strat RI ( rable key) so the sound can not be identical a strat rosewood fingerboard. In addition, wood utiliss are not same. But even when we find really biting that characterizes the sound of these mythical guitars.
Micro "middle" is RW / RP (Reverse Polarity Reverse Wound), which means that it is bobin upside and its polarity is reversed compared to the other, as did Fender the era actually! This PROCD soon as you hear the noise on intermediaries positions

These microphones require quune thing Quon returned them in! With a hot amp crunchy and well, this is pure happiness! The bass is prsents but never muddy and quilibrs perfectly with the treble. The micro bridge is biting but be aggressive like this is too often the case with Strats. They are also very versatile. What jentends by ragissent is that they fully play. Each is a sharp attack dharmoniques deluge

Fans (including myself) surf, old rock and roots music in general also will appreciate the clean sound microphones on a Twin Reverb for example. L too, these microphones are very accurate, almost too! The slightest mistake is highlighted and will not forgive! One finds all the funky and bluesy sounds lon expected dune strat jou clean sound.

Finally, if I were dfinir this set of microphones in 3 words, what would be the following: Dynamism, Accuracy and definition.