Boss CL-50 Compressor Limiter

I have two rack and I can stand up for yourself that this is damned good road. Connected to a mixing desk, it can handle input signals from various microphones or line outputs with the greatest calm and the largest amplitude. Whether mono or Stereo, insert track or mix in general; this compressor / limiter / noise gate (door noise) is correct that what it seems. It Relva a weakling level, cutting a frquence unflattering or n'bruite not your speakers. The connections are jack, in order: 1) Input (mic, line, instrument, keyboard, mixing desk etc. ...)/ 2) a level of -10 dBm 4 / 3) an outlet for the connection to an amp, power amp, a magntophone, sound card / 4) a power-detection of the signal (the signal input is used when you DSIR the effects DIFFERENT controls are related to the arrival of the signal) / 5 & 6) Connections for compression and noise gates when they are utiliss simultanment with his counterpart (cd his companion, sister what! a LC50 for other strophonie) / 7) Socket for an external pdalier of CONTRL not supplied / & 8) hold for the adapter. I casais between my mixer and my power amp and I had no background noise in my monitor speakers when branches but without any music on my part (but if you know what lightweight "sssssshhh" which unfortunately is not a sample).

UTILIZATION

Its configuration is a childlike simplicity, there's just turn the knobs and more, the manual provides examples of rglages in all situations.

SOUND QUALITY

The effects are transparent, a system that is processing dynamic trs sharp and really easy to ACCS. No dtrioration sound and bright facade tmoins reassure its operation. So I used it before with my bass, I had the bass and the amp to have a natural compression and quietly. Then, as I said it was between my table and my power amp and my music ptites taient rgularises well clear. T it would be a shame not to use them and I loved watching the two indicators of gain, when I look for inspiration bubble. A Submitted they are supported by a large rack Behringer, efficient emptying. But I'll find another good their usefulness (I'm gonna m'mettre the triangle, of course!)

OVERALL OPINION

How long I use it ??? hula! well it's been 10 years (I am 32). TRS is a good product and cheap. It seems to me an obvious choice for an effects rack and for an amateur home studio, it should be mandatory.

Compressor stylish "pro" that is, with all settings at = I / O separate level of damping, compression ratio, attack / decay separated.
+ Noise gate, with level control and decay.,
input for on / off switch at the base. Switch.
1 / 2 1U
note on price and the venerable age.

UTILIZATION

Provided that the parameters mean something to the user, absolutely.
it can also be learned in "stir," but it's true it's not a boost with a single knob.

SOUND QUALITY

Effect of very high quality. Pushed into a corner, can be used for compressor violent attack funky. but rather a quality machine that will allow to balance the sound and give it the sustain while remaining very discreet.
with guitar, it's really a very good compressor.
with voice, it can also improve many things, it's pretty late for this type of use.
I put 10, but considering the price. It's still not the rack studio ... how many €, I dunno, I had a pain there ..

OVERALL OPINION

3 years
+ the sound quality, fine tuning, can footswitch.
the - format, not programmable.
yes, the pedals. That or less, or else frankly a lot more.
Currently: unbeatable. the sound of a super for the price of a sub-crust.
with the same constraints ("money, too much ...") yes.