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4.3/5(1 reviews)
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Kibutz
Published on 09/13/05 at 04:09 (This content has been automatically translated from French)
Compressor / Gate Dual Mono Stereo linkable in.
Side chain on both mono.
Rglages threshold of the gate, compression threshold, ratio and gain.
Attack and release are automatic.
Jack connectors 6.35.
UTILIZATION
Trs simple to operate.
I use it in two cases:
- Live on the master (in insert). Threshold with a-5dB compression trslgre.
- In the "studio" for recording hardware synth. In this case, the range of rglage dja is more important.
We do not try for hours rglages suitable.
The side chain is a little more dlicat a run, but once we find the values adquate, is your exact hyper INTERESTED.
J'apprcie particulirement the Tagus and the output gain SETTING...…
Side chain on both mono.
Rglages threshold of the gate, compression threshold, ratio and gain.
Attack and release are automatic.
Jack connectors 6.35.
UTILIZATION
Trs simple to operate.
I use it in two cases:
- Live on the master (in insert). Threshold with a-5dB compression trslgre.
- In the "studio" for recording hardware synth. In this case, the range of rglage dja is more important.
We do not try for hours rglages suitable.
The side chain is a little more dlicat a run, but once we find the values adquate, is your exact hyper INTERESTED.
J'apprcie particulirement the Tagus and the output gain SETTING...…
Read more
Compressor / Gate Dual Mono Stereo linkable in.
Side chain on both mono.
Rglages threshold of the gate, compression threshold, ratio and gain.
Attack and release are automatic.
Jack connectors 6.35.
UTILIZATION
Trs simple to operate.
I use it in two cases:
- Live on the master (in insert). Threshold with a-5dB compression trslgre.
- In the "studio" for recording hardware synth. In this case, the range of rglage dja is more important.
We do not try for hours rglages suitable.
The side chain is a little more dlicat a run, but once we find the values adquate, is your exact hyper INTERESTED.
J'apprcie particulirement the Tagus and the output gain SETTING THE trs effective.
SOUND QUALITY
Previous confirmation of the view: a loss in the lower spectrum.
(For an amateur like me, it allowed me to have a more "clean"). Finally I Submitted more flexibility on my EQ.
I do not think this compressor "color" the sound. In the limit that it short down the spectrum could think that sounds "cold" or "analytical".
A high volume while the clip light does not stay on continuously in the red, no distortion is heard.
OVERALL OPINION
I use it for a month and up Submitted I knew that the virtual compressors.
Good To take on this machine even though it is not partuculirement flexible. I think even the opposite is true: the rigor! It's true that this is not a compressor with which we approach music. But this is balanced by the prsence against a side chain input that allows more crative expriences.
Pay 250, I am satisfied with this compltement compressor that works more like the first day of purchase.
Side chain on both mono.
Rglages threshold of the gate, compression threshold, ratio and gain.
Attack and release are automatic.
Jack connectors 6.35.
UTILIZATION
Trs simple to operate.
I use it in two cases:
- Live on the master (in insert). Threshold with a-5dB compression trslgre.
- In the "studio" for recording hardware synth. In this case, the range of rglage dja is more important.
We do not try for hours rglages suitable.
The side chain is a little more dlicat a run, but once we find the values adquate, is your exact hyper INTERESTED.
J'apprcie particulirement the Tagus and the output gain SETTING THE trs effective.
SOUND QUALITY
Previous confirmation of the view: a loss in the lower spectrum.
(For an amateur like me, it allowed me to have a more "clean"). Finally I Submitted more flexibility on my EQ.
I do not think this compressor "color" the sound. In the limit that it short down the spectrum could think that sounds "cold" or "analytical".
A high volume while the clip light does not stay on continuously in the red, no distortion is heard.
OVERALL OPINION
I use it for a month and up Submitted I knew that the virtual compressors.
Good To take on this machine even though it is not partuculirement flexible. I think even the opposite is true: the rigor! It's true that this is not a compressor with which we approach music. But this is balanced by the prsence against a side chain input that allows more crative expriences.
Pay 250, I am satisfied with this compltement compressor that works more like the first day of purchase.
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Tech. sheet
- Manufacturer: Symetrix
- Model: 525
- Category: Studio compressors
- Added in our database on: 07/18/2006
We have no technical specifications for this product
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