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Behringer Protector MDX1800
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All user reviews for the Behringer Protector MDX1800

Studio limiter from Behringer belonging to the MDX series

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  • an21an21

    Behringer Protector MDX1800Published on 12/03/05 at 06:41
    (This content has been automatically translated from French)
    The PROTECTOR:

    Bon ben, it's a limited 8 mono tracks for each track with a Line in (balanced) and Line out. There is a treshold gnral for 8 runs and a peak -10 Db quite convenient. This is a rackmount unit pictured. We are happy to have 8 tracks for the price and the ergonomics of a unit!
    It is regrettable that a does not take other connectors, but let honnte, would not have much there other connectors.

    UTILIZATION

    I use it for recording live audio, for Crete when the signal is too much diffrence in volume. Eg applause, someone coughing into a wall of a small intimate stro sional piano / flte ... ca and not always dgueulasse trs pro to have a saturation numrique!

    Trs is l…
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    The PROTECTOR:

    Bon ben, it's a limited 8 mono tracks for each track with a Line in (balanced) and Line out. There is a treshold gnral for 8 runs and a peak -10 Db quite convenient. This is a rackmount unit pictured. We are happy to have 8 tracks for the price and the ergonomics of a unit!
    It is regrettable that a does not take other connectors, but let honnte, would not have much there other connectors.

    UTILIZATION

    I use it for recording live audio, for Crete when the signal is too much diffrence in volume. Eg applause, someone coughing into a wall of a small intimate stro sional piano / flte ... ca and not always dgueulasse trs pro to have a saturation numrique!

    Trs is logical and simple to use, it is regrettable not to have a treshold for each track, but it would make more trouble! ... just grate the volume of the device from there upstream and returned the volume level or the limit set off ... must be smart. Personally, I prfre grate concerns Aesthetics catch sounds and music and human contact, rather than hardware, which worries me are dplacs.

    I take this opportunity to spend a little message: the musical groove + music = ear + + quality of a recording power, and also has a lot of human Infringements between makers and INTERPRETATION sounds. Let's be clear-sighted on this.
    It always makes me laugh to see the guys that are qt, that the gear hobs and not a pet of logic and ear.

    In short, it's versatile stuff, moderate and strong.

    SOUND QUALITY

    It's been his job. View that there is little knobs and buttons pressed, the risk "I am the behringer stuff, I flinch and fall in the roads" is cart!

    Behringer is a philosophy that is concerned about the ratio qualitprix meuilleur. Apche on certain products, but just to understand this philosophy to use this in all modesty modest hardware. Let us not be too greedy and crneurs!

    It turns nikel for the use I make. It's faster to buy a mulitude compressor / limiter, or the kind multicom composing or PBX that takes the place are terrible and too expensive cotent!
    Dpensons good with our money and got dcence!

    OVERALL OPINION

    I assume that in life, the more simple the better, so:

    Really cheap and good quality. For a limited 8-track, it's great ergonomic, easy to used and cheap. I see not what you would like to find default, from a rare find to be "OCCAZ and not exist on www.thomann.de

    If you find better as a limiter 8 tracks for 50 euros, I would be in touch!

    I plan to buy another one if I were to record a day in 8 +8 = 16 tracks, music lace.
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