All user reviews for the Urei / Jbl 1178

2U

Vintage (70's)

Transistorized

easy to use

UTILIZATION

manual very complete french (find and download)

easy to use if you know how to listen.

Do not make a block on the concept of "optical trigger" is awesome ... absolutely!

SOUND QUALITY

Compression / limiting applicable in stereo, for example on a subgroup (batterie..) What energy!

otherwise on vocals, guitars, everything ...! using a single channel. it becomes surgical, so it facilitates the placement of the source in a mix.

I do not deal with "everything" with the mix (with no mastering)

great, nothing to add.

OVERALL OPINION

used for over 15 years, never disappointed.

price / quality ratio consistent (used anyway, so follow the ads, but does not lose value)

yes, "we must" make this choice (forget plug'in!)

- Peak limiter is a two channel, with a non adjustable threshold (you must play to compress level of + or -)
- The ratio is fixed by choice with 4,8,12,20,
- Configuration of A / B (double mono and a low kick or two votes, ...) or Stereo (drums, piano, vocals ...)
- Rglages of the attack and release are identical for both channels but it did not pos of problem, just intelligently grouping the sources that are happening inside ....
- Connection of terminal block
- The VU meter are clear, legible and with several types of display: Peak or RMS, output level 0 (VU meter standard) 4 and + 8 (in this case the saw when the meter indicates 0 in fact you have 8 + dbu output .. trs o DIGITAL COUNTERS practice must "fill" the comvertisseurs)

UTILIZATION

- Use super simple, you can even by-pass the compression circuit (by setting off the attack button) and then use it as a "rchauffeur" of his even if it is not lamp, these circuits are of incomparable sweetness ....
- No manual but no need to use, but can be for us and the values ​​of ms attack time and release to allow good compression enchantment when it uses more later, but good, above all the ear is the .. !
- I put a 9 because srigraphie of working time would desirable t ...

SOUND QUALITY

- A versatile machine trs trs

OVERALL OPINION

- Used 5 years, I love her sound sweet and clear, its rglages simple and effective, robust (I've used several times in concert, collection outdoor in torrid heat or with the 'monstrous humidity and no failure!)
- My only regret vritable: the absence of side-chain!
- I would do without this choice hsiter!

VCA compressor both channels.
The compression section is identical to 1176, the difference is at the preamp output line, is in IC, the 1176 using a discrete circuit with transformer. And of course, the second channel.

UTILIZATION


Yeah, that's clear is simple, it effcace.

it's old too, so it must be revised.

SOUND QUALITY


Pass through without compressing the signal colors already. This color in the upper medium, already noted in the preceding opinion is in the output circuit. The more you shoot the more there a. Is harmonic distortion, neither more nor less. This gives a distinctive character to the tracks processed, making them softer and fuzzy, while placing itself well to the mix. It also planed a little spectrum to extremities.

Compression is beautiful, very characteristic of the very short time of release we have all heard before he tried the machine. Attacks on short, it is "squashland" snares out of OH and become distant cannon fire, the acoustic guitars plinkpln taken too close harmony. For voice we add the grain is less smooth, but not to blunder into place everywhere, it does work anymore.

OVERALL OPINION

3 years of use.
A classic sound, frankly typed while being versatile.
a beautiful machine.

Vca compression to propel electro optical (thus attack in μseconde) with reinjection (so inimitable sound
connectors: XLR terminals if so modifiéou original

UTILIZATION

easy to use:
per channel: IN and OUT
for both channels: attack and realease ratio. plus a choice of viewing the VU

used in the former all is done with the IN and OUT

SOUND QUALITY

the sound quality great vintage color to use on over, or voices, or GTR ... What finally over!
can be used for:
-Color
Work-compression / limiting
His work-compressionRMS / expansion
thickness and density provides a unique medium.
mode "all ratio" with saturation is inimitable vintage

OVERALL OPINION

my second, I use it for over 10 years
it is just inescapable, incomparable
is a machine that is priceless because it is so unique it s not as if we are separated by gallery tunes!!
the Distressor just kept empreunte of UREI, but did not arrive at the ankle!!

c is a compressor that works in 2 way stereo or a / b, transistor as its big brother the 1176 which is directly derived.
2U rack-mount terminals and connectors in only, c is all this old! So a weld to switch xlr to predict whether this is not done by the former owner.

UTILIZATION

Easy to use when you know the 1176, the more you force the input, compress more AC! A level of input and output channels individually adjustable, 4 ratios over the famous 'all buttons' or critter goes crazy! perfect room for a battery with very fast attack and release ...
So then it was time to attack and release, by common 2-way switch and a stereo or a / b.
the VU meter lets you see the level of output or compression, peak or rms.

SOUND QUALITY

Pure Becane! J do not compare a / b with my 6176 or with the plug-in bomfactory, it does not m interested, but the sound is, the effect of thunder walk, you push the compression or not, the attack is super fast and leaves nothing happen if you ask ..
perfect on all makes! bass, vocals, overhead of course, even the battery buss.

OVERALL OPINION

Voila, it's a purchase!
roughly the price of a UREI 1176, t have the 2nd track free ... you can indeed serve you than one entry if you don t have no utility in a stereo mix, and 1176 are really my premium has meaning.
10/10

The Urei 1178 is a stereo compressor that is made up of all analog components.  Since the one that I have used was already racked up in the studio that I used it at, I'm not 100% sure on the connections, but it is probably safe to say that it at least has XLR connections, depending on when it was made.  The unit is rack mountable and will take up two rack spaces in a traditional rack space.

UTILIZATION

Although different in look and is a stereo unit, the Urei 1178 has the same parameters as the famous 1176.  Each of the channels has leveling knobs for input and output, and then there are attack and release knobs that control both of the channels simultaneously, and this is also the case with the ratio buttons.  Like the 1176, you've got ratios of 4, 8, 12, and 20.  Both channels have their own VU meters, with a variety of options to control what you are actually metering.  I've never seen the manual for this unit, but never felt I needed one anyway.


SOUND QUALITY

The sound quality of the Urei 1178 is very similar to the 1176, and although I haven't compared them side to side I would bet that they would be very familiar to each other.  This of course is a good thing as this is a great sounding piece of gear that is suitable of compression just about anything that you would want to consider using compression on including guitars, drums, and vocals.  Since it is a stereo unit I often try to pair it up in instances that I might want to compress a stereo signal like drum overheads or an electric piano.  This being said, I would bet that a hundred different engineers could find a hundred different uses for the 1178.


OVERALL OPINION

All in all, the Urei 1178 is a great sounding piece of gear that I can't say a bad thing about.  If you've used this or the 1176, you know what I'm talking about.  These models have great reputations for a reason and this one has definitely lived up to it in my opinion.  Since they no longer make these, they aren't all that easy to find but if you've got your heart set on one I would think that you'd be able to find one to buy at the price that you would expect a high end piece of gear like this to be at.  The 1178 is definitely a piece of gear worth looking into if you are unfamiliar with it...