All user reviews for the TC-Helicon VoiceLive Touch

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UTILIZATION

very easy to use.

However, to save your preset, you have to use a PC, saving favorites on the first bank (limited to 5 per bank). not practical before a concert when modif.

editing effect is very simple.

SOUND QUALITY

very good choirs.

however, it will spend time on your internal mix, because AC can quickly become very metallic.

I just use my mic and with spring on the mixing desk.

I try my kronos noon and it is a killer.

OVERALL OPINION

I used last year.

very good value for money for what I do is a good camera, but see abort tc other products before choosing.

The TC Helicon Voice Live Touch has vocal harmonies and effects as well as looping features for vocals or guitars tracks. It is very easy to work with the module due to the interface and build of it. I was able to pretty much just get the grasp of it after about 30 minutes of playing around with it. It did come with a manual but I never looked at it. It is very small and portable and sits great on my desk not taking up much room at all.

UTILIZATION

Getting it up and running took no effort. It was just a matter of working through the menus to get what you wanted to get to. The touch screen works great and it is very response. It is very easy to add effects and backing vocals to accompany my main vocals. I was able to loop up to 30 seconds of audio with this module and overdub/undo.

SOUND QUALITY

There are well over 200 presets on this module with 24 touch buttons that have LED’s. There is a touch slider, mic input level and headphone output level. There is a built in guitar tuner and FX section that is dedicated to guitars. I have used this unit many times and it has never let me down or had any issues. It is just the type of unit that I do not get to use a lot because I just don’t need it most of the time.

OVERALL OPINION

The Voice Live Touch only weighs about 5 pounds and is very portable. It didn’t come with a carry pouch or case so I had to purchase a general use gig bag to carry it in so it wouldn’t get damaged or scratched when traveling. You can use MIDI and USB connections with it to work with other gear and your computer. There is only one ¼ Pedal phone jack though.

There are many effects for speech processor which is a concentrate of Live Voice II.
They are all editable but can be accessed within the two parameters.
However, the bank provides effects on the TCH site via a small software download with USB connection, can find happiness by "fiddling a bit."
It is a small rack panel (digital) well protected which is fixed on a Live feet micro.La technology is the same as the Voice Live 2, DSP and memory banks separated by type of effects, FX and Harmony, Delay and Reverb.
So digital. The connection is complete, micro In / Out XLR, Aux In, Guitar
In / Thru 6.35, Midi, USB, headphones, mic gain and speaker volume, TRS IN / OUT.
Look out for big fingers for connections, but it is not a real problem. It also lacks a switch.

UTILIZATION

Designed for the singer saw the presentation and design simplification
access and editing is very simple, it is a treat to play with the effects and Looper. it can still find its place in the studio.
The manual is in French for those who have little problems with the language of Shakespeare, very clear to the regulars but also very useful to read.

SOUND QUALITY

Effects are realistic after personal touches, it's TCH!
Used with guitar, keyboard, return console, various readers, PC Softs
via the audio output or headphone latter practice for groups.
The Reverb and Delay are good, the harmonies too, must sing in tune
course, the FX (robots, drones, etc..) are friendly.
No problem with the preamp.
What I like the most is the quality of the integrated Looper, harmonies, and Slider digital. This is the Pro already.

OVERALL OPINION

For two years, I've tested it, and then I waited to have toured the VoiceLive Play and others to acquire and finally admit that I live it is my "guide" favorite for a while.
Many models I have owned and have tried, each in its charm, the G-XT
the Voice Works for studio or home, the Voice Live, Live Play, Two very comprehensive, but more difficult to "tame".
This is what I like on the Touch, easy way Voice Live play but better. I also do not understand the previous opinion, a star for a high-end processor already an error?
The only negative, even if it reacts well with 3 footswitches channels
is little action with a 75 MP (micro TCH).
With experience, I would do this choice today given the low price, but it was not until the real benefits of Touch 2 and Far arriving this year.

It is not a rack, it is not a pedal, but what is it? It is a device that attaches to a microphone stand in 2 seconds, and the concept is really great. A small box for all smooth or even once the cables are hidden from public view, which is controlled with a simple swipe of a finger, that's really great.

UTILIZATION

I just flew over the manual, as the use of the machine is simple.Tout is available with a simple click, change the values ​​of a finger touch is very playful, are found happiness in a few seconds and saves its settings instantly.
Using integration in a DAW system is USB and no problem. In a small config, touch Voice can even serve as main sound card.

SOUND QUALITY

The main advantage of the machine is its sound quality. The mic preamp is excellent. The effects are the same as the Voice Live2, and it's really beautiful.
Acoustic guitar effects are also very high. But we can not settle for any one of the user memories, this limitation makes the machine unusable on stage in the state. Fortunately, there is an exit that allows to recover the signal for external processing after the voice touch have analyzed for voice processing.
The other solution, c is the midi foot, I use a FCB1010 because the implementation is complete afternoon of Voicetouch and still allows it to control all the settings of guitar effects. With him, I control all up, the effects voice, guitar, looper, and also Ableton on a laptop connected to the USB Voice Live to trigger audio clip. More than my guitar and a gym bag to carry but what freedom to travel light!

OVERALL OPINION

I use it for 1 month, I have long hesitated before VoiceLive 2 with the purchase, but since it can not control guitar effects foot, I chose this model. It's just that the outputs are not balanced and that I must use a direct box. on the other hand, it hurts less than a pedal back because all the settings are right at your fingertips. What a joy!
I used harmonizeurs and pitch-correction plug-in, but now we are not in the same world, everything is easier and sounds better right away, it is designed for live performance.
I love the touch screen is really comfortable and fast.
But above all, it is the sound quality and intelligence analysis of this machine is great.
But the thing is, it is absolutely necessary just sing. Otherwise it will not forgive. No, concert, picht correction is not made to reset an uncertain voice. This is possible in the studio, it's tedious and in my opinion it serves no purpose. But on stage, it is just that a good singer can make an effect to Cher, but the voice must be fully seated. When backing vocals, just a little sour note when it is amplified by eight, it can go unnoticed, and it is horrible. It is a machine that flatters all the beautiful, the ugly, we need to know before you buy, because it does nothing for us and not replace singing lessons when they are needed. The magic limits.
To conclude long ago that I had not been sure of buying LA Machine for the treatment of essential voice, I séparerais maybe one day in 20 years? Who knows?

Everything has been said. I just regret that there is no tap tempo foot (G3) for the delay. Apart from that, it's all good!

UTILIZATION

The all touch does not help as the grip as you might think in the first configuration (many sub-menus). However, the ergonomics are great once you took the shot, and really thought to use the live animal. The looper is fantastic, especially with the G3 when playing the guitar at the same time.
The manual is very complete.
The sound editing could not be easier. It's all good for TC Helicon.
The only thing that is sorely lacking is the absence of carry bag ... Incomprehensible seen format of the machine. To avoid lugging me around the box, I bought a cover price of gold where the camera fits perfectly with the VLT G3, cables and my microphone. I take a point just for that.

SOUND QUALITY

Quality is THE TOP! The Harmonizer is alone worth the price of the machine, as its responsiveness is good. I use it with an acoustic guitar, guitar preamp and + internal effects (reverb and detune) are spacious and warm.
Regarding the effects voice is once again superb, and all put our voices in value. Like all effects, it is better not to force the dose, at the risk of losing natural, but it is after all a matter of taste.
I use it regularly for about a year. I think I made the rounds of the machine: the value for money is unbeatable, and TC Helicon far exceeds the competition (Boss, EHX ...). I particularly like the following effects: reverb, delay, HardTune (sparingly), and harmonizer. I use the looper finally bit because I did not really need in my musical projects, but I repeat, this is definitely one of the strong points of the VLT! Whenever I've used, I was satisfied with the result sound, but it is true that we must work to reach the level of demonstrators TC Helicon (I am far

OVERALL OPINION

With experience, I think I would do this choice, although at the moment, I'm thinking to replace the Mic Mechanic much simpler in mind, because I only use very little of the immense VoiceLive Touch capabilities.

various effects

UTILIZATION

manual editing and simple enough setting at least for the live

SOUND QUALITY

it is very good effects of tc harmonies very good (in moderation)
signal processing sm58 and a terrible ca rolls
I pass everything in two electro-acoustic guitar (morning & Co), electric (Fender Strat) even an iphone (sequence)

OVERALL OPINION

I use it for three I have long hesitated with the voice live 2


then the least the function loop I use a Boss RC30 are no match I was hoping to sell my boss but it's much less to a level
for the rest nothing to say except perfect

the price (considering the quality) good

The effects are: modulation (flange, chorus, etc.), rverbe, dlais, HardTune, doubler and harmonizer. Everything is ditable with pRSET for each effect, but the fastest is to load a 250 prrglages, in the spirit of her and we are looking to change it. The great strength of it is the bte 8 votes harmonization with Chur extremely powerful effects, combined with the hardtuning, swinging sounds and inflections of sick! The hardtuning based on what goes through the MIDI or audio (guitar, for example) and voice harmonizes with the instrument. We can mix an instrument with voice output Stereo. The sound is totally duly immediately. It makes you want to play for hours and try everything. In addition, there is a loop editor that allows CRER 30s loop, and express. In short, absolute love at first sight, in my case and a tool that dbride crativit the music. The bote is in a terrific thinks it clings to a click on the microphone stand, possde an input and output XLR (with phantom power supply) 2x6 Stereo output. 35 between a 6.35 guitar, guitar output (through) 6.35, a MIDI input, footswitch between a (essential, a footswitch, if we play the guitar at the same time the singing) and sr good food. There are a publisher Mac / PC to update the firmware, save and rename the pRSET and favorites (5 banks of 5 pRSET). The compactness of the set makes it a little complex CHAC all menus and submenus but the record is complte and well done. You just have to plunge his nose from time to time.

UTILIZATION

Configuration perfectly simple and instantaneous. The manual is clear and complete. The edition is limited effects: there are a number of prrglages which only slightly change the mix in the mix. ACCS has not effect any custom settings (I think version 2 is more complte VoiceLive this level but the sound quality is totally bluffing and sufficient for trs most cases. IDAL is really the tool for live.

SOUND QUALITY

The effects range from subtle to severe trs DLIR, through all intermdiaires. The reverbs and dlais, even if there is little prrglages available, are treated. The main intrt machine is when even the 8 voice choir, particulirement impressive ism and music with algorithms that effect vitent copy and paste: the voices dcalent is subtle, are "rephrase", etc.. Use a good mix of hardtuning was frankly a modern sound but with a warm, vintage (not at all "vocoder").
I play with a guitar and I use a footswitch to go from solo voice + voice choir. With two or three pRSET, I have a wide range trs. I just need to enable or disable the flies a particular effect to radically transform a pRSET. All effects are INTERESTED, including the most extreme, because they give an ide of what can be done by pushing the creature into a corner. I recommend to explore them carefully.

OVERALL OPINION

I use the Touch VoiceLive for 6 months. This is the first voice processor hardware that j'achte, APRS have used many effects software: passage to the live forces.
What I like most is its strength, ergonomics, quality effects and voices.
There is nothing I dislike, but have j'apprcierais ACCS more paramtres in effect, that the edition of pRSET more drives ( it is possible to rename a rglage without using the editor Mac / PC for example) and the ACCS to be more intuitive menus.
The report qualitprix seems more than adequate. I would do this choice with eyes closed.

Exceptional vocal harmony. I waited to buy the VoiceLive 2 and on the advice of my favorite retailer, I opted for this model.
Opportunities for harmonization are impressive: the presets are already incredibly efficient - you can download new on the site - and its own configuration, intuitive, after all, manage to flesh out ideas and to finalize.

UTILIZATION

We must enter into the logic of the device, which is the case with all electronic machines. A little patience, time and, ultimately, it's going fast enough. We are also surprised by the appropriation that is intuitive form in itself.

SOUND QUALITY

The sound quality is bluffing. I tried the headphone first - which prompted me to buy it - and then, by connecting it to the table and monitors, no worries, no disappointment, the sounds take the road. I use it for the time line - Shure SM 58 microphone and XLR output to the table.L device is sensitive to the dynamics and therefore makes different effects depending on the pressure in the micro. I have not tested on the auxiliary table. I often use it in harmony with the digital piano: plugged in midday, the TC Helicon follows the chord progressions. The harmonies - third, fifth, sixth, and at worst the others arouse enthusiasm at best an elevation of the soul, you feel a communion with fifty singers diligent and faithful beyond most expectations solids.

OVERALL OPINION

I use it for over a month now, almost every day. I have not been around, far from it but certainly this purchase was decisive. It is a pleasure to play with renewed. A transfiguration. I'm waiting now to see what this will give the stage.

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UTILIZATION

are not many buttons, so some operations are easier and more complicated,
ABOVE AND CAN NOT EDIT effects will, for example, no decay of the delay,
The looper is not bad, but found it too limiting jai,

SOUND QUALITY

I found that with the base effects, my voice came out clean, the effects on the whole sounds pretty good

OVERALL OPINION

Very disappointed by the lack of depth in print,
All of a sudden I lai re-sold after one month
I will rather buy a VoiceLive 1 or 2, because I think we can edit the effects much more ...
The touch was a designer for the singer who does not want (or can) not to lead a search, simply c Prest ..
I was attracted by the "hands - hands on" instead of an edition on the ground and change effects with the feet (not that I love)
c actually practice, placed in my live acot other machines, I just support a delay to trigger a delay etc., ts cool,
But here too limited

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UTILIZATION

are not many buttons, so some operations are easier and more complicated,
ABOVE AND CAN NOT EDIT effects will, for example, no decay of the delay,
The looper is not bad, but found it too limiting jai,

SOUND QUALITY

I found that with the base effects, my voice came out clean, the effects on the whole sounds pretty good

OVERALL OPINION

Very disappointed by the lack of depth in print,
All of a sudden I lai re-sold after one month
I will rather buy a VoiceLive 1 or 2, because I think we can edit the effects much more ...
The touch was a designer for the singer who does not want (or can) not to lead a search, simply c Prest ..
I was attracted by the "hands - hands on" instead of an edition on the ground and change effects with the feet (not that I love)
c actually practice, placed in my live acot other machines, I just support a delay to trigger a delay etc., ts cool,
But here too limited

Many effects, extensive connectivity, the plug is available on the website and I advise to consult

UTILIZATION

Pretty easy to use, one touch is enough to turn on / off, manual quite well detailed, explanatory videos available, including on youtube

SOUND QUALITY

I use it for voice in the future I connect a keyboard for additional voices, I tried the preset "Another Brick", and the result is very realistic if you connect the sound source input on the VOICELIVE

OVERALL OPINION

I would do this choice, I love the system, it requires a little practice, but it's nice to be able to change the effects of finger singing

* Mod, delay, reverb, fx, double, harmony, for the main, with variations in it. But basically that's it.
Publisher Mac / PC indispensable for updates to the beast and the safeguarding of its patches.
Note:
The MIDI input can send the agreements directly in the box, and keep
audio input for the guitar: that's really cool ...
The mini-jack input can be used to inject another source, and is convenient too ...

UTILIZATION

Take the shot, but it's not very difficult I think.
I have not seen any bugs yet with ... For Kikiilou, when changing bankset must double tap on the ribbon to be truly favorite, if indeed it might seem that the machine is buggy! But actually not ...
I put 7 as the use of the looper is delicate and somewhat limited in some cases I do not think so advanced ...
This is not an RC-50 was a single loop, which is a shame.
The footswitch is required, but the configs limited.
I also hope we can set this with more updates, because they can not really change a little more freely what they want under the foot is downright frustrating.
A 5-position footswitch it would open more opportunities, and with some extra features we would have had a good start to rival the RC-50.

SOUND QUALITY

So this is really top ...
I think it's just great.
Boosted his voice, harmonies that are tearing ...

OVERALL OPINION

1 month of use, and I do not separate them.
I watched the video of a machine just like the Roland, but frankly, the ergonomics of the mic is too great.
Looper even limited function is very nice.
The outbreak at the base with the footswitch is indispensable in any case, so the exit Roland.
Superb machine for live, not yet used in the studio.

I took the microphone with MP75, which would very well the feedback, even if we lose a little clarity is compensated with the settings and you can push the voice and the machine off the stage I think.
In addition to the micro, there is a switch over, which can be handy ...
It is not just a gadget, it's a mic more suited to this beast a little mutant is cool ...

Editing via PC, the support that seems to exist, and hoping that the software updates continue for minor changes but I would be required, are there, and it Byzantium.

This choice I would do without hesitation.

I will not go too much on the characteristics indicated by Chouchou 79. The machine is well built, it easily attaches to a microphone stand and it is discreet.

On stage, many connections are not visible from the public because masked by a rubber back.

By using the best connections, it is still 6 cables to run along the foot. The connection is very complete with stereo outputs, but also a 6'35 XLR mono, which can be sometimes useful.

Level effects, there is a complete arsenal: modulations, such saturation effects or EQ extreme effects Hardtunes type, of delays, effects, dubbing, Reverb, and obviously a module for aligning and a looper.

The presets are unusable as extreme for me, they clearly intended to show what the camera was in the womb as part of a test headphone. As soon as one looks at the camera settings, you come to get what you want, adjusting levels of harmony or quantity effect.

There is a button "talk" very well thought can bypass all effects, convenient to announce that we have an EP to sell or we just Picardy without a delay of one kilometer. It should also be said also that the basic sound is not "organic", it is already covered, there's gate, compression and a kind of presence.

The basic sound is not editable in detail, but it can be bypassed or changed and there are some presets. The Voicelive communicates with the PC via USB with a simple software that lets you reorganize the presets (copy / paste / delete) to rename.

Attention, all changes are done via the camera and not in the software. The software also allows to archive full configs (mandatory) and make exports in the event you need to relocate a config in another voice live I guess.

In terms of design, I find great. For me, it lacks a mute button, an on / off and a knob for gain entry HiZ (the gain is adjusted in a submenu)

UTILIZATION

The manuals are correct, nothing more. I wish I had the full manual paperback rather than having to print and search across a stapler.

In terms of ergonomics, it is not because the machine is that it is intuitive touch.
One galley a little early and I did a lot of false manipulation. annoying as accidentally changing presets.

The use of USB is essential to quickly fix his config and evolve gradually.
So I can not say it's a friendly unit that likes to tinker constantly in real time. For me who am not very talented, but rather something that rule once and for all as a tracklist.
I use the device as a singer and guitarist in a band.
The optional foot switch 3 is mandatory, it can control the looper, the harmonies and to change the preset. For my use, I do not use more than 2 banks of favorites, 10 presets, with simple variants of reverb or delay and steering settings harmony (via the HiZ guitar or a predefined range by tracks).
The looper function works well.
With the foot switch it is still a slight lag in the release that there is no direct control by the display.

SOUND QUALITY

The effects are very good, no worries. I do not use the extreme effects, but they laugh drummer. The reverbs are good and the effects such équalo phone are good too. Obviously, they tend to go on lollipop, care should be taken in setting the gain of the effect. The harmonies are realistic, the more one goes towards the extremes, the more you lose in realism. Again it is a matter of research and adjustments, title by title.

OVERALL OPINION

It's still great to have as many features into a single unit controllable from the scene.
This saves the use of a microphone or a megaphone type harmonica to the effects a little saturated.
Ditto for the looper function, used since the microphone lead. The ability to manage its presets including reverb from the stage by tapping meet people without having to hack a rack is good.
The device is valuable in the configs DIY type showcase, just being able to handle the volume of singing from the camera is handy, you can adjust easily without having to bend over to a table laid somewhere.
The reverbs are generally better built than the onboard effects of small tables. In short it saves time. After the scenes as practiced, as Indira, you may encounter difficulties in imposing such material on festivals or first portions of artists.
Say that in general, sound guys are the mouth when you unpack this kind of thing. Without generality, the sound technicians hate not having control of all sound parameters.
Some consider such devices as a gadget lover, the source of buzz, sudden changes in earnings, and feedback.
More reason to make use of the equipment and civilized for having spun his set earlier in scene conditions. Besides asking for two DI for the song, it's been bitching every time.
There is always the possibility of connecting to the patch by the XLR output, but it's a shame to lose the stereo.
In the end, I am delighted and I can only recommend this device. I did not raise risk of bugs in an earlier opinion, but I'm probably a more simplistic device, with few presets. Edit: when the sound is ensured by a provider, bypassing the reverb on all presets and let the soundman manage.

225 Effects of plant used on, 5 of 5 memory banks (taking the shot initially for access also is a product of the black points).

We just get the effects into categories: the Wizard function. We select a category (megaphone, delay ...) and access with the arrows on the corresponding series of effects (quite handy at the beginning, when we do not really know or look for).

The sounds are not editable itself, but you can cheat slightly with tap tempo for delays, and increase or decrease the effects of the magnitude to give or not to reverb.

Effects: Umod, FX, Delay, Reverb, Twin, Harmony.

We can use up to 5 voice harmony together, they stall or automatically screened (midi, guitar, Aux, USB or audio), and then shift that is equal to the note sung, or by manually entering by hand the key of the song (major or minor).

There is a plug guitar (to take advantage of the effects on the guitar and voice drive the band), a power MIDI (with another to lead the band), an Aux input for connecting an iPod or a computer (and one pilot real-time harmony through the sequence or moose tracks, very convenient!), and a USB audio, which also serves to update the device and make backup settings.

A very interesting feature of looper that deserves fastener, I only fly for now, but I understood that you could save up to 25 different phrases for a total of 12 minutes ! you certainly can enjoy the effects on the miss. A priori the looper does not stall with the south.

UTILIZATION

After a little time to adapt the device remains available, however it lacks some physical buttons which would have improved the ergonomics of all, because everything at the touch required to make several transactions via the slider (a tap, 2 taps, keystrokes ...), you really get used. When you see the video demo I can tell you that the testers know about your fingertips!

The amber is Fr manual but is sufficient to use the device properly. If you want details on the looper must be done with the manual in English (same thing to know all of the 225 effects!) Effects

SOUND QUALITY

very effective and some few little gadget, but for Why not create. The reverb and delays are not clean breath (it's the TC). Harmony voices are too robotic and do not distort the voice too, from what I know there a few years or it was pretty unrealistic. Playing with the number and volume of voice, one could almost believe he is real physical choirs: Good point!

Overall we found the same effects as the voice live 2.

I use it mostly with a computer connected to the Aux that turns audio clips.

OVERALL OPINION

I've had it 3 days before I create voice XT is fine, but without harmony and without taking guitar and noon, with effects and less and less practical especially to fly at hand (something I did). It remains however a good way to start not too expensive with this kind of device (it is also for sale)

The value is met I got it for under 450 € new and guaranteed 4 years! Suddenly the voice may sound expensive live 2 next! The effects are not published as live voice on the 2, but for someone really need? Given the integrated panel and minor repairs can be done, that's enough for me I found my happiness on many pieces!

I think I will ever be the choice whether to run again, great product, to see how it evolves over time.