Music with Computers reviews
Even at its relatively young age, the iPad has already placed itself at the head of an extensive audio software library, running sequencers that are far more than simple toys. The latest arrival in this category, Cubasis from Steinberg, is not without its limitations, but has enough qualities to ensure its rightful place on the podium. See the...
In the domain of analogue synthesizer emulation, the race for fidelity continues. The biggest breakthroughs have not necessarily originated from the top editors. One of them, Monark, is reacting with a promise of the most faithful recreation of an old analogue hero, the Minimoog.
Considered a bulky iPhone by its detractors when it was first presented, the iPad has been revolutionizing the market of mobile computing ever since — and our DAWs as a consequence. A good enough reason to take a stand on the issue. Let's start with an overview of Apple's offering.
A little more than one year ago, we reviewed the Duet 2, the second generation of Apogee's mobile USB audio interface with two mic inputs. With the Quartet, the Californian engineers have produced the missing link between the Duet 2 and the large Symphony I/O, that is an interface with four mic inputs and ADAT.
One year ago, Apogee introduced the Duet 2, a digital audio interface with remarkable sound and finish, but only available for Mac computers. Focusrite realized that it was an opportunity and presented the Forte, a direct competitor with comparable dimensions — plus Mac and PC support! But can it really compete in terms of quality?