Winter NAMM 2012 News
The Audix SCX25A's are nice microphones for a variety of purposes. I've used them a few times for piano and I also tried one of them out for acoustic guitar. I think that two that are at the studio where I used them are a matched pair as you can buy a set of two of them that are matched. For recording piano, I was blown away by the sound of t...
I've been using them for 6 months in my home studio. Pros: versatility, precision, high frequency range, transient response Cons: considerable dynamic response difference between mics, rather dry sound, lack of warmth, grid fastening I own a dozen of different mics to compare them to.
I have been a few years trs happy user of the Audix. I have in my case a D6, D2 and two i5 and all the microphones fully satisfy me! Looking for a microphone that would IDAL for the sound of grand piano, I dvolu the SCX25 by not having heard quen overheads on a drum jazz and the view of some al colleagues who had praised the MRIT me. <br...
I only used once again. Before this microphone, I placed a 15cm front condo mouth (adx 51 or other) Here we find a 2 or 5cm which provides a huge gain and very little external repisse. The most Small size and negligible weight to the composer. fastening system easy and reliable (I am not sure that all flutes ha...
I use this one for a month, but I know on stage with the Audix OM7 already 2 years and I love the VX10 has presence even more pronounced I already have the neumann kms105 and to my taste, the Audix is much easier to manage live with the sound source on the scene ... neumann, is your property, but with a return management in atria, other...
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