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Electrostatic microphones

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The best Electrostatic microphones reviews

The reviews Audiofanzine members found the most helpful.
  • RODE NT2A

    « Impeccable in lots of different configurations »

    A very heavy condenser mic that inspires confidence. I bought it knowing I should pare it with a sturdy mic stand. OVERALL OPINION I used it essentially to record vocals, since I already had an NT55 for my guitar. After several trials, various posi

  • Audio-Technica AT2020

    « A Good Product »

    I only regret the lack of a high-pass or low-cut. OVERALL OPINION After comparing it to a higher-end tube apex, this mic really surprised me It's a truly ideal mic for rap/rnb and speech recordings because it captures well the high frequency range

  • JZ Microphones Vintage 11

    « Such a pleasant surprise! »

    The JZ Microphones Vintage 11 is a large diaphragm condenser mic with cardioid pattern. OVERALL OPINION When I decided to try it out for the first time I wasn't sure what to expect. Mainly because I knew almost nothing about the particular company

  • Peluso 22 251

    « Bright done right, with a couple caveats »

    The Peluso 22 251 is a variable-pattern tube condenser microphone best utilized in the controlled environment of the recording studio. Its name alludes to the classic Telefunken ELA M 251 by which it was inspired. It comes in a complete kit that in

  • AKG C 451 E

    « Exceptional gear! »

    The features have already been mentioned. It's ideal in pairs to record guitar, vocals (CK5 capsule), as drum room mic (CK1 & CK2), or as room mic (CK8 shotgun). OVERALL OPINION I have been using this AKG C451e pair with different capsules (CK1

  • Behringer C-2

    muzikal's review

    Small-diaphragm dynamic (or electret?) mic Cardioid polar pattern. It comes with a mic clip and windscreen (for winter). OVERALL OPINION This mic that costs almost nothing (60 bucks for a pair and 30 secondhand) has a big advantage in my view,

  • MXL 2006

    Audiofanzine FR's review

    (Originally written by EnDlEsSjOe/translated from Audiofanzine FR) Class-A condenser mic for vocal and acoustic guitar applications. Pressure gradient microphone with 25mm diaphragm. Frequency response: 30 Hz - 20 kHz Cardioid polar patt

  • AKG C 1000 S

    « Jack of all trades master of none »

    The C1000s is a versatile XLR, condenser mic which can be used for in-studio recording or live performances. It has a frequency response of 50Hz to 20kHz. The polar pattern by default is cardioid, but it can be switched to hyper-cardioid by slipp

  • AKG C414 XLII

    « 10 out of 10 »

    A. Best female vocal mic ever made. B. Best universal mic every made. C. One of the most used microphone in a pro environment made. This is the most universal mic used EVER. This mic can be used for any application. I have never had one applica

  • CAD M179

    « Not for High End Singers »

    This mic has a great quick response for singers that have a thick low voice. It provides a great top end boost at the high mid frequencies. If you have a real treble sounding (3.5 to 6K) voice I would go with another microphone. I always say that y

  • AKG Perception 420

    victormelamade's review

    The Perception 420 is the nicest and most expensive mic in AKG's Perception line. The Perception mics are definitely aimed at the home studio market, but you will actually see the 420 pop up in a few pro studios here and there. This is the only one

  • Sony C-48

    « Sony C 48 the unknown LDC »

    A couple of years ago, I was looking for a pair of used Neumann U 87 mics for vocals and general aplications. Then a pair of Sony C 48 was offered to me at a ridiculous low price. Here in Germany the Neumann, AKG,Shoeps mics are omnipresent. only a f