All user reviews for the Korg Ax100g

A pdalier still pretty full for someone who makes a pass temps.On to find a little of everything, wha wha, fuzz, flanger, phaser, chorus, pitch, etc ...

Obviously this is pdalier numrique do that every sound is produced via a control and processor.

There are 36 sounds are pre-program and 36 non ditables white box to create your sounds and editable at will. Also beats all types of batteries are available there in 63 if I remember correctly and 10 amp simulations.

The old connection 1 / 4, and 1 in 1 out

UTILIZATION

Configuration is very simple, but the booklet is provided so you can easily identify only playing around with the buttons. The manual is very well explained everything is clear and we found it easily. Each edition of her is a breeze.

SOUND QUALITY

I would say that overall all is well, at disto no comment to make everything is very well made, the wha wha is well made but little do mieux.Les simulation models are still well rendu.On can easily make a very nice distortion metal or rock on its gouts.Perso I use it on an amp fender frontman 15 watt electronic and guitar Steve Vai signature JEM7VWH.

OVERALL OPINION

I use it now for 5 years. There are three things that I criticized the lack of pdalier compressor or sustain the bypass and also for clean, when it has no effect can not be directly from its clean amp for play real clean better connect directly to the amp but can get a nice effect to a very clean sound I use the Custom Filter to play on the clean. For the price I board but I remember well that it is not for the professional I recommend it for someone who only uses it at home for fun.

100 preset programs, 100 user programs
headphone / line out Stereo / Mono

UTILIZATION

Utiliser.une very easy time choosing a parameter and its rglages, the edition is done by pressing twice write
Manual is quite indispensable to go after opportunities for the unit

SOUND QUALITY

As with all multi-effects, many things seem anecdotal, if not unusable (eg pitch, slowatk, maj3up, etc.), however, the amp simulations (9 + acoustic), those of the associated baffles (1x8, 1x10, 1x12, 2x12, 4x10, 4x12)
atmosphere over the section (delay, room 1.2, 1.2 Garage, hall, arena) are used to make basic sounds excellent, clear, crunches, or saturated, which respect the natural grain of the guitar. Just for this part, the purchase of a AX100G is justified, it is no longer produced and is a good price. chorus, flanger, phaser, tremolo can be used, wisely, otherwise blur the sound, but the story got.
Stereo output can be useful to trs parallle other pedals, like recording scne
Friendly, efficient noise gate to eliminate hum

OVERALL OPINION

Strong, served by a plastic look a little crooked, this machine is up to its replaceable, the AX5G. Trs is a good tool once lagu the useless and the gadget, which applies especially to its amp simulations, cabinets and convincing reverbs trs
I use it for 4 or 5 years and would do without this choice problem

For full description see other opinions.
40 factory presets + 40 user (Enough)
Not editable on a PC or Mac, however, for my use, no interest, so perfect.
The connection is all that is very simple: In and Out in 6.35mm, 3.5mm accessory input, a headphone jack, an external power supply input (protected against reverse polarity and there, congratulations, because that with all the transformers that balladent home, I did some smoking qques, pedals!) and point bar.

UTILIZATION

The configuration is childish: You branches, you play.
Of course, you can enter in the setup and edit presets "factory" existing (and then edit them in the presets "users" but fortunately not crush) or even from scratch since the selection of the amp emulation, the cabinet, modulation effects, etc. ... Everything is accessible and does not speak Chinese. the language is clear and intuitive controls. The manual is comprehensive and accessible to all.
While it is true, on stage, the backlight is poor and if only one ale qques lights, one is in complete blur ... Also true that it generates breath and it does not have XLR output to attack a table directly, but hey, a direct box and hop. On stage, there is concern also the fragility, apparently. In fact, mine has experienced the hot, cold, rain, sand, beach tatane, rangers ... He never whinning.

SOUND QUALITY

The distos are good, the chorus and the wah defend themselves. The delay, at least, I think.
Emulations are successful and well-made cabinets.
I no longer used on stage for a while, but it is always helpful to work at home on amp or headphones or go horse. He is very thorough and can address all the styles in 2 presses (my tour!).
All my grats spend.
The tapping sounds feasts U.S. and shred with ease.
The gibs and sounds british made me shorten my futal and stick a satchel in the back, so it's enjoyable English schoolboy ...
Finally all this without the talent obviously, but for sound, I believe.

OVERALL OPINION

I have since 2001. Date I decided to get back to the grat seriously. First I spent 3 weeks m'esbaudier the beauty of the sounds of this box before starting to work ...
I have owned other multi-effects. The RP350A not to quote it seems to me very cold next to this one ... Even the Boss ME25, yet more recent seems to me feeble in comparison. It is true that I practiced for a long time and I always find the sound I want because I know it by heart, it helps.