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« Sonalksis MaxLimit »

Published on 02/06/11 at 15:00
MaxLimit is one of four software tools developed by Sonalksis specially created for modern mastering applications. Nowadays the digital revolution age has drastically transformed how music is mastered. Digitally produced music tends to keep pushing the limits of how hot a mix can be, leaving little to almost no room for mastering, disrupting the music level dynamics, thus disrupting how the music is perceived by the listener. MaxLimit was created to deal with just that. Ultra hot mixes. Different from a regular limiter, Maxlimit is intended to deal with these issues by solving them while conserving music dynamism.

MaxLimit is sold at Sonalksis.com for $279.99. Mastering Suite Bundle is priced at $599.99 and includes MaxLimit and three other plugins. Free 14 days trial is also available in the site.

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At first the MaxLimit might look like a regular limiter. Input>threshold>output. The three knobs and three buttons that surround those common features give this limiter its uniqueness. Release allows anything from transitory 1ms release times up to a full second. With the assistance of Smooth you can carefully blend the limited signal so result is natural. The Auto button gives the Release an automatic feature, so it can automatically release depending the income signal. The link buttons cleverly ties threshold and output faders together so you can further carefully explore the outcome when changing threshold level. Once again, Sonalkisis brings few but very useful presets. They are a good demo of what MaxLimit can do.

Product is great, but makes me wish for a smaller price tag. Definitely goes for the Mastering Bundle, instead of buying one at time.

Solid plug in. Faders give control precision and can also customized under set up tab. Powerful result without consuming a lot of RAM.

Great tool for mastering, independent if you at your own home studio or in professional environment. It can definitely help to give any mix a great smooth result.

This review was originally published on http://www.musicgearreview.com