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Belame « EXCELLENT! »
Published on 11/02/11 at 01:27
Best value:
Excellent
Australian manufacturing, while massive, two sensors ...
For my guitar, solid spruce top, blackwood back and sides, maple neck, rosewood fingerboard (many combinations of wood are available on these guitars). I did not venture to the table in bunya, I preferred to stay on the "classic". I had the opportunity to test with CC table in Bunia and I prefer the sound of spruce. The Bunya is brighter I would say. As a purely aesthetic point of view, I find most beautiful spruce. The bunya is very clear. Finally the differences between these two woods, there is the weight: the spruce makes the guitar heavier than the bunya.
UTILIZATION
Handle very nice profile C or too thin nor too thick. Access facilitated by the sharp cutaway.
To form it is a dread, classical.
SOUNDS
I mainly play rock, pop, blues.
The acoustic sound is very good (the sound after 2 years of intensive use was enhanced). Its rich, huge bass. Its a very typical "medium" the highs are slightly recessed. This made me crack. I'm not a fan screaming highs that we reetrouve on Taka, Taylor entry example. In short its a very hot, "roots". Good projection (I play with phosphorous bronze DADDARIO light).
Plugged in, it's madness ... for me it is simply a must, best value for money. Even on an entry level amp, it sounds the fire god. A clear and defined ... After the scenes I was often reported that this is simply plugged quitar ... a REAL guitar sound.
OVERALL OPINION
I use it for 2 years, I have had many guitars and this is the perfect compromise between electro and acoustic guitar for less than € 1 500. At this price, all made in Australia mass sensors with madness, what more! Great sound old and more.
I do it again this choice with eyes closed.
For my guitar, solid spruce top, blackwood back and sides, maple neck, rosewood fingerboard (many combinations of wood are available on these guitars). I did not venture to the table in bunya, I preferred to stay on the "classic". I had the opportunity to test with CC table in Bunia and I prefer the sound of spruce. The Bunya is brighter I would say. As a purely aesthetic point of view, I find most beautiful spruce. The bunya is very clear. Finally the differences between these two woods, there is the weight: the spruce makes the guitar heavier than the bunya.
UTILIZATION
Handle very nice profile C or too thin nor too thick. Access facilitated by the sharp cutaway.
To form it is a dread, classical.
SOUNDS
I mainly play rock, pop, blues.
The acoustic sound is very good (the sound after 2 years of intensive use was enhanced). Its rich, huge bass. Its a very typical "medium" the highs are slightly recessed. This made me crack. I'm not a fan screaming highs that we reetrouve on Taka, Taylor entry example. In short its a very hot, "roots". Good projection (I play with phosphorous bronze DADDARIO light).
Plugged in, it's madness ... for me it is simply a must, best value for money. Even on an entry level amp, it sounds the fire god. A clear and defined ... After the scenes I was often reported that this is simply plugged quitar ... a REAL guitar sound.
OVERALL OPINION
I use it for 2 years, I have had many guitars and this is the perfect compromise between electro and acoustic guitar for less than € 1 500. At this price, all made in Australia mass sensors with madness, what more! Great sound old and more.
I do it again this choice with eyes closed.