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lâg-addict
Fabulous ...
Published on 04/04/12 at 10:03 (This content has been automatically translated from French)Cutaway lag + Studio with tuner
But no xlr.
UTILIZATION
Easy handle, electric typed.
Cutaway, very good access to acute.
SOUNDS
His extraordinary disconnected.
Connected, a good acoustic amp is necessary to gain the original preset, whose differences are quite subtle. The bypass is always possible ...
OVERALL OPINION
This guitar is a killer.
The violin is wonderful. I have natural matte version.
Compared to an old lag 333 (I have not had the others ...) the handle is thinner (thickness / width), less typical folk, demand more precision (less easy to agree), but is extremely pleasant. This handle will satisfy the owners of power. This is an acoustic made for...…
But no xlr.
UTILIZATION
Easy handle, electric typed.
Cutaway, very good access to acute.
SOUNDS
His extraordinary disconnected.
Connected, a good acoustic amp is necessary to gain the original preset, whose differences are quite subtle. The bypass is always possible ...
OVERALL OPINION
This guitar is a killer.
The violin is wonderful. I have natural matte version.
Compared to an old lag 333 (I have not had the others ...) the handle is thinner (thickness / width), less typical folk, demand more precision (less easy to agree), but is extremely pleasant. This handle will satisfy the owners of power. This is an acoustic made for...…
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Cutaway lag + Studio with tuner
But no xlr.
UTILIZATION
Easy handle, electric typed.
Cutaway, very good access to acute.
SOUNDS
His extraordinary disconnected.
Connected, a good acoustic amp is necessary to gain the original preset, whose differences are quite subtle. The bypass is always possible ...
OVERALL OPINION
This guitar is a killer.
The violin is wonderful. I have natural matte version.
Compared to an old lag 333 (I have not had the others ...) the handle is thinner (thickness / width), less typical folk, demand more precision (less easy to agree), but is extremely pleasant. This handle will satisfy the owners of power. This is an acoustic made for metalheads! Out of Harmonics is a real breeze. The stability of the agreements is excellent.
The lag studio is simple and effective, and works perfectly. Accurate tuner, nice presets and adjustable bass / treble still available for tweaking. Against by the volume knob is slightly progressive, better not get too the amp, otherwise, any rotation of knob may surprise you ...
And what a sound! Disconnected, it never ceases to amaze me. What purity! Especially as the sound expands with age. The original choice of strings is excellent. The elixir go perfectly with this guitar. (I do not know if they are still mounted)
At fault, mine has worked hard, the handle was tightened and after one night, I found her half a sharper tone! It is of course become false, and the settings stick that followed did not eliminate an annoying tendency to ferailler even by modulating up the attack with a pick. Problem solved from the saddle table has been changed and enhanced. She has regained all its qualities.
It's a shame, taking in more in-store, this setting is clearly VERY different from one guitar to another, it shows a glance, even unsophisticated ...
Despite these minor teething problems, the sound catches up with everything, I'm really in love and I do not want no other!
A counselor, but in case of trouble, to predict the set by a good luthier ...
But no xlr.
UTILIZATION
Easy handle, electric typed.
Cutaway, very good access to acute.
SOUNDS
His extraordinary disconnected.
Connected, a good acoustic amp is necessary to gain the original preset, whose differences are quite subtle. The bypass is always possible ...
OVERALL OPINION
This guitar is a killer.
The violin is wonderful. I have natural matte version.
Compared to an old lag 333 (I have not had the others ...) the handle is thinner (thickness / width), less typical folk, demand more precision (less easy to agree), but is extremely pleasant. This handle will satisfy the owners of power. This is an acoustic made for metalheads! Out of Harmonics is a real breeze. The stability of the agreements is excellent.
The lag studio is simple and effective, and works perfectly. Accurate tuner, nice presets and adjustable bass / treble still available for tweaking. Against by the volume knob is slightly progressive, better not get too the amp, otherwise, any rotation of knob may surprise you ...
And what a sound! Disconnected, it never ceases to amaze me. What purity! Especially as the sound expands with age. The original choice of strings is excellent. The elixir go perfectly with this guitar. (I do not know if they are still mounted)
At fault, mine has worked hard, the handle was tightened and after one night, I found her half a sharper tone! It is of course become false, and the settings stick that followed did not eliminate an annoying tendency to ferailler even by modulating up the attack with a pick. Problem solved from the saddle table has been changed and enhanced. She has regained all its qualities.
It's a shame, taking in more in-store, this setting is clearly VERY different from one guitar to another, it shows a glance, even unsophisticated ...
Despite these minor teething problems, the sound catches up with everything, I'm really in love and I do not want no other!
A counselor, but in case of trouble, to predict the set by a good luthier ...
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Tech. sheet
- Manufacturer: Lâg
- Model: Tramontane T200DCE
- Series: Tramontane 200
- Category: Acoustic-electric Folk/Western guitars
- Added in our database on: 11/03/2010
We have no technical specifications for this product
but your help will be much welcomed
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Other categories in Acoustic-Electric Guitars
Other names: tramontanet200dce, tramontane t 200dce, tramontane t200 dce, tramontanet200 dce