Line 6 Variax Acoustic 300 Nylon

China line6 U.S.
Handle half moon 19 frets
Microphones sensors integrated bridge
The volume is the only conventional adjustment

UTILIZATION

super round, acceptable weight well balanced with or without strap
Access to acute facilitated by the etched

SOUNDS

entire range of sound excellent classic nylon, in classic style or Brazilian

OVERALL OPINION

I utlise for 5 years, and I have chosen after essyé AP 10N and silent guitar Yamaha classical nylon Ovation and Takamine range equivalent
I love the violin and I regret that the pleinnitude sound is achieved with a high-end amplication Value unbeatable price. I would do this choice without hesitation DETAILS:
reglagles: a rotary knob mixing the two guitars mithiques modeled Maldonado Torres classical flamenco 2004 and 1867. Center: 2, bottom right: one, thoroughly left: another.
a rotary knob 2nd affects the overall volume
3 knobs allow linear 1) to adjust the reverb, 2) the compressor, 3) the placement of virtual micro miking. It is therefore qualify advantage chosen between the two guitars modeled position, has almost a eqaliser special, because most micro of the rosette is approached, the more you feel low frequencies and vice vera least fifteen more biting way
Finally 1 switch allows successive pressures, choose from 10 factory presets (NB: you can not go directly to the chosen preset (decrement / rear engine)
Each patch design (modified by any of the parameters listed first) can be saved instead of the patch (preset) of departure.
the last switch heads on the tuner, by passing the sound of the instrument
Channel violin, U typical "classic" perfect kind, even the sound is surprisingly not connected residual present, and can play, work really comfortable muted.
access to the treble is etched facite by which, if it can shock initially, becomes very useful and gives even an original character very pleasant.
The balance of the instrument is perfect, with or without strap.
Sound: each preset is say a "starting point" can be modified by pre SETTINGS cited thus we arrive at roughly the sound easily desired, and depending on the transduction used (console, or combo amp) Personally I prefer to away through a PA, or equivalent, because there are so harmonic that twiter is required, and there is exceptional .....
The black dot ... it tends larsenner medium, more or less depending on presets and level. The reason is the cavity of the battery, which creates a mini sounding. I solved the problem 70%, by stuffing the cavity of with cloth or cahoutchouc, or foam. In addition, it prevents the battery box to move, thus generating noise terribly bothersome.
Conclusions (quite presonnelles) LUTHERIE geniale, I think she is already by itself, the price of the instrument
SOUND: very very interesting, even more stunning, if I come to discover, is not forced on the output level. It is better, from a resonnables level play on the trim / preamp input console
I am pleased with this purchase I would do easily

made in china

UTILIZATION

I play mainly on nylon guitars,
and then I forget the handle so it's nice,
an impression of lightness,
I played it for hours without fatigue, very nice
acute on more accessible than normal thanks to a classic cutaway

SOUNDS

as stated in the notice,
can vary between two of its models,
an Maldonado Flamenco 2004, and Torres 1867 classic
sounds a bit pompous as this and this is the fart,
good but in reality it sounds good,
and much better than any guitar equipped with a piezo,
and no feedback problems
too much noise as when you put a microphone in front of a classic and it takes all sounds too ambients and slips on the ropes

OVERALL OPINION

I had a big concert multiac and two Godin, who were worth the same price, but I was not this sound, and not the violin,
for the Godin on the forums, there's that swears by it and have never been able to pay, and those who bought one, and have since sold disappointed.
often problems on the frieze of Godin
Canadian violin factory, and it is expensive because you pay the final concept
ultimately, the line 6 was made in China,
it is no longer, but as for the Chinese violin for sound,
I prefer that to godin ...

Hello,

G cracker for Variax nylon is great!

But hey let's be more explicit:

I have the Variax 600, but there is no sound nylon, as I made the mtier for bossa eg. I had to take my classical nylon bulky, fragile, and much more sensitive to the Larssen 300 nylon.

my store had a Yamaha AES500 (which will be arrter it seem), a duet nylon Godin multiac.

good:
AES500 against 300 Nylon: Nylon 300 is the most natural-thanks to the modlisation cash.
Nylon 300 against multiac: violin making in the Multia frankly above, but are electro, it is more sensitive to the Larssen 300, and 300 is at the mmorisable SETTING THE are, what little saves me a lot of time to live.
What's more, I had no budget multiac, so here goes!

UTILIZATION

It is quite easy to adjust (or program)

https://fr.line6.com/variaxacoustic300/howitworks.html

I has 4 paramtres

body: one dose between two guitars, flamenco and classical
Verb: is the reverb (very convenient times to save time).
Comp: the compressor is a function that should be on all appliances,
mic: the position of the virtual microphone!. Tone is a good verse has an envelope.

sails, argler super simple, I like it.

SOUNDS

An electro-acoustic, classical or folk, the sound is picked up by piezo.

(Commonly, it is polarizing crystals, which by the pressure and vibration of the strings, transmits an electrical signal which it converts into sound. It's ugly!)

The models evolve over (multiac) complete the sound with a microphone body. good is better, but sensitive to Larssen.

we move the sensor in an algorithm, which we modify in real time, to get the sounds (grain) will.

Well, has cost you, branches guitars, the Variax is the coolest.

OVERALL OPINION

Trs I am happy
sails